| # | Title | Artist | Rating | Length |
|---|
| 1 | Blue Moon of Kentucky | Bill Monroe with The Oak Ridge Boys | | 3:45 |
| 2 | The Sunset Trail | Bill Monroe with Willie Nelson | | 3:43 |
| 3 | My Sweet Darlin’ | Bill Monroe with Ricky Skaggs | | 2:52 |
| 4 | I Still Miss Someone | Bill Monroe with Johnny Cash | | 2:56 |
| 5 | Kentucky Waltz | Bill Monroe with Emmylou Harris | | 3:07 |
| 6 | My Rose of Old Kentucky | Bill Monroe with Barbara Mandrell | | 3:19 |
| 7 | Is the Blue Moon Still Shining | Bill Monroe & Larry, Rudy, and Steve Gatlin | | 4:36 |
| 8 | With Body and Soul | Bill Monroe with Waylon Jennings | | 3:42 |
| 9 | Old Riverman | Bill Monroe with John Hartford | | 4:05 |
| 10 | My Louisiana Love | Bill Monroe with Mel Tillis | | 2:38 |
| 11 | I’m on My Way Back to the Old Home- engineer:
- Vic Gabany (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (task: second engineer) and Steve Tillisch (task: first engineer)
- producer:
- Emory Gordy, Jr.
- acoustic guitar:
- Wayne Lewis and Jim McReynolds
- banjo:
- Blake Williams (on 1985-06-17)
- bass:
- Clarence "Tater" Tate
- double bass:
- Clarence "Tater" Tate (on 1985-06-17)
- fiddle:
- Glen Duncan (on 1985-06-17) and Bobby Hicks (on 1985-06-17)
- guitar:
- Wayne Lewis (on 1985-06-17) and Jim McReynolds (on 1985-06-17)
- mandolin:
- Jesse McReynolds (on 1985-06-17) and Bill Monroe (on 1985-06-17)
- baritone vocals:
- Jesse McReynolds (on 1985-06-17)
- lead vocals:
- Jim McReynolds (on 1985-06-17)
- tenor vocals:
- Bill Monroe (on 1985-06-17)
- recorded at:
- Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17) and Sound Stage Recording Studios in Nashville, Tennessee, United States (on 1985-06-17)
- remixed at:
- Sound Stage Studios in Nashville, Tennessee, United States
- recording of:
- I'm on My Way Back to the Old Home (on 1985-06-17)
- lyricist and composer:
- Bill Monroe
| Bill Monroe with Jim and Jesse | | 2:48 |
| 12 | Can’t You Hear Me Callin’ | Bill Monroe with Ralph Stanley | | 2:55 |
| 13 | Lord, Protect My Soul | Bill Monroe with The Country Gentlemen | | 3:04 |
| 14 | The Golden West- engineer:
- Vic Gabany (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (task: second engineer) and Steve Tillisch (task: first engineer)
- producer:
- Emory Gordy, Jr.
- acoustic guitar:
- Wayne Lewis
- banjo:
- Blake Williams (on 1985-06-17)
- bass:
- Clarence "Tater" Tate
- fiddle:
- Glen Duncan (on 1985-06-17) and Bobby Hicks (on 1985-06-17)
- guitar:
- Wayne Lewis (on 1985-06-17)
- mandolin:
- Bill Monroe (on 1985-06-17)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States and Sound Emporium Studios in Nashville, Tennessee, United States (on 1985-06-17)
- remixed at:
- Sound Stage Studios in Nashville, Tennessee, United States
- recording of:
- The Golden West (on 1985-06-17)
- composer:
- Bill Monroe
| Bill Monroe with Bobby Hicks | | 3:04 |
| 15 | Travelin’ This Lonesome Road | Bill Monroe with Mac Wiseman | | 3:32 |
| 16 | I’m Going Back to Old Kentucky | Bill Monroe with Del McCoury | | 3:11 |
| 17 | I Hear a Sweet Voice Calling | Bill Monroe with The Osborne Brothers | | 4:28 |
| 18 | Remember the Cross- engineer:
- Vic Gabany (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (task: second engineer) and Steve Tillisch (task: first engineer)
- producer:
- Emory Gordy, Jr.
- acoustic guitar:
- Wayne Lewis
- banjo:
- Blake Williams (on 1985-05-07)
- bass:
- Emory Gordy, Jr.
- double bass:
- Emory Gordy, Jr. (on 1985-05-07)
- fiddle:
- Glen Duncan (on 1985-05-07)
- guitar:
- Wayne Lewis (on 1985-05-07)
- mandolin, lead vocals and tenor vocals:
- John Duffey (on 1985-05-07) and Bill Monroe (on 1985-05-07)
- resonator guitar [dobro] and baritone vocals:
- Mike Auldridge (on 1985-05-07)
- bass vocals:
- Clarence "Tater" Tate (on 1985-05-07)
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States (on 1985-05-07)
- remixed at:
- Sound Stage Studios in Nashville, Tennessee, United States
- recording of:
- Remember the Cross (on 1985-05-07)
- writer:
- Bill Monroe and Howard Watts
| Bill Monroe with The Seldom Scene | | 3:05 |
| 19 | True Life Blues | Bill Monroe with Carl Story | | 2:18 |
| 20 | Let the Gates Swing Wide- engineer:
- Vic Gabany (task: consulting engineer), Tim Kish (task: second engineer), Mark Coddington (task: second engineer), Russ Martin (task: second engineer) and Steve Tillisch (task: first engineer)
- producer:
- Emory Gordy, Jr.
- acoustic guitar:
- Wayne Lewis
- banjo:
- Blake Williams (on 1985-06-10)
- bass:
- Emory Gordy, Jr.
- double bass:
- Emory Gordy, Jr. (on 1985-06-10)
- fiddle and baritone vocals:
- Glen Duncan (on 1985-06-10)
- guitar and lead vocals:
- Wayne Lewis (on 1985-06-10)
- mandolin and tenor vocals:
- Bill Monroe (on 1985-06-10)
- bass vocals:
- Clarence "Tater" Tate (on 1985-06-10)
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States (on 1985-06-10)
- remixed at:
- Sound Stage Studios in Nashville, Tennessee, United States
- recording of:
- Let the Gates Swing Wide (on 1985-06-10)
- lyricist and composer:
- Bill Monroe
| Bill Monroe with the Bluegrass Boys | | 2:53 |
| 21 | Mighty Dark to Travel | Bill Monroe with Jim and Jesse | | 2:50 |
| 22 | Bluest Man in Town | Bill Monroe with Del McCoury | | 4:04 |
| 23 | The Old Brown County Barn | Bill Monroe with Bobby Hicks | | 2:30 |