The Early Recordings

~ Release by Verdi, Puccini; Renata Tebaldi (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Aida: “Ritorna vincitor!”
soprano vocals:
Renata Tebaldi (soprano) (on 1949-11-21)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-11-21)
conductor:
Alberto Erede (conductor) (on 1949-11-21)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-11-21)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1949-11-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:49
2Il Trovatore: “Tacea la notta placida”
soprano vocals [Leonora]:
Renata Tebaldi (soprano) (on 1949-11-21)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-11-21)
conductor:
Alberto Erede (conductor) (on 1949-11-21)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-11-21)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (on 1949-11-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:56
3Faust : Chanson du roi de Thulé … Air des bijoux
soprano vocals:
Renata Tebaldi (soprano) (on 1949-11-21)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-11-21)
conductor:
Alberto Erede (conductor) (on 1949-11-21)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-11-21)
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
recording of:
Faust : Acte III. Scène « Je voudrais bien savoir » … No. 14a « Il était un roi de Thulé » (Marguerite)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod8:55
4Madama Butterfly: “Un bel dì vedremo”
soprano vocals:
Renata Tebaldi (soprano) (on 1949-11-21)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-11-21)
conductor:
Alberto Erede (conductor) (on 1949-11-21)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-11-21)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1949-11-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:53
5Manon Lescaut: “In quelle trine morbide”
soprano vocals:
Renata Tebaldi (soprano) (on 1949-11-21)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-11-21)
conductor:
Alberto Erede (conductor) (on 1949-11-21)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-11-21)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (on 1949-11-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:44
6Tosca: “Vissi d'arte”
soprano vocals:
Renata Tebaldi (soprano) (on 1949-11-21)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-11-21)
conductor:
Alberto Erede (conductor) (on 1949-11-21)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-11-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1949-11-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:29
7La Bohème: “Sì. Mi chiamano Mimi”
soprano vocals:
Renata Tebaldi (soprano) (from 1951-07-19 until 1951-07-26)
tenor vocals:
Giacinto Prandelli (tenor) (from 1951-07-19 until 1951-07-26)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1951-07-19 until 1951-07-26)
conductor:
Alberto Erede (conductor) (from 1951-07-19 until 1951-07-26)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1951-07-19 until 1951-07-26)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1951-07-19 until 1951-07-26)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:59
8La Bohème: “Donde lieta uscì”
soprano vocals:
Renata Tebaldi (soprano) (from 1951-07-19 until 1951-07-26)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1951-07-19 until 1951-07-26)
conductor:
Alberto Erede (conductor) (from 1951-07-19 until 1951-07-26)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1951-07-19 until 1951-07-26)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1951-07-19 until 1951-07-26)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:02
9Madama Butterfly: “Con onor muore”
soprano vocals:
Renata Tebaldi (soprano) (from 1951-07-19 until 1951-07-26)
tenor vocals:
Giuseppe Campora (Italian operatic tenor) (from 1951-07-19 until 1951-07-26)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1951-07-19 until 1951-07-26)
conductor:
Alberto Erede (conductor) (from 1951-07-19 until 1951-07-26)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1951-07-19 until 1951-07-26)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1951-07-19 until 1951-07-26)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:22
10Aida: Atto III. “O tu che sei d'Osiride”
bass vocals [Ramfis]:
Dario Caselli (operatic bass)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Amneris]:
Ebe Stignani (mezzo soprano)
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1952-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1952-07)
conductor:
Alberto Erede (conductor) (in 1952-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1952-07)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (in 1952-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:21
11Aida: Atto III. “Qui Radamès verrà!” … “Che vorrà dirmi?”
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1952-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1952-07)
conductor:
Alberto Erede (conductor) (in 1952-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1952-07)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1952-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:11
12Aida: Atto III. “Ciel! mio padre!”
baritone vocals [Amonasro]:
Aldo Protti (bass-baritone)
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1952-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1952-07)
conductor:
Alberto Erede (conductor) (in 1952-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1952-07)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1952-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:52
13Aida: Atto III. “Pur ti riveggo, mia dolce Aida”
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1952-07)
tenor vocals [Radamès]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1952-07)
conductor:
Alberto Erede (conductor) (in 1952-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1952-07)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (in 1952-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:51
14Aida: Atto III. “Fuggiam gli ardori insopiti”
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1952-07)
tenor vocals [Radamès]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1952-07)
conductor:
Alberto Erede (conductor) (in 1952-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1952-07)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1952-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:33
15Aida: Atto III. “Tu … Amonasro! … tu! … il Re?”
soprano vocals:
Renata Tebaldi (soprano) (in 1952-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1952-07)
conductor:
Alberto Erede (conductor) (in 1952-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1952-07)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:37