Matthäus Passion, BWV 244

~ Release by Johann Sebastian Bach; Ton Koopman, Amsterdam Baroque Orchestra, De Nederlandse Bachvereniging & Sacramentskoor Breda (see all versions of this release, 3 available)

Tracklist

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1Matthäus Passion, BWV 244: Seconda parte. XXX. Aria „Ach, nun ist mein Jesus hin!“ (Alto, Chorus II)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:53
2Matthäus Passion, BWV 244: Seconda parte. XXXI. Recitativo „Die aber Jesum gegriffen hatten“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:58
3Matthäus Passion, BWV 244: Seconda parte. XXXII. Choral „Mir hat die Welt trüglich gericht’t“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (on 1992-06-04)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:38
4Matthäus Passion, BWV 244: Seconda parte. XXXIII. Recitativo „Und wiewohl viele falsche Zeugen herzutraten“ (Evangelista, Testis I & II, Pontifex)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
5Matthäus Passion, BWV 244: Seconda parte. XXXIV. Recitativo „Mein Jesus schweigt zu falschen Lügen stille“ (Tenore)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
tenor vocals:
Christoph Prégardien (tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
6Matthäus Passion, BWV 244: Seconda parte. XXXV. Aria „Geduld!“ (Tenore)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals:
Christoph Prégardien (tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:35
7Matthäus Passion, BWV 244: Seconda parte. XXXVIa. „Und der Hohepriester antwortete und sprach zu ihm“ (Evangelista, Pontifex, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:10
8Matthäus Passion, BWV 244: Seconda parte. XXXVIb. „Er ist des Todes schuldig“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:10
9Matthäus Passion, BWV 244: Seconda parte. XXXVIc. „Da speieten sie aus“ (Evangelista)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:13
10Matthäus Passion, BWV 244: Seconda parte. XXXVId. „Weissage uns, Christe“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:20
11Matthäus Passion, BWV 244: Seconda parte. XXXVII. Choral „Wer hat dich so geschlagen“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
12Matthäus Passion, BWV 244: Seconda parte. XXXVIIIa. „Petrus aber saß draußen im Palast“ (Evangelista, Ancilla I & II, Petrus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:50
13Matthäus Passion, BWV 244: Seconda parte. XXXVIIIb. „Wahrlich, du bist auch einer von denen“ (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:12
14Matthäus Passion, BWV 244: Seconda parte. XXXVIIIc. „Da hub er an, sich zu verfluchen“ (Evangelista, Petrus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:11
15Matthäus Passion, BWV 244: Seconda parte. XXXIX. Aria „Erbarme dich“ (Alto)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
alto vocals:
Kai Wessel (countertenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (on 1992-06-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:00
16Matthäus Passion, BWV 244: Seconda parte. XL. Choral „Bin ich gleich von dir gewichen“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (on 1992-06-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
17Matthäus Passion, BWV 244: Seconda parte. XLIa. „Des Morgens aber hielten alle Hohepriester“ (Evangelista, Judas)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:53
18Matthäus Passion, BWV 244: Seconda parte. XLIb. „Was gehet uns das an“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:07
19Matthäus Passion, BWV 244: Seconda parte. XLIc. „Und er warf die Silberlinge in den Tempel“ (Evangelista, Pontifex I & II)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:38
20Matthäus Passion, BWV 244: Seconda parte. XLII. Aria „Gebt mir meinen Jesum wieder“ (Basso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
21Matthäus Passion, BWV 244: Seconda parte. XLIII. Recitativo „Sie hielten aber einen Rat“ (Evangelista, Pilatus, Jesus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
bass vocals [Jesus]:
Peter Kooij (Peter Kooy, baritone) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:05
22Matthäus Passion, BWV 244: Seconda parte. XLIV. Choral „Befiehl du deine Wege“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (on 1992-06-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
23Matthäus Passion, BWV 244: Seconda parte. XLVa. „Auf das Fest aber hatte der Landpfleger Gewohnheit“ (Evangelista, Pilatus, Uxor Pilati, Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach1:55
24Matthäus Passion, BWV 244: Seconda parte. XLVb. „Laß ihn kreuzigen“ (Chori)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVb. "Laß ihn kreuzigen" (Chori) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:18
25Matthäus Passion, BWV 244: Seconda parte. XLVI. Choral „Wie wunderbarlich ist doch diese Strafe!“
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (on 1992-06-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:49
26Matthäus Passion, BWV 244: Seconda parte. XLVII. Recitativo „Der Landpfleger sagte“ (Evangelista, Pilatus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
tenor vocals [Evangelist]:
Guy de Mey (Belgian operatic tenor) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
27Matthäus Passion, BWV 244: Seconda parte. XLVIII. Recitativo „Er hat uns allen wohlgetan“ (Soprano)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
28Matthäus Passion, BWV 244: Seconda parte. XLIX. Aria „Aus Liebe will mein Heiland sterben!“ (Soprano)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist) (task: supervisor)
soprano vocals:
Barbara Schlick (soprano) (on 1992-06-04)
orchestra:
Amsterdam Baroque Orchestra (on 1992-06-04)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 1992-06-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1993)
recorded at:
Nederlandse Hervormde Kerk in Oudkarspel, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-06-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (on 1992-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:25
3▶CD

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Release group

excerpts:Matthäus Passion (excerpts) by Johann Sebastian Bach (German Baroque period composer & musician), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist), Guy de Mey (Belgian operatic tenor), Peter Kooij (Peter Kooy, baritone), Barbara Schlick (soprano), Kai Wessel (countertenor), Christoph Prégardien (tenor) & Klaus Mertens (classical singer, bass‐baritone)
Discogs:https://www.discogs.com/master/1408682 [info]