Stars of Musicals: The Greatest Musical Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

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Annotazione modificata l'ultima volta il 2018-02-20 13:49 UTC.

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1▼CD
#TitoloArtistaValutazioneDurata
1Bewitched, Bothered and Bewildered (Pal Joey)
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1963-02-20)
arpa :
Kathryn Julye
basso :
Peter Mercurio e Meyer "Mike" Rubin (US bassist 1930s - 1960s)
batteria :
Mel Lewis (American jazz drummer)
clarinetto e sassofono tenore :
Buddy DeFranco e Mitchell Lurie (clarinetist)
clarinetto basso :
Charles Butler e Chuck Gentry
corno francese :
John Cave (french horn), Vincent DeRosa, William Hinshaw (American horn player) e Richard Perissi
fagotto :
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player) e Ray Nowlin (Bassoon)
flauto e sassofono contralto :
Arthur Gleghorn e Harry Klee
oboe :
Gordon Schoneberg e Champ Webb
pianoforte :
Bill Miller (pianist)
sassofono :
Charles Butler, Chuck Gentry, Gordon Schoneberg e Champ Webb
tromba :
Manny Klein, Cappy Lewis e Uan Rasey
trombone :
Dick Nash e Thomas Shepard
trombone basso :
George Roberts (american bass trombone)
violino :
Israel Baker (American violinist), Victor Bay, Alex Beller, Arnold Belnick, Emo Neufeld, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Davida Jackson (Violinist), Anatol Kaminsky (Violinist), Leonard Malarsky, Nathan Ross, Paul Shure, Marshall Sosson, Joseph Stepansky, Victor Amo e Gerald Vinci (American violinist and strings conductor)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1963-02-20)
direttore d'orchestra:
Nelson Riddle
arrangiatore:
Nelson Riddle
registrazione cover di:
Bewitched, Bothered and Bewildered (Pal Joey) (il 1963-02-20)
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
WB Music Group (conclusa), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Williamson Music Company
parte di:
Pal Joey
Frank Sinatra23:01
2The Music of the Night (Phantom of the Opera)
assistente tecnico:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (nel 1991-09)
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) (nel 1991-09)
produttore:
Jeff Jarratt (producer) e Don Reedman (producer)
produttore esecutivo:
Don Reedman (producer)
editor:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
voce:
Michael Crawford (UK actor and singer) (nel 1991-09)
orchestra:
Royal Philharmonic Orchestra (nel 1991-09)
direttore d'orchestra:
Michael Reed (UK conductor/arranger for musicals) (nel 1991-09)
remixer:
Mike Jarratt (recording, mixing and lacquer cutting engineer)
arrangiatore:
David Cullen (composer, arranger, orchestrator)
primo violino:
David Towse (nel 1991-09)
diritti fonografici (℗) detenuti da:
USM Copyrights Ltd. (nel 1991)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1991-09)
registrazione di:
The Music of the Night (The Phantom of the Opera) (nel 1991-09)
paroliere:
Charles Hart (British lyricist)
paroliere aggiunto:
Richard Stilgoe
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd (not for release label use!) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
parte di:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford5:51
3Close Every Door (Joseph and the Amazing Technicolor Dreamcoat)
produttore:
John Yap (founder of Jay Records)
voce:
Clive Carter
orchestra:
Munich Symphony Orchestra (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) e National Symphony Orchestra (of London, predominantly in musical theatre recordings)
direttore d'orchestra:
John Owen Edwards
diritti fonografici (℗) detenuti da:
Jay Productions Ltd. (record company; for release label, please use “Jay Records”) (nel 1993)
registrazione di:
Close Every Door (Joseph and the Amazing Technicolor Dreamcoat)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Music Co. Ltd. (not for release label use!)
versione tradotta di:
Sulje oveni
parte di:
Joseph and the Amazing Technicolor Dreamcoat (Andrew Lloyd Webber musical)
John Barrowman3:37
4S'Wonderful (An American in Paris)
voce:
Gene Kelly (US dancer/actor)
diritti fonografici (℗) detenuti da:
Turner Entertainment (nel 2015)
registrazione di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Gene Kelly & Georges Guétary2:50
5Hello Young Lovers (The King and I)
registrazione di:
Hello, Young Lovers (The King and I)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company e Williamson Music, Inc.
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. e Williamson Music Ltd.
parte di:
The King and I (Rodgers & Hammerstein musical)
Deborah Kerr3:31
6It Ain’t Necessarily So (Porgy & Bess)
registrazione di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Sidney Poitier3:07
7Oh What a Beautiful Morning (Oklahoma)
registrazione di:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. e Williamson Music, Inc.
parte di:
Oklahoma! (Rodgers & Hammerstein musical)
Gordon MacRae2:34
8Wonderful Wonderful Day (Seven Brides for Seven Brothers)
registrazione di:
Wonderful, Wonderful Day (from “Seven Brides for Seven Brothers”)
paroliere:
Johnny Mercer
compositore:
Gene de Paul
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
parte di:
Seven Brides for Seven Brothers (musical)
Jane Powell3:02
9The Man That Got Away (A Star Is Born)
registrazione di:
The Man That Got Away (A Star Is Born)
paroliere:
Ira Gershwin (nel 1953)
compositore:
Harold Arlen (nel 1953)
editore:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 2)
Judy Garland3:41
10I Remember It Well (Gigi)
voce:
Maurice Chevalier e Hermione Gingold
orchestra:
MGM Studio Orchestra
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
diritti fonografici (℗) detenuti da:
Arthur Freed Production Inc. (not for release label use!) (nel 1958, nel 1986), Loew’s Incorporated (nel 1958) e MGM/UA Entertainment Co. (nel 1986)
registrazione di:
I Remember It Well (Gigi) (dal 1957-09-24 al 1958-02-19)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Gigi (full musical)
Maurice Chevalier & Hermione Gingold2:25
11Till There Was You (The Music Man)
registrazione di:
Till There Was You (The Music Man)
paroliere e compositore:
Meredith Willson (nel 1950)
editore:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing e Rinimer Corp.
parte di:
The Music Man
Shirley Jones3:01
12New York, New York (On the Town)
orchestra:
National Symphony Orchestra (of London, predominantly in musical theatre recordings)
direttore d'orchestra:
Craig Barna (conductor)
diritti fonografici (℗) detenuti da:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2007)
registrazione di:
Theme From “New York, New York” (usually just titled “New York, New York”)
dedicata a:
New York, New York, Stati Uniti
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (conclusa), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
New York, New York (1977 musical film soundtrack)
Robert Irons3:04
13I’d Do Anything (Oliver!)
diritti fonografici (℗) detenuti da:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2011)
registrazione di:
I’d Do Anything (Oliver!)
paroliere e compositore:
Lionel Bart
editore:
Lakeview Music Publishing Company Ltd. e TRO-Hollis, Inc.
parte di:
Oliver! (Lionel Bart musical)
Sarah Lark, Irfan Ahmad, Megan Kelly & Richard South3:25
14Some Enchanted Evening (South Pacific)
diritti fonografici (℗) detenuti da:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2002)
registrazione di:
Some Enchanted Evening (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company e Williamson Music, Inc.
parte di:
South Pacific (Rodgers & Hammerstein musical)
William Michals3:45
15Stranger in Paradise (Kismet)
registrazione di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Ann Blyth & Vic Damone5:37
16So Long, Farewell (The Sound of Music)
registrazione di:
So Long, Farewell (The Sound of Music)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
Children of the Cast2:53
17I Whistle a Happy Tune (The King and I)
registrazione di:
I Whistle a Happy Tune (The King and I)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company e Williamson Music, Inc.
parte di:
The King and I (Rodgers & Hammerstein musical)
Deborah Kerr2:43
18As Time Goes By (Casablanca)
registrazione di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Dooley Wilson2:48
19They Can’t Take That Away From Me (The Barkleys of Broadway)
registrazione di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Fred Astaire4:36
20True Love (High Society)
registrazione di:
True Love (High Society) (il 1956-02-22)
paroliere e compositore:
Cole Porter (composer) (nel 1956)
editore:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
Warner Chappel Music Belgium NV
parte di:
The 29th Academy Award for Best Original Song (numero: 2)
parte di:
High Society (stage musical)
parte di:
High Society (1956 film)
Bing Crosby & Grace Kelly3:06
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Accreditamenti

Pubblicazione

fabbricata a:the EU (Europa)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2015)
ASIN:UK: B00TCONIE0 [info]
altri database:http://castalbums.org/recordings/Stars-of-Musicals-The-Greatest-Musical-Songs-Compilation/29019 [info]

Gruppo di pubblicazioni

parte di:Stars Of (Union Square Music) (ordine: 4)