L’Histoire du jazz vocal : The Story of Vocal Jazz: 1941–1953

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

this is Part 2, a follow-up to L’Histoire du jazz vocal - The Story of Vocal Jazz: 1911–1940; both parts together cover the 1911–1953 period in 20 cds each.

Annotazione modificata l'ultima volta il 2016-03-13 07:22 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Le Vent Vert
registrata a:
Paris, Île-de-France, Francia (il 1950-02-22)
basso e contrabbasso :
Emmanuel Soudieux (il 1950-02-22)
batteria :
Richie Frost (il 1950-02-22)
pianoforte :
Jacques Dieval (il 1950-02-22)
sassofono tenore :
James Moody (jazz saxophonist) (il 1950-02-22)
trombone :
Nat Peck (il 1950-02-22)
voce:
Annie Ross (il 1950-02-22)
esecutore:
Jack Dieval And His Quartet (il 1950-02-22)
Annie Ross2:42
2Louisiana Blues
registrazione di:
Louisiana Blues (nel 1950)
autore:
Muddy Waters (blues musician)
Muddy Waters2:56
3My Blue Heaven
registrazione di:
My Blue Heaven (il 1950-04-24)
paroliere:
George A. Whiting (popular songwriter) (nel 1924)
compositore:
Walter Donaldson (nel 1924)
editore:
Leo Feist, Inc.
ha composto presso:
New York Friars Club in New York, New York, Stati Uniti (nel 1924)
Frank Sinatra2:29
4In the Shaded Green Pastures
organo :
Alfred Miller (jazz organist) (il 1950-05-03)
pianoforte :
James Roots (jazz pianist, organist) (il 1950-05-03)
voce:
Marie Knight (US gospel/R&B vocalist) (il 1950-05-03)
Marie Knight3:19
5It Might as Well Be Spring
produttore:
George Treadwell
batteria :
J.C. Heard (il 1950-05-18)
chitarra :
Freddie Green (il 1950-05-18)
clarinetto :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1950-05-18)
contrabbasso :
Billy Taylor Jr. (jazz bassist) (il 1950-05-18)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1950-05-18)
sassofono tenore :
Budd Johnson (il 1950-05-18)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1950-05-18)
trombone :
Bennie Green (jazz trombonist) (il 1950-05-18)
voce:
Sarah Vaughan (il 1950-05-18)
orchestra:
with George Treadwell and his All Stars (il 1950-05-18)
lavorazione tecnica effettuata presso:
Apollo Theater in Harlem, New York, New York, Stati Uniti (il 1950-05-18)
registrazione cover di:
It Might as Well Be Spring (State Fair) (il 1950-05-18)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1945)
compositore:
Richard Rodgers (composer) (nel 1945)
editore:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 18th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1945 winner)
parte di:
State Fair (1945 film soundtrack)
parte di:
State Fair (1962 film soundtrack)
parte di:
State Fair
Sarah Vaughan3:15
6Can’t Get Out of This Mood
batteria :
J.C. Heard (il 1950-05-18)
clarinetto solista :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1950-05-18)
contrabbasso :
Billy Taylor Jr. (jazz bassist) (il 1950-05-18)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1950-05-18)
sassofono tenore solista :
Budd Johnson (il 1950-05-18)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1950-05-18)
trombone solista :
Bennie Green (jazz trombonist) (il 1950-05-18)
voce:
Sarah Vaughan (il 1950-05-18)
orchestra:
with George Treadwell and his All Stars (il 1950-05-18)
registrazione cover di:
Can’t Get Out of This Mood (il 1950-05-18)
paroliere:
Frank Loesser
compositore:
Jimmy McHugh (songwriter)
editore:
Peermusic Ltd (UK) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-editore:
SEMI Société (SEMI Société)
Sarah Vaughan2:52
7Telephone Blues
armonica (a bocca) :
Sonny Terry (nel 1950)
chitarra :
Brownie McGhee (nel 1950)
voce:
Sonny Terry (nel 1950)
Sonny Terry3:27
8C’Est Si Bon
registrazione di:
C’est si bon (It's So Good, English version) (il 1950-06-26)
paroliere:
André Hornez (nel 1947)
compositore:
Henri Betti (songwriter and pianist) (nel 1947)
traduttore:
Jerry Seelen (screenwriter, lyricist. songwriter) (nel 1949)
editore:
Éditions Beuscher Arpège
versione tradotta di:
C’est si bon (original French version)
Louis Armstrong3:06
9Someone to Watch Over Me
registrata a:
New York, New York, Stati Uniti (il 1950-09-12)
produttore:
Milt Gabler
pianoforte :
Ellis Larkins
voce:
Ella Fitzgerald (American jazz singer) (il 1950-09-12)
registrazione cover di:
Someone to Watch Over Me (Oh, Kay!) (il 1950-09-12)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:17
10The Other Night Blues
registrazione di:
The Other Night Blues (nel 1950)
autore:
B.B. King e Jules Taub
B.B. King3:30
11Bad Bad Whiskey
registrazione di:
Bad Bad Whiskey (il 1950-09-21)
autore:
Adelia Davis e Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
Amos Milburn3:01
12Love You Madly
voce:
Yvonne Lanauze (il 1950-11-20)
registrazione di:
Love You Madly (il 1950-11-20)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
Yvonne Lanauze3:02
13Black Nite
Charles Brown3:10
14Slowly Go Out of My Mind
Dorothy Ellis3:18
15Long Distance Call
registrazione di:
Long Distance Call (nel 1950-02)
paroliere e compositore:
Muddy Waters (blues musician)
editore:
Watertoons (BMI-affiliated - publisher associated with Muddy Waters)
sub-editore:
Sony Music Publishing France
Muddy Waters2:42
16Baby Blues
Toni Harper3:09
17Gone Fishing
registrata a:
Los Angeles, California, Stati Uniti (il 1951-04-27)
batteria :
Nick Fatool (il 1951-04-27)
chitarra :
Perry Botkin (il 1951-04-27)
contrabbasso :
Phil Stephens (bass and tuba player) (il 1951-04-27)
pianoforte :
Buddy Cole (il 1951-04-27) e Mel Henke (il 1951-04-27)
sassofono :
Warren Baker (il 1951-04-27), Matty Matlock (il 1951-04-27), Irving “Babe” Russin (il 1951-04-27) e Philip Shuken (il 1951-04-27)
tromba :
Ziggy Elman (il 1951-04-27), Bobby Guy (il 1951-04-27) e Red Nichols (il 1951-04-27)
trombone :
Bill Atkinson (il 1951-04-27), Wendell Mayhew (il 1951-04-27) e Dick Taylor (jazz trombonist) (il 1951-04-27)
voce principale:
Louis Armstrong (il 1951-04-27) e Bing Crosby (il 1951-04-27)
orchestra e esecutore:
John Scott Trotter and His Orchestra (il 1951-04-27)
direttore d'orchestra:
John Scott Trotter (il 1951-04-27)
arrangiatore:
John Scott Trotter (il 1951-04-27)
diritti fonografici (℗) detenuti da:
MCA Music Ltd. (nel 1951)
registrazione di:
Gone Fishin’ (il 1951-04-27)
autore:
Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne Co. (not for release label use, this is a music publisher) e EMI Feist Catalog Inc.
Louis Armstrong & Bing Crosby42:32
18So High
chitarra :
Sister Rosetta Tharpe (il 1951-07-03)
voce:
Sister Rosetta Tharpe (il 1951-07-03)
Sister Rosetta Tharpe3:35
19Three O’Clock Blues
registrazione di:
Three O’Clock Blues (First recorded in 1946) (nel 1951)
autore:
Lowell Fulson
editore:
Careers–BMG Music Publishing, Inc. e Powerforce Music
B.B. King3:03
20Blues in Burlesque
batteria :
Shelly Manne (US jazz drummer) (il 1951-09-20)
chitarra :
Ralph Blaze (il 1951-09-20)
contrabbasso :
Don Bagley (il 1951-09-20)
pianoforte :
Stan Kenton (il 1951-09-20)
sassofono baritono :
Bob Gioga (il 1951-09-20)
sassofono contralto :
Art Pepper (il 1951-09-20) e Bud Shank (il 1951-09-20)
sassofono tenore :
Bart Calderall (il 1951-09-20) e Bob Cooper (US jazz saxophonist) (il 1951-09-20)
tromba :
Conte Candoli (il 1951-09-20), John Coppola (trumpet, West coast jazz cat who emerged during the 40s) (il 1951-09-20), Maynard Ferguson (il 1951-09-20), John Howell (trumpet) (il 1951-09-20) e Stu Williamson (il 1951-09-20)
trombone :
Harry Betts (il 1951-09-20), Bill Russo (il 1951-09-20), Bob Fitzpatrick (il 1951-09-20) e Dick Kenney (il 1951-09-20)
tuba :
Stan Fletcher (il 1951-09-20)
voce:
Shelly Manne (US jazz drummer) (il 1951-09-20)
Shelly Manne4:32
21One Day
The Angelic Gospel Singers & The Dixie Hummingbirds2:15
22Come What May
Jimmy Scott2:09
23These Foolish Things
registrazione di:
These Foolish Things (Remind Me of You) (il 1952-03-26)
paroliere:
Holt Marvell (nel 1935)
compositore:
Jack Strachey (nel 1935)
compositore aggiunto:
Harry Link (US vaudeville actor & songwriter)
editore:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. e Lafleur Music Ltd.
Billie Holiday3:40
24The Devil’s Kiss
Hot Lips Page2:12
25Angel Eyes
registrazione cover di:
Angel Eyes (1946 jazz standard) (il 1952-06-26)
paroliere:
Earl Brent (nel 1946)
compositore:
Matt Dennis (American singer, pianist, band leader) (nel 1946)
editore:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) e Onyx Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Ella Fitzgerald2:52
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