Atlantic Gold: 100 Soul Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

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#TitoloArtistaValutazioneDurata
1Save Me
tecnico di registrazione:
Tom Dowd e Arif Mardin
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-08)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-08) e Chips Moman (il 1967-02-08)
chitarra basso :
Tommy Cogbill (il 1967-02-08)
sassofono baritono :
Willie Bridges (il 1967-02-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-08) e King Curtis (saxophonist) (il 1967-02-08)
tromba :
Melvin Lastie (il 1967-02-08)
voce:
Aretha Franklin (il 1967-02-08)
direttore d'orchestra:
Tom Dowd (il 1967-02-08)
arrangiatore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrazione di:
Save Me (Aretha Franklin song) (il 1967-02-08)
autore:
Aretha Franklin, Carolyn Franklin e Curtis Ousley
editore:
Kilynn Music e Pronto Music (publisher)
Aretha Franklin4.52:18
2Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin (blues singer, songwriter)
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Otis Redding & Carla Thomas3.852:59
3What Is Soul?
Ben E. King2:20
4Some Kind of Wonderful
registrazione di:
Some Kind of Wonderful (il 1967-03-30)
paroliere e compositore:
Willie John Ellison (American/Canadian musician)
editore:
Crash Music, Dandelion Music Company e Fermata do Brasil
Soul Brothers Six2:43
5Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:55
6Think
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-15)
chitarra :
Tommy Cogbill (il 1968-04-15) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-15)
chitarra basso :
Jerry Jemmott (il 1968-04-15)
organo :
Spooner Oldham (il 1968-04-15)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-15)
sassofono baritono :
Willie Bridges (il 1968-04-15) e Floyd Newman (il 1968-04-15)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-15) e Andrew Love (il 1968-04-15)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-15)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-15)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-15)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 10)
registrazione di:
Think (il 1968-04-15)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Aretha Franklin3.652:17
7Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:19
8Hard to Handle
produttore:
Steve Cropper
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer)
chitarra :
Steve Cropper
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
voce:
Otis Redding
registrazione di:
Hard to Handle
autore:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell e Otis Redding
editore:
Irving Music (BMI), Carlin Music Corporation (nel 1968) e Irving Music, Inc. (nel 1968)
Otis Redding4.152:19
9Don’t Turn Your Heater On
Sam & Dave2:15
10Big Bird
registrazione di:
Big Bird
paroliere e compositore:
Eddie Floyd e Booker T. Jones
Eddie Floyd2:59
11It Ain’t What You Got
Jimmy Hughes2:13
12How Can You Mistreat the One You Love
Jeanne and the Darlings2:44
13Never Like This Before
registrazione di:
Never Like This Before
autore:
Isaac Hayes, Booker T. Jones e David Porter (US soul musician, producer & songwriter)
editore:
Irving Music, Inc.
William Bell2:41
14As Long as I’ve Got You
The Charmels2:39
15That’s How It Feels
The Soul Clan3:35
16Warm and Tender Love
registrazione cover di:
Warm and Tender Love
paroliere e compositore:
Bobby Robinson
editore:
Duane Music Inc., Pronto Music (publisher), Quinvy Music Publishing Company, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Percy Sledge3:19
17Ain’t That Loving You (For More Reasons That One)
registrazione di:
Ain’t That Loving You (for More Reasons Than One)
autore:
Homer Banks (soul singer and songwriter) e Allen Jones (producer/songwriter/musician/engineer)
editore:
Irving Music, Inc.
Johnnie Taylor3:07
18(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:38
19Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:47
20Looking for a Fox
registrazione di:
Looking for a Fox
autore:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Wilbur Terrell
Clarence Carter2:16
21Tighten Up, Part 1
tecnico di registrazione:
Bert Frilot
produttore:
Skipper Lee Frazier
voce:
Billy Buttier (nel 1967-10), Joe Cross (nel 1967-10) e James Wise (singer in Archie Bell & The Drells) (nel 1967-10)
voce principale:
Archie Bell (vocals, of Archie Bell & the Drells) (nel 1967-10)
esecutore:
The TSU Toronadoes (nel 1967-10)
registrata presso:
Jones Town Studio in Houston, Texas, Stati Uniti (nel 1967-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Tighten Up (nel 1967-10)
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:11
22Everything I Do Goin’ Be Funky
Don Covay3:15
23Groove Me
registrata a:
Jackson, Mississippi, Stati Uniti (il 1970-05-04)
produttore:
Wardell Quezergue e Elijah Walker
voce:
King Floyd (il 1970-05-04)
arrangiatore:
Wardell Quezergue
registrazione di:
Groove Me (il 1970-05-04)
paroliere e compositore:
King Floyd
editore:
Malaco Music Co. (publisher) (nel 1991)
King Floyd52:54
24Clean Up Woman
tecnico:
Willie Clarke
produttore:
Willie Clarke e Clarence Reid
arrangiatore archi e arrangiatore corno :
Mike Lewis (US composer, arranger and producer)
arrangiatore strumenti:
Little Beaver
registrazione di:
Clean Up Woman
autore:
Willie Clarke e Clarence Reid
editore:
EMI Longitude Music
Betty Wright52:49
25Funky Nassau, Part 1
The Beginning of the End3:12
26Rock Steady
tecnico di registrazione:
Ron Albert (il 1971-02-16)
tecnico:
Howard Albert, Ron Albert e Chuck Kirkpatrick
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1971-02-16)
batteria :
Bernard “Pretty” Purdie (il 1971-02-16)
chitarra :
Cornell Dupree (il 1971-02-16)
organo :
Donny Hathaway (il 1971-02-16)
percussione :
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (il 1971-02-16) e Robert Popwell (il 1971-02-16)
pianoforte e voce principale:
Aretha Franklin (il 1971-02-16)
sassofono tenore :
Andrew Love (il 1971-02-16)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1971-02-16)
voce di accompagnamento:
Margaret Branch (il 1971-02-16), Ann S. Clark (il 1971-02-16), Carolyn Franklin (il 1971-02-16), Erma Franklin (il 1971-02-16) e Pat Smith (soul vocalist) (il 1971-02-16)
arrangiatore archi e legni :
Arif Mardin
arrangiatore corno :
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1971, nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1971-02-16)
registrazione di:
Rock Steady (il 1971-02-16)
paroliere e compositore:
Aretha Franklin (dal 1970 al 1971)
editore:
Carlin Music Corporation, Pundit Music, Inc e Springtime Music, Inc.
Aretha Franklin3.753:12
27Take It Off Him (and Put It on Me)
registrazione di:
Take It Off Him and Put It on Me
autore:
Mickey Buckins (American singer-songwriter, session musician, producer and engineer), George Jackson (US soul songwriter/vocalist), Herman Jones (US gospel singer), Robert Owens (songwriter) e Larry Pierce
Clarence Carter2:52
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