The Fabulous Fifties: Those Wonderful Years

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:23
2Love Is a Many Splendored Thing
orchestra:
Jack Pleiss’ Orchestra
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1955)
registrazione di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
The Four Aces33:01
3Banana Boat
produttore:
Herman Diaz, Jr.
batteria :
Osie Johnson (il 1955-10-20)
chitarra :
Millard Thomas (il 1955-10-20)
congas :
Alexander Cambrelen (il 1955-10-20) e Mario Castillo (il 1955-10-20)
contrabbasso :
Milt Hinton (il 1955-10-20)
flauto :
Herbert Levy (il 1955-10-20)
cori:
Charles Colman (il 1955-10-20), J. Hamilton Grandison (il 1955-10-20), Herbert L. Stubbs (il 1955-10-20), Joseph Lewis (il 1955-10-20), Lord Burgess (il 1955-10-20), Brock Peters (il 1955-10-20), Sherman Sneed (il 1955-10-20), John White (50s US vocalist) (il 1955-10-20) e Gloria Wynder (il 1955-10-20)
voce:
Harry Belafonte
voce principale:
Harry Belafonte (il 1955-10-20)
orchestra:
Tony Scott's Orchestra & Chorus (il 1955-10-20)
direttore d'orchestra:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1955-10-20)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1955-10-20)
registrazione di:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (il 1955-10-20)
paroliere aggiunto:
William Attaway (nel 1955) e Irving Burgie (nel 1955)
compositore:
[traditional] (special purpose artist)
editore:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) e Reservoir Media Music
versione di:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte4.33:05
4Love Letters in the Sand
produttore:
Randy Wood (producer)
basso :
Larry Breen (il 1956-11-24)
batteria :
Dick Shanahan (il 1956-11-24)
chitarra :
Barney Kessel (il 1956-11-24) e Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-11-24)
clarinetto :
Ryland Weston (il 1956-11-24)
pianoforte :
Milt Rogers (bandleader, arranger and composer) (il 1956-11-24)
sassofono :
Babe Russin (il 1956-11-24) e Justin Gordon (il 1956-11-24)
vibrafono :
Bernie Mattinson (il 1956-11-24)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-11-24)
voce:
Pat Boone (il 1956-11-24)
direttore d'orchestra:
Billy Vaughn (il 1956-11-24)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-11-24)
registrazione cover di:
Love Letters in the Sand (il 1956-11-24)
paroliere:
Charles Kenny (songwriter, violinist) e Nick Kenny
compositore:
J. Fred Coots, Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. e Francis, Day & Hunter Ltd.
Pat Boone2:16
5A White Sport Coat (and a Pink Carnation)
registrata a:
New York, Stati Uniti (il 1957-01-25)
produttore:
Mitch Miller
registrazione di:
A White Sport Coat and a Pink Carnation (il 1957-01-25)
paroliere e compositore:
Marty Robbins
Marty Robbins2:33
6Unchained Melody
registrazione cover di:
Unchained Melody
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Al Hibbler2:56
7Tammy
Debbie Reynolds3:07
8Don’t You Know
Della Reese2:36
9My Happiness
voce:
Connie Francis (American former actress and chart-topping singer)
orchestra:
David Rose and His Orchestra
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1959)
registrazione cover di:
My Happiness
paroliere:
Borney Bergantine (nel 1933) e Betty Peterson (nel 1948)
compositore:
Borney Bergantine (nel 1933)
editore:
Chappell Music (UK) e Happiness Music Corp.
Connie Francis2:29
10It’s All in the Game
direttore d'orchestra:
Leroy Holmes
arrangiatore:
Leroy Holmes
registrazione cover di:
It’s All in the Game
paroliere:
Carl Sigman (nel 1951)
compositore:
Charles Dawes (nel 1911)
editore:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
si basa su:
Melody in A major (instrumental)
Tommy Edwards42:38
11Hearts of Stone
voce:
The Fontane Sisters
orchestra:
Billy Vaughn and His Orchestra
registrazione cover di:
Hearts of Stone
autore:
Rudy Jackson (1950s-60s R&B vocalist) e Eddie Ray (US record company executive, producer & songwriter)
editore:
Regent Music (BMI)
The Fontane Sisters2:06
12Smoke Gets in Your Eyes
registrata a:
Paris, Île-de-France, Francia (il 1958-09-24)
produttore:
Buck Ram
voce principale:
Tony Williams (lead singer for The Platters)
esecutore:
The Platters
registrazione cover di:
Smoke Gets in Your Eyes (il 1958-09-24)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters3.752:40
13Catch a Falling Star
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1957) e The Ray Charles Singers (nel 1957)
orchestra:
Mitchell Ayres and His Orchestra (nel 1957)
esecutore:
The Ray Charles Singers e Mitchell Ayres and His Orchestra (nel 1957)
arrangiatore:
Joe Reisman
registrazione di:
Catch a Falling Star (nel 1957)
autore:
Lee Pockriss e Paul Vance (US songwriter and producer)
Perry Como42:32
14Chances Are
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
voce:
Johnny Mathis (US pop/soul singer) (nel 1957)
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
parte di:
Grammy Hall of Fame (numero: 1998)
registrazione di:
Chances Are (nel 1957)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:05
15Sugartime
The McGuire Sisters2:33

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