The Chronological Classics: James P. Johnson 1928-1938

~ Veröffentlichung von James P. Johnson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Daylight Savin' Blues
Klavier:
James P. Johnson (am 1928-10-19)
Posaune:
Joe "Tricky Sam" Nanton (am 1928-10-19)
Rohrblattinstrumente:
Barney Bigard (am 1928-10-19)
Saxophon:
Johnny Hodges (am 1928-10-19)
Trompete:
Louis Metcalf (am 1928-10-19)
The Gulf Coast Seven2:49
2Georgia's Always on My Mind
Klavier:
James P. Johnson (am 1928-10-19)
Posaune:
Joe "Tricky Sam" Nanton (am 1928-10-19)
Rohrblattinstrumente:
Barney Bigard (am 1928-10-19)
Saxophon:
Johnny Hodges (am 1928-10-19)
Trompete:
Louis Metcalf (am 1928-10-19)
vocals:
John Henry ‘Perry’ Bradford (am 1928-10-19)
The Gulf Coast Seven2:49
3Riffs
Klavier:
James P. Johnson (am 1929-01-29)
James P. Johnson3:05
4Feelin' Blue
Klavier:
James P. Johnson (am 1929-01-29)
James P. Johnson2:56
5Put Your Mind Right on It
vocals:
John Henry ‘Perry’ Bradford (am 1929-03-05)
Jimmy Johnson and his Band3:17
6Fare Thee Honey Blues
vocals:
John Henry ‘Perry’ Bradford (am 1929-03-20)
Jimmy Johnson and his Band3:22
7You Don't Understand
Gitarre:
Teddy Bunn (am 1929-11-18)
Klavier:
James P. Johnson (am 1929-11-18) und Fats Waller (am 1929-11-18)
Kontrabass:
Harry Hull (am 1929-11-18)
Posaune:
Jimmy Archey (am 1929-11-18)
Tenorsaxophon:
Charles Frazier (jazz saxophonist) (am 1929-11-18)
Trompete:
Dave Nelson (US trumpeter Davidson C. Nelson, 1905–1946) (am 1929-11-18) und King Oliver (jazz cornetist) (am 1929-11-18)
Jimmie Johnson & His Orchestra2:56
8You've Got to Be Modernistic
Banjo:
Teddy Bunn (am 1929-11-18)
Klavier:
James P. Johnson (am 1929-11-18) und Fats Waller (am 1929-11-18)
Kontrabass:
Harry Hull (am 1929-11-18)
Posaune:
Jimmy Archey (am 1929-11-18)
Tenorsaxophon:
Charles Frazier (jazz saxophonist) (am 1929-11-18)
Trompete:
Dave Nelson (US trumpeter Davidson C. Nelson, 1905–1946) (am 1929-11-18) und King Oliver (jazz cornetist) (am 1929-11-18)
recording of:
You've Got to Be Modernistic (am 1929-11-18)
Komponist(in):
James P. Johnson
Jimmie Johnson & His Orchestra3:04
9Crying for the Carolines
Klavier:
James P. Johnson (am 1930-01-21)
recording of:
Crying for the Carolines (from Spring Is Here) (am 1930-01-21)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
James P. Johnson3:01
10What Is This Thing Called Love?
Solo-Klavier:
James P. Johnson (am 1930-01-21)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1930-01-21)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1930-01-21)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
James P. Johnson3:09
11You've Got to Be Modernistic
Klavier:
James P. Johnson (am 1930-01-21)
recording of:
You've Got to Be Modernistic (am 1930-01-21)
Komponist(in):
James P. Johnson
James P. Johnson3:16
12Jingles
Klavier:
James P. Johnson (am 1930-01-21)
James P. Johnson3:29
13How Could I Be Blue?
Klavier:
James P. Johnson (am 1930-01-31)
James P. Johnson & Clarence Williams3:21
14I've Found a New Baby
Klavier:
Jimmy Johnson (am 1930-01-31) und Clarence Williams (US jazz pianist, composer, singer and bandleader) (am 1930-01-31)
Sprecher:
James P. Johnson (am 1930-01-31)
recording of:
I’ve Found a New Baby (am 1930-01-31)
Verfasser(in):
Jack Palmer (Jazz pianist and composer) und Spencer Williams (US jazz composer, pianist & singer)
James P. Johnson & Clarence Williams2:54
15Go Harlem
alto saxophone:
Fred Skerritt (am 1931-03-25)
Gitarre:
Goldie Lucas (am 1931-03-25)
Klavier:
James P. Johnson (am 1931-03-25)
Kontrabass:
Richard Fullbright (am 1931-03-25)
Posaune:
Fernando Arbello (am 1931-03-25)
Schlagzeug:
Bill Beason (am 1931-03-25)
Tenorsaxophon:
Henry L. Jones (swing era reeds) (am 1931-03-25) und Bingie Madison (am 1931-03-25)
Trompete:
Ward Pinkett (am 1931-03-25)
vocals:
Andy Razaf (am 1931-03-25)
Jimmie Johnson & His Orchestra3:37
16A Porter's Love Song to a Chambermaid
recorded in:
New York, New York, Vereinigte Staaten (am 1931-03-25)
alto saxophone:
Fred Skerritt (am 1931-03-25)
Gitarre:
Goldie Lucas (am 1931-03-25)
Klavier:
James P. Johnson (am 1931-03-25)
Kontrabass:
Richard Fullbright (am 1931-03-25)
Posaune:
Fernando Arbello (am 1931-03-25)
Schlagzeug:
Bill Beason (am 1931-03-25)
Tenorsaxophon:
Henry L. Jones (swing era reeds) (am 1931-03-25) und Bingie Madison (am 1931-03-25)
Trompete:
Ward Pinkett (am 1931-03-25)
vocals:
Andy Razaf (am 1931-03-25)
recording of:
A Porter's Love Song to a Chambermaid (am 1931-03-25)
Texter:
Andy Razaf
Komponist(in):
James P. Johnson
Jimmie Johnson & His Orchestra3:26
17Just a Crazy Song (Hi-Hi-Hi)
alto saxophone:
Fred Skerritt (am 1931-03-25)
Gitarre:
Goldie Lucas (am 1931-03-25)
Klavier:
James P. Johnson (am 1931-03-25)
Kontrabass:
Richard Fullbright (am 1931-03-25)
Posaune:
Fernando Arbello (am 1931-03-25)
Schlagzeug:
Bill Beason (am 1931-03-25)
Tenorsaxophon:
Henry L. Jones (swing era reeds) (am 1931-03-25) und Bingie Madison (am 1931-03-25)
Trompete:
Ward Pinkett (am 1931-03-25)
vocals:
Andy Razaf (am 1931-03-25)
Jimmie Johnson & His Orchestra3:07
18Baby, Won't You Please Come Home?
Gitarre:
Freddie Green (am 1938-08-31)
Klarinette:
Pee Wee Russell (am 1938-08-31)
Klavier:
James P. Johnson (am 1938-08-31)
Kontrabass:
Wellman Braud (am 1938-08-31)
Posaune:
Dicky Wells (am 1938-08-31)
Schlagzeug:
Zutty Singleton (am 1938-08-31)
Tenorsaxophon:
Al Gold (am 1938-08-31)
Trompete:
Max Kaminsky (am 1938-08-31)
recording of:
Baby Won’t You Please Come Home (am 1938-08-31)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Pee Wee Russell's Rhythmakers2:29
19There'll Be Some Changes Made (trumpet version)
Gitarre:
Freddie Green (am 1938-08-31)
Klarinette:
Pee Wee Russell (am 1938-08-31)
Kontrabass:
Wellman Braud (am 1938-08-31)
Posaune:
Dicky Wells (am 1938-08-31)
Schlagzeug:
Zutty Singleton (am 1938-08-31)
Tenorsaxophon:
Al Gold (am 1938-08-31)
Trompete:
Max Kaminsky (am 1938-08-31)
instrumental recording of:
There’ll Be Some Changes Made (am 1938-08-31)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Pee Wee Russell's Rhythmakers2:54
20There'll Be Some Changes Made (piano version)
Gitarre:
Freddie Green (am 1938-08-31)
Klarinette:
Pee Wee Russell (am 1938-08-31)
Klavier:
James P. Johnson (am 1938-08-31)
Kontrabass:
Wellman Braud (am 1938-08-31)
Posaune:
Dicky Wells (am 1938-08-31)
Schlagzeug:
Zutty Singleton (am 1938-08-31)
Tenorsaxophon:
Al Gold (am 1938-08-31)
instrumental recording of:
There’ll Be Some Changes Made (am 1938-08-31)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Pee Wee Russell's Rhythmakers3:02
21Horn of Plenty Blues (Zutty's Hootie Blues)
Gitarre:
Freddie Green (am 1938-08-31)
Klarinette:
Pee Wee Russell (am 1938-08-31)
Klavier:
James P. Johnson (am 1938-08-31)
Kontrabass:
Wellman Braud (am 1938-08-31)
Posaune:
Dicky Wells (am 1938-08-31)
Schlagzeug:
Zutty Singleton (am 1938-08-31)
Tenorsaxophon:
Al Gold (am 1938-08-31)
Trompete:
Max Kaminsky (am 1938-08-31)
Pee Wee Russell's Rhythmakers3:02
22Dinah
Gitarre:
Freddie Green (am 1938-08-31)
Klarinette:
Pee Wee Russell (am 1938-08-31)
Klavier:
James P. Johnson (am 1938-08-31)
Kontrabass:
Wellman Braud (am 1938-08-31)
Posaune:
Dicky Wells (am 1938-08-31)
Schlagzeug:
Zutty Singleton (am 1938-08-31)
Tenorsaxophon:
Al Gold (am 1938-08-31)
Trompete:
Max Kaminsky (am 1938-08-31)
recording of:
Dinah (am 1938-08-31)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
Pee Wee Russell's Rhythmakers2:42

Nennungen

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
The Chronological Classics (Nummer: 671) (Reihenfolge: 180)