That’s Jazz: Simply the Best of Jazz

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Let’s Face the Music and Dance
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Nat King Cole2:26
2Everytime We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (nel 1956)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:33
3We Have All the Time in the World
produttore:
John Barry (English score composer) e Phil Ramone
voce principale:
Louis Armstrong
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
registrazione di:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
paroliere:
Hal David
compositore:
John Barry (English score composer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:14
4Mack the Knife
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin
direttore d'orchestra:
Richard Wess
arrangiatore:
Richard Wess
parte di:
Grammy Award: Record of the Year nominees (numero: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (numero: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 40) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 251)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
5Body and Soul
registrazione di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Manhattan Transfer4:26
6Take Five
registrata a:
New York, New York, Stati Uniti (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
tecnico di registrazione:
Fred Plaut
produttore:
Teo Macero (American jazz saxophonist and composer)
batteria :
Joe Morello (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
contrabbasso :
Eugene Wright (bass) (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
pianoforte :
Dave Brubeck (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
sassofono contralto :
Paul Desmond (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
diritti fonografici (℗) detenuti da:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1959), BNF Collection 2013 (Bibliothèque nationale de France) (nel 1960), Avid Entertainment (nel 2010), Supreme Media (nel 2013) e TP4 Music (nel 2017)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1959-07-01, dal 1959-08-18 al 1959-08-19)
registrazione di:
Take Five (original instrumental version) (il 1959-07-01)
compositore:
Paul Desmond
editore:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dave Brubeck4.355:24
7I Wish I Knew (How It Would Feel to Be Free)
Billy Taylor Trio3:40
8I’ve Got the World on a String
registrazione di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Anita O’Day3:59
9Love for Sale
registrata a:
New York, New York, Stati Uniti (il 1965-02-10)
produttore:
Clyde Otis (American songwriter and record producer)
tecnico di missaggio:
Leo Sacks e Mark Wilder (US recording/mastering engineer)
basso :
James Richardson (il 1965-02-10)
batteria :
Hindal Butts (il 1965-02-10)
chitarra :
Kenny Burrell (il 1965-02-10)
voce:
Aretha Franklin (il 1965-02-10)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1965)
registrazione dal vivo cover di:
Love for Sale (il 1965-02-10)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
registrazione cover di:
Love for Sale
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
Aretha Franklin32:30
10Passing Strangers
registrazione di:
Passing Strangers
autore:
Rita Mann (songwriter) (nel 1957) e Mel Mitchell (songwriter) (nel 1957)
Billy Eckstine & Sarah Vaughan32:39
11Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:56
12My Funny Valentine
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954) e Blue Note (nel 1989)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker22:18
13Yesterdays
produttore:
Alfred Lion
basso e contrabbasso :
Oscar Pettiford (il 1952-05-09)
batteria :
Kenny Clarke (il 1952-05-09)
pianoforte :
Gil Coggins (US jazz pianist) (il 1952-05-09)
sassofono contralto :
Jackie McLean (jazz saxophonist) (il 1952-05-09)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1952-05-09)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1952-05-09)
registrata presso:
WOR Studios in New York, New York, Stati Uniti (il 1952-05-09)
registrazione strumentale di:
Yesterdays (il 1952-05-09)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
registrazione di:
Yesterdays
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Miles Davis3:45
14Take the ‘A’ Train
registrazione di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
Duke Ellington2:56
15Ain’t Misbehavin’
Fats Waller3:53
16Call Me Irresponsible
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
Dinah Washington2:18
17Thinkin’ About Your Body
Bobby McFerrin3:12
18Stormy Monday Blues
registrazione di:
Stormy Monday Blues
autore:
Bob Crowder (tenor saxophone), Billy Eckstine e Earl Hines (jazz pianist and bandleader)
editore:
7 Arts e Warner Bros. (holding: file NO releases)
Count Basie and Billy Eckstine3:11
19Summertime
voce:
Sarah Vaughan (il 1949-12-21)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1949)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1949-12-21)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:13
20Misty
registrazione strumentale di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Erroll Garner2:47
21Round Midnight
Mel Tormé3:13
22Let There Be Love
batteria :
Shelly Manne (US jazz drummer) (il 1961-12-20)
chitarra :
Al Hendrickson (il 1961-12-20)
contrabbasso :
Al McKibbon (double bassist) (il 1961-12-20)
contrabbasso [arco bass] :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (il 1961-12-20)
pianoforte :
George Shearing (British jazz pianist) (il 1961-12-20)
vibrafono :
Emil Richards (il 1961-12-20)
viola :
Joseph DiFiore (il 1961-12-20), Alvin Dinkin (il 1961-12-20), Allan Harshman (violist) (il 1961-12-20) e Paul Robyn (il 1961-12-20)
violino :
Victor Arno (il 1961-12-20), Emil Briano (Violinist) (il 1961-12-20), Jacques Gasselin (il 1961-12-20), James Getzoff (American concertmaster and violinist) (il 1961-12-20), Joseph Livoti (violinist) (il 1961-12-20), Dan Lube (il 1961-12-20), Erno Neufeld (il 1961-12-20), Isadore Roman (violin) (il 1961-12-20), Mischa Russell (violinist) (il 1961-12-20), Felix Slatkin (il 1961-12-20), Joseph Stepansky (il 1961-12-20) e Gerald Vinci (American violinist and strings conductor) (il 1961-12-20)
violoncello :
Hyman Gold (cellist) (il 1961-12-20), Armand Kaproff (il 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (il 1961-12-20) e William Vandenburg (Session Musician/Cello) (il 1961-12-20)
voce:
Nat King Cole (il 1961-12-20)
direttore d'orchestra:
Ralph Carmichael (il 1961-12-20)
arrangiatore:
Ralph Carmichael
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1961-12-20)
registrazione cover di:
Let There Be Love (il 1961-12-20)
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole1.22:45
23Chicago
produttore:
Teddy Reig
batteria :
Sonny Payne (nel 1959-01)
chitarra :
Freddie Green (nel 1959-01)
contrabbasso :
Eddie Jones (US jazz double bassist) (nel 1959-01)
pianoforte :
Ralph Sharon e Count Basie (pianist) (nel 1959-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (nel 1959-01)
sassofono contralto :
Marshall Royal (nel 1959-01) e Frank Wess (nel 1959-01)
sassofono tenore :
Frank Foster (saxophonist) (nel 1959-01) e Billy Mitchell (US jazz saxophonist) (nel 1959-01)
tromba :
Wendell Culley (jazz trumpeter) (nel 1959-01), Thad Jones (American jazz trumpeter) (nel 1959-01), Joe Newman (US jazz trumpeter) (nel 1959-01) e Snooky Young (nel 1959-01)
trombone :
Henry Coker (jazz trombonist) (nel 1959-01), Al Grey (trombone) (nel 1959-01) e Benny Powell (jazz trombonist) (nel 1959-01)
voce:
Tony Bennett (US jazz/standards vocalist) (nel 1959-01)
esecutore:
Tony Bennett (US jazz/standards vocalist)
arrangiatore:
Ralph Sharon
registrazione dal vivo cover di:
Chicago (That Toddlin’ Town) (nel 1959-01)
paroliere e compositore:
Fred Fisher (nel 1922)
editore:
Fisher Music Corp. e Salabert
Tony Bennett42:06

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