English Ayres and Duets

~ Release by The Camerata of London, Glenda Simpson, Paul Hillier, Barry Mason, Rosemary Thorndycraft (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1If thou long’st so much to learn
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
mezzo-soprano vocals:
Glenda Simpson (mezzo-soprano) (from 1980-08-23 until 1980-08-24)
recording of:
If thou long’st so much to learn (from 1980-08-23 until 1980-08-24)
composer:
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion1:42
A2Fine knacks for ladies
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1980-08-23 until 1980-08-24)
recording of:
The Second Booke of Songs or Ayres, No. 12: "Fine Knacks for Ladies" (from 1980-08-23 until 1980-08-24)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland2:30
A3Shall I come, sweet love?
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
mezzo-soprano vocals:
Glenda Simpson (mezzo-soprano) (from 1980-08-23 until 1980-08-24)
recording of:
Shall I Come Sweet Love to Thee? (from 1980-08-23 until 1980-08-24)
composer:
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion3:38
A4Piper’s Galliard
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
lute:
Barry Mason (classical lutenist and guitarist) (from 1980-08-23 until 1980-08-24)
[anonymous]2:20
A5In darkness let me dwell
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1980-08-23 until 1980-08-24)
recording of:
In Darkness Let Me Dwell (A Musicall Banquet, No. 10: “In Darkness Let Me Dwell”) (from 1980-08-23 until 1980-08-24)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1610)
John Dowland4:10
A6Tell me, O love
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1980-08-23 until 1980-08-24)
recording of:
Tell me, O love (from 1980-08-23 until 1980-08-24)
composer:
Alfonso Ferrabosco (the elder, 1543-1588)
Alfonso Ferrabosco (I)2:45
A7Time’s eldest son, Old Age
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
mezzo-soprano vocals:
Glenda Simpson (mezzo-soprano) (from 1980-08-23 until 1980-08-24)
recording of:
The Second Booke of Songs or Ayres, No. 6: "Time's eldest son" (from 1980-08-23 until 1980-08-24)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland4:27
A8Tobacco, tobacco
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1980-08-23 until 1980-08-24)
recording of:
Tobacco, tobacco (from 1980-08-23 until 1980-08-24)
composer:
Tobias Hume
Tobias Hume1:48
B1Flow, my tears
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1980-08-23 until 1980-08-24)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (from 1980-08-23 until 1980-08-24)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland4:17
B2Now, oh now I needs must part
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1980-08-23 until 1980-08-24)
recording of:
The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part" (from 1980-08-23 until 1980-08-24)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:45
B3Eyes, look no more
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
mezzo-soprano vocals:
Glenda Simpson (mezzo-soprano) (from 1980-08-23 until 1980-08-24)
recording of:
Eyes, look no more (from 1980-08-23 until 1980-08-24)
composer:
John Danyel
John Danyel4:32
B4My choice is made
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
mezzo-soprano vocals:
Glenda Simpson (mezzo-soprano) (from 1980-08-23 until 1980-08-24)
recording of:
My choice is made (from 1980-08-23 until 1980-08-24)
composer:
Francis Pilkington (English composer, singer & lutenist, 1565-1638)
Francis Pilkington4:06
B5The Earl of Essex Galliard
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
lute:
Barry Mason (classical lutenist and guitarist) (from 1980-08-23 until 1980-08-24)
[anonymous]1:48
B6Now what is Love?
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1980-08-23 until 1980-08-24)
Robert Jones3:26
B7Come away, come, sweet love
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
mezzo-soprano vocals:
Glenda Simpson (mezzo-soprano) (from 1980-08-23 until 1980-08-24)
recording of:
The First Booke of Songs or Ayres, No. 11: "Come away, come, sweet love" (from 1980-08-23 until 1980-08-24)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:28
B8Humour, say what mak’st thou here
recording engineer:
Adam Skeaping (audio engineer, string instrument player)
producer:
Robert Burnett (classical producer)
instruments:
Camerata of London (from 1980-08-23 until 1980-08-24)
mezzo-soprano vocals:
Glenda Simpson (mezzo-soprano) (from 1980-08-23 until 1980-08-24)
recording of:
The Second Booke of Songs or Ayres, No. 22: "Humor say what mak'st thou here" (from 1980-08-23 until 1980-08-24)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland3:21

Credits

Release

liner notes:Glenda Simpson (mezzo-soprano)
executive producer:Edward Perry (producer and founder of Hyperion, aka Ted Perry)
design:Terry Shannon (designer)
Discogs:https://www.discogs.com/release/6849045 [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66003 [info]