Pop & Wave, Volume 1: The Hits From the Fantastic 80's

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:09
2Always the Sun
engineer:
Owen Morris
producer:
Mike Kemp (UK recording engineer) and The Stranglers
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
music videos:
Always the Sun by The Stranglers
recording of:
Always the Sun
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers3.754:03
3Send Me an Angel
recorded in:
Australia
engineer:
Andrew Scott (Australian producer/engineer)
executive producer:
Mike Curb and Jack Schwartzman
producer:
Ross Cockle and Glenn Wheatley
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 1983)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
mixed at:
Fast Forward Studios in Warranwood, Melbourne, Victoria, Australia
recording of:
Send Me an Angel
lyricist:
David Sterry
composer:
Richard Zatorski
publisher:
Chappell & Co. GmbH (Publisher, do not use as a release label!), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. and Wheatley Music Pty Ltd. (in 1983)
Real Life4.53:53
4Dance Hall Days
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Geffen Records and The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:55
5Shout to the Top
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:22
6It Doesn’t Have to Be This Way
producer:
Michael Baker (producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1987)
produced for:
Simple Simon Inc.
recording of:
It Doesn’t Have to Be This Way
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
RCA Music Ltd. (publisher)
The Blow Monkeys3.354:03
7Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:28
8Queen of the Rapping Scene (Nothing Never Goes the Way You Plan)Modern Romance4:12
9It’s My Party
engineer:
Nick Bradford
producer:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
electronic drum set [SDS V], electronic instruments [claptrap], keyboard [keyboards] and vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
background vocals:
Amanda Parsons
lead vocals:
Barbara Gaskin
recorded at and mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1981-06 until 1981-07)
cover recording of:
It’s My Party
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:47
10(You'll Always Find Me in the) Kitchen at PartiesJona Lewie3:00
11Living in a Box
co-producer:
Tom Lord Alge
producer:
Richard James Burgess
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987)
produced for:
The Burgess Worldco
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) and Empire Music Ltd.
Living in a Box3.353:02
12Church of the Poison Mind
recording of:
Church of the Poison Mind
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd. (from 1983 to present)
Culture Club3:21
13Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:32
14Blind Vision
assistant engineer:
Linda Randazzo
engineer:
Jay Mark
producer:
John Luongo
bass:
Neil Jason (bassist)
guitar:
David Rhodes (guitarist, singer, and songwriter)
percussion:
Bashiri Johnson
saxophone:
Crispin Cioe and Arno Hecht (American saxophonist)
trombone:
Paul Litteral
trumpet:
Robert Funk (trombonist, trumpet player)
background vocals:
Brenda Jay Nelson (backing singer), Jocelyn Brown and Dolette McDonald
conductor:
James Bion Dolillo
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1983)
recorded at:
Sigma Sound Studios (New York) in New York, New York, United States
recording of:
Blind Vision
writer:
Neil Arthur (singer, songwriter, producer) and Stephen Luscombe
publisher:
Complete Music Ltd. and Cherry Red Music (publisher) (in 1983)
Blancmange53:56
15Talk Talk
recording engineer and producer:
Colin Thurston
mixer:
Mike Robinson (engineer)
bass guitar:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
drums (drum set):
Lee Harris (drummer, member of Talk Talk and .O.Rang)
keyboard:
Simon Brenner (UK musician, member of Talk Talk)
lead vocals:
Mark Hollis
recording of:
Talk Talk (Talk Talk)
lyricist and composer:
Ed Hollis (British songwriter and producer) and Mark Hollis
Talk Talk33:19
16Gold
recording of:
Gold
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet34:47
17The Look of Love, Part 1
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:29
18Everything’s Coming Up Roses
producer:
Dave Dix (Dave Dix)
mixer:
Dave Dix (Dave Dix) and Bill Price (UK producer/engineer)
recording of:
Everything’s Coming Up Roses
lyricist and composer:
Colin Vearncombe
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) and Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships)
Black4.54:05

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Release group

part of:Pop & Wave (number: 1) (order: 15)