Die Super Oldie Fete

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1▼CD
noTitreArtisteÉvaluationDurée
1Spanish Eyes
producteur :
Tom Morgan (producer)
conductor :
Peter de Angelis (le 1965)
arrangeur :
Peter de Angelis
droits phonographiques (℗) par :
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (le 1965)
reprise recording of :
Spanish Eyes (Moon Over Naples) (le 1965)
parolier :
Charles Singleton (composer/lyricist) et Eddie Snyder
compositeur :
Bert Kaempfert (German orchestra leader, producer and songwriter)
éditeur :
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) et Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version de :
Moon Over Naples
Al Martino2.52:47
2No Milk Today
droits phonographiques (℗) par :
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (le 1966) et EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1966)
recording of :
No Milk Today (le 1966-10)
parolier et compositeur :
Graham Gouldman
éditeur :
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) et Hournew Music Ltd.
Herman’s Hermits4.652:58
3Tiger Feet
co-producteur :
Mike Chapman (Australian producer and songwriter) et Nicky Chinn
interprète :
Mud (UK glam rock band)
droits phonographiques (℗) par :
RAK (le 1974)
recording of :
Tiger Feet
parolier et compositeur :
Mike Chapman (Australian producer and songwriter) et Nicky Chinn
éditeur :
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) et BMG Music Publishing Ltd.
Mud53:52
4Yesterday Man
producteur :
Peter Columbus
recording of :
Yesterday Man
parolier et compositeur :
Chris Andrews (UK singer-songwriter)
Chris Andrews2:31
5Bus Stop
producteur :
The Hollies et Ron Richards
basse :
Bernie Calvert (le 1966-05-18)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1966, le 2003) et Parlophone (le 1966)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (le 1966-05-18)
recording of :
Bus Stop (le 1966-05-18)
parolier et compositeur :
Graham Gouldman
éditeur :
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited et Music Sales Corporation (American copyright holder in both popular and classical music)
adaptations :
バス ストップ (Angels’ Japanese version)
The Hollies4.752:54
6Wake Up Little Susie
droits phonographiques (℗) par :
Cadence (NYC-based label founded by Archie Bleyer) (le 1957)
partie de :
Dave Marsh: The Best of the Top 40 Singles: 1957 (numéro : 21) et Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 311)
recording of :
Wake Up Little Susie (le 1957)
auteur :
Boudleaux Bryant et Felice Bryant
éditeur :
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) et Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:03
7Raindrops Keep Falling on My Head
voix :
B.J. Thomas
conductor :
Burt Bacharach
droits phonographiques (℗) par :
Scepter (a/k/a Scepter Records) (le 1970)
partie de :
Billboard Year-End Hot 100 singles of 1970 (numéro : 4) et Billboard: The 500 Best Pop Songs (as of October 2023) (numéro : 345)
recording of :
Raindrops Keep Fallin’ on My Head
parolier :
Hal David
compositeur :
Burt Bacharach
éditeur :
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) et フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
partie de :
The 42nd Academy Award for Best Original Song (numéro : 1) et Academy Award for Best Original Song (numéro : 1969 winner)
B.J. Thomas43:02
8Baker Street
ingénieur du son :
Barry Hammond
producteur :
Hugh Murphy (UK producer, engineer) et Gerry Rafferty
mixeur :
Declan O’Doherty
basse :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batterie :
Henry Spinetti
guitare électrique :
Hugh Burns et Nigel Jenkins
Moog et clavier :
Tommy Eyre
percussions :
Glen LeFleur
saxophone :
Raphael Ravenscroft
voix principale :
Gerry Rafferty
arrangeur cordes :
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
droits phonographiques (℗) par :
EMI Records USA (formerly EMI USA, renamed since early 1990s) (le 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (le 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (le 1978) et United Artists Music and Records Group, Inc. (UAMARG, Inc.) (le 1978)
enregistré à :
Chipping Norton Recording Studios dans Chipping Norton, Oxfordshire, England, Royaume-Uni
mixé à :
Advision Studios dans Fitzrovia, Camden (District londonien de Camden), Westminster, London (Londres, Greater London), England, Royaume-Uni
partie de :
Billboard Year-End Hot 100 singles of 1978 (numéro : 26) et Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numéro : 89)
recording of :
Baker Street
parolier et compositeur :
Gerry Rafferty
éditeur :
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) et Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:06
9Can the Can
droits phonographiques (℗) par :
RAK (le 1973)
recording of :
Can the Can
parolier :
Nicky Chinn
compositeur :
Mike Chapman (Australian producer and songwriter)
éditeur :
BMG Music, Chinnichap (production company and publisher) et Universal Music Publishing MGB Australia
Suzi Quatro3:35
10She's a Lady
droits phonographiques (℗) par :
Decca Records Co. Ltd. (Decca Records) (le 1971) et Tom Jones Enterprises Ltd. (le 1971)
reprise recording of :
She’s a Lady (le 1971)
parolier et compositeur :
Paul Anka (Canadian singer, songwriter and actor)
éditeur :
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. et Spanka Music Corp.
recording of :
She’s a Lady
parolier et compositeur :
Paul Anka (Canadian singer, songwriter and actor)
éditeur :
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. et Spanka Music Corp.
Tom Jones3.92:53
11Barbara Ann
producteur :
Brian Wilson (Beach Boys co‐founder)
voix principale :
Dean Torrence et Brian Wilson (Beach Boys co‐founder)
droits phonographiques (℗) par :
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (le 1966)
reprise recording of :
Barbara‐Ann
parolier et compositeur :
Fred Fassert
éditeur :
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. et Windswept Pacific Music Ltd.
sous-éditeur :
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
adaptations :
Bomb Iran (Vince Vance & the Valiants parody)
adaptations :
Bomb Iran (Paul Shanklin parody)
adaptations :
Bomb Iraq
The Beach Boys42:07
12The House of the Rising Sun
producteur :
Mickie Most (English record producer)
batterie :
John Steel (English musician)
guitare basse :
Chas Chandler
guitare électrique :
Hilton Valentine
orgue :
Alan Price
voix principale :
Eric Burdon
droits phonographiques (℗) par :
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (le 1964), Columbia Pictures Industries, Inc. (le 1964) et EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1964, le 2002)
partie de :
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numéro : 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 122), BILLIONS CLUB et Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 471)
recording of :
The House of the Rising Sun (Alan Price (The Animals) arrangement)
parolier et compositeur :
[traditional] (Traditionnel, special purpose artist)
arrangeur :
Alan Price
éditeur :
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. et Universal/MCA Music Ltd. (not for release label use!)
arrangement de :
House of the Rising Sun
The Animals4.154:30
13Judy in Disguise
droits phonographiques (℗) par :
Pye International (le 1968)
partie de :
TV Cream: Real 100 Best Singles Ever (numéro : 96)
recording of :
Judy in Disguise (With Glasses) (le 1967)
auteur :
Andrew Bernard et John Fred (John Fred Gourrier)
éditeur :
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) et MCS Music Ltd.
John Fred & the Playboys3.852:56
14Summer in the City
piano électrique supplémentaires :
Artie Schroeck
voix principale :
John Sebastian
conductor :
Michael Kamen (American score composer)
droits phonographiques (℗) par :
Buddah Records (revived/renamed in 1998 as Buddha Records) (le 1966), Kama Sutra (le 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1966) et Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1966)
partie de :
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 393)
recording of :
Summer in the City
auteur :
Steve Boone, John Sebastian et Mark Sebastian
éditeur :
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) et Trio Music Co., Inc.
Lovin’ Spoonful4.82:40
15Mississippi
droits phonographiques (℗) par :
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (le 1976)
recording of :
Mississippi
parolier et compositeur :
Werner Theunissen
éditeur :
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) et EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat4:34
2▶CD

Crédits

Parution

imprimé en :Pays-Bas, Kingdom of the Netherlands
design :Studio van Dijken (ICT, media and graphic design studio)
distribué par et commercialisé par :Disky Communications Europe B.V. (Copyright holder. File NO releases.)
protégé par les droits d'auteur (©) de et droits phonographiques (℗) par :Disky Communications Europe B.V. (Copyright holder. File NO releases.) (le 1997)
sous licence de :Barnaby Records, Inc.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Castle Communications PLC (not for label use, copyright holder)
Celebrity Licensing
Chrysalis Copyrights Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Negus Fancey Co. Ltd.
Nestshare Ltd.
Roadshow Music Corp.
Discogs :https://www.discogs.com/release/16618197 [info]