Love 101: 101 Ways to Say I Love You

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:24
2Bad Day
recording engineer:
David Boucher und Jeff Dawson
Programmierung:
Jeff Dawson
Produzent(in):
Jeff Dawson und Mitchell Froom
Mix:
David Boucher
Bass:
Davey Faragher und Darren Parris
Gitarre [guitars]:
Jeff Dawson und Val McCallum (guitarist & singer-songwriter)
Keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
Schlagzeug [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander und Pete Thomas (drummer)
zusätzlich Keyboard [keyboards]:
Mitchell Froom
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Area A. in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bad Day
Texter und Komponist(in):
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.13:55
3A Shoulder to Cry On
Tommy Page3:23
4Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Keyboard:
Fred Zarr
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
5That's Why You Go Away
recording of:
That’s Why (You Go Away)
Verfasser(in):
Jascha Richter
Michael Learns to Rock4:14
6Hard to Say I'm Sorry
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
cover recording of:
Hard to Say I’m Sorry
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago53:49
7Without You
phonographisches Urheberrecht (℗) von:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1991)
cover recording of:
Without You
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Air Supply4:35
8Way Back Into Love
assistierende(r) Techniker(in):
Arjun Agerwala und Rudyard Lee Cullers
Techniker(in):
Geoff Sanoff
Produzent(in):
Steven M. Gold und Adam Schlesinger
Mix:
Bob Clearmountain
Bass, Gitarre, Keyboard [keyboards], Perkussion und Schlagzeug [drums]:
Adam Schlesinger
Bratsche / Viola:
Katie Kresek
Geige / Violine:
Janey Choi, Conrad Harris (American violinist) und Kiku Eromoto (violin player)
Hintergrundgesang:
Britta Phillips (singer-songwriter)
vocals:
Haley Bennett und Hugh Grant (actor)
Saiteninstrumente arranger:
Bob Burke (arranger)
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (in 2007)
aufgenommen bei:
Stratosphere Sound (NYC) in Chelsea, New York, New York, Vereinigte Staaten
mixed at:
Mix This in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: The 50 Best Tunes by Made-Up Musicians (Nummer: 31)
recording of:
Way Back Into Love
Komponist(in):
Adam Schlesinger
Hugh Grant & Haley Bennett3.94:38
9How Do I Live
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes44:58
10Superwoman
recording engineer und Mix:
Jon Gass
zusätzlich recording engineer:
Bob Brown (recording, mixing and mastering engineer), Craig Burbidge (American recording engineer) und Tim Jaquette (Producer & engineer)
assistierende(r) Techniker(in):
Toni Greene (engineer) und Fred Howard (engineer)
leitende(r) Produzent(in):
Benny Medina und Leonard Richardson (US hip-hop producer)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Bass:
Kayo (Kevin Roberson)
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds)
Perkussion und Schlagzeug [drums]:
L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Carmen Carter, Bunny Hull und Karyn White
gemixt für:
Ratstyle Productions
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Studio Masters in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Superwoman (von 1988-03 bis 1988-04)
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White35:48
11Always
Techniker(in):
Rory Young
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:49
12Rush Rush
Produzent(in):
Peter Lord und V. Jeffrey Smith (Vernon Jeffrey Smith, producer, writer, musician)
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1991)
Samples:
Kisses in the Moonlight von George Benson (jazz guitarist/singer)
Teil von:
The Downloader’s Music Source Book (Nummer: 89)
recording of:
Rush Rush
Texter und Komponist(in):
Peter Lord Moreland
publisher:
EMI April Music Inc.
Paula Abdul34:55
13Forever Young
recording engineer, Programmierung und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
zusätzlich recording engineer:
Uli Rudolf (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Produzent(in):
Wolfgang Loos und Colin Pearson (producer and violinist)
Bass:
Ken Taylor (von 1984-07 bis 1984-08)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Schlagzeug:
Curt Cress (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Gulfstream (von 1984-07 bis 1984-08) und The Rosie Singers (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Forever Young (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold und Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. und Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.53:46
14Waiting for a Girl Like You
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.354:48
15Kiss Me
Techniker(in) und Mix:
Russ Long (engineer)
Schlagzeug und Perkussion:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographisches Urheberrecht (℗) von:
Squint Entertainment (in 1998)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 15)
recording of:
Kiss Me
Texter und Komponist(in):
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs und Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer4.43:28
16What Can I Do
recording engineer:
Leo Pearson (Irish music producer)
Produzent(in):
Jim Corr
assistierende(r) Mix:
Ryan Freeland
Mix:
Bob Clearmountain
Bodhrán:
Caroline Corr
Geige / Violine:
Sharon Corr
Gitarre:
Anto Drennan und Jim Corr
Keyboard:
Jim Corr
tin whistle und Sologesang:
Andrea Corr
aufgenommen bei:
Peak Studios in Dublin, County Dublin, Leinster, Irland
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
What Can I Do (von 1996 bis 1997)
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) und Songs of PolyGram International, Inc. (in 1997)
The Corrs4:16
17Lovin' You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.53:23
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