Kuschelrock, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Anmerkung

This is part two of a two-release edition of Kuschelrock, both CDs sold separately.

Anmerkung zuletzt geändert am 2021-11-09 15:30 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t Give Up
Interpret(in):
Kate Bush
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Don’t Give Up
Texter und Komponist(in):
Peter Gabriel (formerly of Genesis)
publisher:
Cliofine Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Real World Music, Ltd.
Peter Gabriel5:36
2Hold Me Now
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1987) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
Teil von:
Ireland in the Eurovision Song Contest (Irland beim Eurovision Song Contest) (Nummer: 1987) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1987)
recording of:
Hold Me Now (in 1987)
publisher:
Johnny Logan
Komponist(in):
Johnny Logan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Johnny Logan43:03
3Let’s Wait a While
recording of:
Let’s Wait Awhile
Verfasser(in):
Melanie Andrews, Janet Jackson, James Samuel Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Black Ice Publishing, Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Mellie Mel, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 大洋音楽 (Taiyō Music)
Janet Jackson4:35
4Hard to Say I’m Sorry
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
cover recording of:
Hard to Say I’m Sorry
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago53:49
5The Carpet Crawl
recording of:
The Carpet Crawlers
Texter und Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Steve Hackett und Mike Rutherford
publisher:
Carlin Music Corporation, Genesis Music Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins und Imagem Sounds Rutherford
Genesis5:27
6Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.352:41
7Sebastian
recording of:
Sebastian
Texter und Komponist(in):
Steve Harley
publisher:
Finchley Music Corp. und RAK Publishing Ltd.
Steve Harley & Cockney Rebel5:35
8When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:51
9Bye Bye Love
recording of:
Bye Bye Love
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:17
10Honesty
assistierende(r) Techniker(in):
Dave Martone (US engineer)
Techniker(in):
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
Mix:
Jim Boyer (producer/engineer) und Phil Ramone
Akustikgitarre:
David Spinozza (in 1978)
Blechblasinstrumente [horns] und Saiteninstrumente arranger:
Robert Freedman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Honesty von Billy Joel (American singer‐songwriter and pianist)
recording of:
Honesty (in 1978)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) und Impulsive Music (in 1978)
Billy Joel3.653:48
11City Lights
recording of:
City Lights
Texter und Komponist(in):
Pascal Pilet Desjardins (producer), Phil Trainer und Pascal Wuthrich
William Pitt43:52
12Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
13Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:52
14Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
Love Affair43:02
15I’m Not in Love
recording engineer:
10cc (in 1974)
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bass und Gitarre:
Graham Gouldman (in 1974)
Effektgerät [musical effects], Hybrid-Piano und Sologesang:
Eric Stewart (in 1974)
Klavier:
Lol (in 1974)
Moog:
Kevin (in 1974)
Synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) und Eric Stewart (in 1974)
Hintergrundgesang:
Graham Gouldman (in 1974), Kevin (in 1974) und Lol (in 1974)
sonstiger Gesang [whisper vocals]:
Kathy Redfern (in 1974)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) und Mercury Records Ltd. (not for release label use!) (in 1996)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
Musikvideos:
I’m Not in Love von 10cc
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 319)
recording of:
I’m Not in Love (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc3.855:57
16Donna
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens4.82:26
17Don’t You Love Me Anymore
recording of:
Don’t You Love Me Anymore
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
Joe Cocker3:54
18Happy Ending
Techniker(in):
Rik Pekkonen
Bassgitarre:
Graham Maby
Gitarre:
Vinnie Zummo
Schlagzeug:
Gary Burke
Sologesang:
Joe Jackson (English musician)
Interpret(in):
Elaine Caswell
arranger:
Joe Jackson (English musician)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1984)
recording of:
Happy Ending (Joe Jackson)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Joe Jackson3.53:37

Nennungen

Veröffentlichungsgruppe

Teil von:Kuschelrock (Nummer: 1) (Reihenfolge: 27)
Discogs:https://www.discogs.com/master/148661 [Info]
Allmusic:https://www.allmusic.com/album/mw0000722122 [Info]