Potro de rabia y miel

~ Release by Camarón de la Isla (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Una rosa pa tu pelo (tanguillos)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Una rosa pa tu pelo (Tanguillos)
writer:
José Rodríguez (Spanish flamenco guitarist), Pepe de Lucía and Ramón Trujillo
3:37
2Mi nazareno (bulerías)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Mi nazareno (Bulerías)
writer:
Pepe de Lucía
5:13
3Se me partió la barrena (taranta)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Se me partió la barrena (Taranta)
writer:
Pepe de Lucía
3:28
4Potro de rabia y miel (bulerías)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Potro de rabia y miel (Bulerías)
writer:
Antonio Humanes and Pepe de Lucía
5:48
5La primavera (rumba)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
La primavera (Rumba)
writer:
Juan Antonio Zalazar
3:55
6Yo vendo pescaito (bulerías)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Yo vendo pescaito (Bulerías)
writer:
Antonio Humanes and Pepe de Lucía
4:04
7Eres como un laberinto (tangos)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Eres como un laberinto (Tangos)
writer:
Antonio Carmona (Spanish, founder of Ketama), Juan Carmona (French flamenco guitarist) and José Fernández (Percussionist)
4:54
8La calle de los lunares (bulerías)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
La calle de los lunares (Bulerías)
writer:
Juan Antonio Zalazar
5:00
9Un caballo y una yegua (rumba)
sound engineer:
Jesús Bola, Antonio Olariaga, Juan Surrivas (sound engineer) and Miguel de la Vega (engineer)
recorded at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain, Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain and Estudio KF in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain
mixed at:
CineArte in Madrid, Comunidad de Madrid (Community of Madrid), Spain and Estudio Bola in Sevilla (Seville), Sevilla (Province of Seville), Andalucía (Andalusia), Spain
edited at:
Estudios Kirios in Alcorcón, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Un caballo y una yegua (Rumba)
writer:
Antonio Humanes
3:52

Credits

Release

art direction:Pablo Sycet
graphic design:Miguel Barceló (graphic design)
executive producer:Pepe de Lucía
bass:Carles Benavent
guitar:Paco de Lucía
Tomatito
handclaps and percussion:Antonio Carmona (Spanish, founder of Ketama)
Guadiana
Ramón el Portugués
Manuel Soler
choir vocals:Antonio Humanes
Esperanza Fernández (flamenco singer)
arranger:Joan Albert Amargós
José Mas "Kitflus" (Spanish composer, keyboardist “Kitflus”)
Discogs:https://www.discogs.com/release/1568659 [info]

Release group

Discogs:https://www.discogs.com/master/337742 [info]
Wikidata:Q6083630 [info]