Messiah (Der Messias)

~ Release by Wolfgang Amadeus Mozart, George Frideric Handel; Helmuth Rilling (see all versions of this release, 2 available)

Annotation

Copyright: © 2013 haenssler CLASSIC
℗ 2013 haenssler CLASSIC

Annotation last modified on 2024-10-16 13:30 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Messiah, K. 572: Overture
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 1. Overture (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:55
2Messiah, K. 572: Accompanied Recitative: Trostet Zion! (Tenor)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 2a. Recitativo strumentato: “Tröstet Zion!” (tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:02
3Messiah, K. 572: Aria: Alle Tale macht hoch und erhaben (Tenor)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 2b. Aria: “Alle Tale macht hoch und erhaben” (tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:18
4Messiah, K. 572: Denn die Herrlichkeit Gottes des Herrn (Chorus)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 3. Coro: “Denn die Herrlichkeit Gottes des Herrn” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:16
5Messiah, K. 572: Accompanied Recitative: So spricht der Herr (Bass)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 4a. Recitativo strumentato: “So spricht der Herrn” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:21
6Messiah, K. 572: Aria: Doch wer mag ertragen den Tag seiner Ankunft (Bass)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 4b. Aria: “Doch wer mag ertragen den Tag seiner Ankunft” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel4:27
7Messiah, K. 572: Und er wird reinigen die Kinder Levi (Chorus)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 5a. Coro: “Und er wird reinigen die Kinder Levi” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:36
8Messiah, K. 572: Recitative: Denn sieh! Eine Jungfrau wird schwanger (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 5b. Recitativo: “Denn sieh! Eine Jungfray wird schwanger” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:26
9Messiah, K. 572: Aria: O du, die Wonne verkundet in Zion (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 6a. Aria: “O du, die Wonne verkündet in Zion” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:50
10Messiah, K. 572: O du, die Wonne verkundet in Zion (Chorus)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 6b. Coro: “O du, die Wonne verkündet in Zion” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:41
11Messiah, K. 572: Accompanied Recitative: Blick auf! Nacht bedecket das Erdreich (Bass)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 7a. Recitativo strumentato: “Blick auf! Nacht bedecket das Erdreich” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:16
12Messiah, K. 572: Aria: Das Volk, das im Dunkeln wandelt (Bass)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 7b. Aria: “Das Volk, das im Dunkeln wandelt” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel4:00
13Messiah, K. 572: Solo Quartet and Chorus: Uns ist zum Heil ein Kind geboren (Quartet, Chorus)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 8. Coro: “Uns ist zum Heil ein Kind geboren” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:55
14Messiah, K. 572: Pastoral Symphony
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 9a. Pifa (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:49
15Messiah, K. 572: Recitative: Es waren Hirten beisammen auf dem Felde
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 9b. Recitativo: “Es waren Hirten beisammen auf dem Felde” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:15
16Messiah, K. 572: Accompanied Recitative: Und sieh! Der Engel des Herrn trat zu ihnen (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 10a. Recitativo strumentato: “Und sieh! Der Engel des Herrn trat zu ihnen” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:22
17Messiah, K. 572: Recitative: Und der Engel sprach zu ihnen (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 10b. Recitativo: “Und der Engel sprach zu ihnen” (soprano II) (in 1991)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:40
18Messiah, K. 572: Accompanied Recitative: Und alsobald war da bei dem Engel (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 11. Recitativo strumentato: “Und alsobald war da bei dem Engel” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:21
19Messiah, K. 572: Ehre sei Gott in der Hohe! (Chorus)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 12. Coro: “Ehre sei Gott in der Höhe!” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:43
20Messiah, K. 572: Aria: Erwach' zu Liedern der Wonne (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 13a. Aria: “Erwach' zu Liedern der Wonne” (tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel4:06
21Messiah, K. 572: Recitative: Dann tut das Auge des Blinden sich auf (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 13b. Recitativo “Dann tut das Auge des Blinden sich auf” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:27
22Messiah, K. 572: Aria: Er weidet seine Herde (Soprano)
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 14. Aria: “Er weidet seine Herde” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel5:21
23Messiah, K. 572: Solo Quartet and Chorus: Sein Joch ist sanft
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil I, Nr. 15. Coro: “Sein Joch ist sanft” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:31
2▶Digital Media