Body & Soul: The Complete Victor Recordings 1939–1956

~ Veröffentlichung von Coleman Hawkins (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Meet Doctor Foo
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Kontrabass:
William Oscar Smith (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1939-10-11)
recording of:
Meet Doctor Foo (am 1939-10-11)
Komponist(in):
Coleman Hawkins
2:33
2Fine Dinner
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
instrumental recording of:
Fine Dinner (instrumental) (am 1939-10-11)
Komponist(in):
Coleman Hawkins
2:33
3She’s Funny That Way
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Kontrabass:
William Oscar Smith (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
vocals:
Thelma Carpenter (50s/60s vocal artist) (am 1939-10-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1939-10-11)
instrumental recording of:
She’s Funny That Way (am 1939-10-11)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
3:14
4Body and Soul (1939)
recording of:
Body and Soul (am 1939-07-01)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental recording of:
Body and Soul (am 1939-10-11)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:01
5When Day Is Done
recording of:
When Day Is Done
Texter:
Buddy DeSylva (in 1926)
Komponist(in):
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Redwood Music Ltd. (Carlin)
basiert auf:
Madonna, du bist schöner als der Sonnenschein
3:15
6The Sheik of Araby
recording of:
The Sheik of Araby
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
2:57
7My Blue Heaven
recording of:
My Blue Heaven
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
2:46
8Bouncing with Bean
recording of:
Bouncing With Bean
Komponist(in):
Coleman Hawkins
3:03
9Say It Isn’t So
recording of:
Say It Isn’t So
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
2:52
10Spotlite
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (am 1946-02-27)
Gitarre:
Mary Osborne (Jazz guitarist) (am 1946-02-27)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1946-02-27)
Kontrabass:
Al McKibbon (double bassist) (am 1946-02-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1946-02-27)
Tenorsaxophon:
Allen Eager (am 1946-02-27) und Coleman Hawkins (am 1946-02-27)
Trompete:
Charlie Shavers (am 1946-02-27)
3:06
11Indiana Winter
baritone saxophone:
Harry Carney (am 1946-12-04)
Klavier:
Teddy Wilson (am 1946-12-04)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1946-12-04)
Tenorsaxophon:
Coleman Hawkins (am 1946-12-04)
Trompete:
Buck Clayton (am 1946-12-04) und Charlie Shavers (am 1946-12-04)
2:30
12Indian Summer
baritone saxophone:
Harry Carney (am 1946-12-04)
Klavier:
Teddy Wilson (am 1946-12-04)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1946-12-04)
Tenorsaxophon:
Coleman Hawkins (am 1946-12-04)
Trompete:
Buck Clayton (am 1946-12-04) und Charlie Shavers (am 1946-12-04)
instrumental recording of:
Indian Summer (am 1946-12-04)
Texter:
Al Dubin (in 1939)
Komponist(in):
Victor Herbert (American composer) (in 1919)
publisher:
Harms, Inc.
3:14
13Blow Me Down
baritone saxophone:
Harry Carney (am 1946-12-04)
Klavier:
Teddy Wilson (am 1946-12-04)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1946-12-04)
Tenorsaxophon:
Coleman Hawkins (am 1946-12-04)
Trompete:
Buck Clayton (am 1946-12-04) und Charlie Shavers (am 1946-12-04)
2:56
14Buckin’ the Blues
baritone saxophone:
Harry Carney (am 1946-12-04)
Klavier:
Teddy Wilson (am 1946-12-04)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1946-12-04)
Tenorsaxophon:
Coleman Hawkins (am 1946-12-04)
Trompete:
Buck Clayton (am 1946-12-04) und Charlie Shavers (am 1946-12-04)
recording of:
Buckin' the Blues (am 1946-12-04)
Komponist(in):
Leonard Feather
3:01
15Dixieland Stomp
baritone saxophone:
Harry Carney (am 1946-12-04)
Klavier:
Teddy Wilson (am 1946-12-04)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1946-12-04)
Tenorsaxophon:
Coleman Hawkins (am 1946-12-04)
Trompete:
Buck Clayton (am 1946-12-04) und Charlie Shavers (am 1946-12-04)
2:36
16How Did She Look
Gitarre:
Chuck Wayne (am 1947-12-10)
Kontrabass:
Jack Lesberg (am 1947-12-10)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-10)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-10)
vocals:
Leslie Scott (am 1947-12-10)
recording of:
How Did He Look? (am 1947-12-10)
Texter:
Gladys Shelley
Komponist(in):
Abner Silver
publisher:
Spiral Record Corp.
3:04
17Under a Blanket of Blue
Gitarre:
Chuck Wayne (am 1947-12-10)
Kontrabass:
Jack Lesberg (am 1947-12-10)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-10)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-10)
vocals:
Leslie Scott (am 1947-12-10)
recording of:
Under a Blanket of Blue (am 1947-12-10)
Texter:
Marty Symes (lyricist) (in 1933)
zusätzlicher Texter:
Al J. Neiburg (lyricist) (in 1933)
Komponist(in):
Jerry Livingston (songwriter) (in 1933)
3:02
18Never in a Million Years
Gitarre:
Chuck Wayne (am 1947-12-10)
Kontrabass:
Jack Lesberg (am 1947-12-10)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-10)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-10)
vocals:
Leslie Scott (am 1947-12-10)
recording of:
Never in a Million Years (am 1947-12-10)
Texter:
Mack Gordon
Verfasser(in):
Mack Gordon und Harry Revel (British-born American composer)
Komponist(in):
Harry Revel (British-born American composer)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Red Cape Songs
3:04
19You Were Meant for Me
Gitarre:
Chuck Wayne (am 1947-12-10)
Kontrabass:
Jack Lesberg (am 1947-12-10)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-10)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-10)
vocals:
Leslie Scott (am 1947-12-10)
recording of:
You Were Meant for Me (from “Singin’ in the Rain”) (am 1947-12-10)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und EMI United Partnership Ltd.
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
2:53
20April in Paris
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
instrumental recording of:
April in Paris (am 1947-12-11)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:08
21How Strange
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
recording of:
How Strange (am 1947-12-11)
Texter:
Gus Kahn
Komponist(in):
[traditional] (special purpose artist) und B. A. Prozorovsky
zusätzliche(r) Komponist(in):
Earl Brent und Herbert Stothart (composer)
publisher:
EMI Feist Catalog Inc.
3:04
22Half Step Down Please
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
recording of:
Half Step Down Please (am 1947-12-11)
Komponist(in):
Tadd Dameron
3:01
23Angel Face
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
recording of:
Angel Face (am 1947-12-11)
Komponist(in):
Hank Jones (piano) und Geoffrey Keezer
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:14
24Jumpin’ Jane
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
recording of:
Jumping for Jane (am 1947-12-11)
Verfasser(in):
Leonard Feather
3:09
25I Love You
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Klavier:
Hank Jones (piano) (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1947-12-11)
instrumental recording of:
I Love You (Mexican Hayride musical) (am 1947-12-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:51
26Picasso
Tenorsaxophon:
Coleman Hawkins (von 1948-07 bis 1948-08)
recording of:
Picasso (von 1948-07 bis 1948-08)
Komponist(in):
Coleman Hawkins
3:16
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