Unheard Bird: The Unissued Takes

~ Pubblicazione di Charlie Parker (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1An Oscar for Treadwell (Incomplete 411-1)
registrazione parziale di:
An Oscar for Treadwell (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:54
2An Oscar for Treadwell (Incomplete 411-2)
registrazione parziale di:
An Oscar for Treadwell (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
0:57
3An Oscar for Treadwell (alternate take)
registrazione di:
An Oscar for Treadwell (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:24
4An Oscar for Treadwell
registrazione di:
An Oscar for Treadwell (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:24
5Mohawk (Incomplete & False Start)
registrazione di:
Mohawk (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:09
6Mohawk (Alt. take)
batteria :
Buddy Rich (il 1950-06-06)
contrabbasso :
Curley Russell (il 1950-06-06)
pianoforte :
Thelonious Monk (il 1950-06-06)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1950-06-06)
tromba :
Dizzy Gillespie (il 1950-06-06)
registrazione di:
Mohawk (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:51
7Mohawk (False Starts)
registrazione di:
Mohawk (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:53
8Mohawk
batteria :
Buddy Rich (il 1950-06-06)
contrabbasso :
Curley Russell (il 1950-06-06)
pianoforte :
Thelonious Monk (il 1950-06-06)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1950-06-06)
tromba :
Dizzy Gillespie (il 1950-06-06)
orchestra:
Charlie Parker Quintet (il 1950-06-06)
registrazione di:
Mohawk (il 1950-06-06)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
23:40
9My Little Suede Shoes (alternate take W/False Start)
registrazione di:
My Little Suede Shoes (il 1951-03-12)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:03
10My Little Suede Shoes (alternate take 540-3)
registrazione di:
My Little Suede Shoes (il 1951-03-12)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:19
11My Little Suede Shoes (alternate take 540-4)
registrazione di:
My Little Suede Shoes (il 1951-03-12)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:09
12My Little Suede Shoes (single version)
registrazione di:
My Little Suede Shoes (il 1951-03-12)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:07
13Tico Tico (alternate take W/False Start)
registrazione di:
Tico‐Tico (catch‐all for arrangements) (il 1951-03-12)
compositore:
Zequinha de Abreu (nel 1917)
arrangiamento di:
Tico-tico no fubá (original Portuguese version)
3:10
14Tico Tico (False Starts 542-3/4/5)
registrazione di:
Tico‐Tico (catch‐all for arrangements) (il 1951-03-12)
compositore:
Zequinha de Abreu (nel 1917)
arrangiamento di:
Tico-tico no fubá (original Portuguese version)
1:24
15Tico Tico (alternate take 542-6)
registrazione di:
Tico‐Tico (catch‐all for arrangements) (il 1951-03-12)
compositore:
Zequinha de Abreu (nel 1917)
arrangiamento di:
Tico-tico no fubá (original Portuguese version)
2:48
16Tico Tico (False Starts 542-7/8)
registrazione parziale di:
Tico‐Tico (catch‐all for arrangements) (il 1951-03-12)
compositore:
Zequinha de Abreu (nel 1917)
arrangiamento di:
Tico-tico no fubá (original Portuguese version)
0:52
17Tico Tico
registrazione di:
Tico‐Tico (catch‐all for arrangements) (il 1951-03-12)
compositore:
Zequinha de Abreu (nel 1917)
arrangiamento di:
Tico-tico no fubá (original Portuguese version)
2:46
18Fiesta (alternate take W/False Start)
registrazione di:
Fiesta (il 1951-03-12)
compositore:
Cal Massey
3:22
19Fiesta
registrazione di:
Fiesta (il 1951-03-12)
compositore:
Cal Massey
2:52
20Mama Inez (alternate take)
registrazione di:
Mama Inez (il 1952-01-23)
paroliere:
L. Wolfe Gilbert
compositore:
Eliseo Grenet
3:02
21Mama Inez
registrazione di:
Mama Inez (il 1951-01-23)
paroliere:
L. Wolfe Gilbert
compositore:
Eliseo Grenet
2:53
22Night and Day (alternate take 756-3)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
2:55
23Night and Day (alternate take 756-4)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
3:02
24Night and Day
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
2:53
25Almost Like Being in Love (alternate take)
registrazione strumentale di:
Almost Like Being in Love (from “Brigadoon”) (il 1952-03-25)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
2:32
26Almost Like Being in Love (False Start & Incomplete)
registrazione parziale strumentale di:
Almost Like Being in Love (from “Brigadoon”) (il 1952-03-25)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
1:21
27Almost Like Being in Love
registrazione strumentale di:
Almost Like Being in Love (from “Brigadoon”) (il 1952-03-25)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
2:38
28What Is This Thing Called Love? (Incomplete 759-1)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
1:18
29What Is This Thing Called Love? (alternate take 759-2)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
2:16
30What Is This Thing Called Love? (Incomplete 759-3)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
1:21
31What Is This Thing Called Love?
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
2:36