A Swingin’, Singin’ Affair (stereo)

~ Release by Mark Murphy (see all versions of this release, 3 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Ballyhoo
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
alto saxophone:
John Dankworth
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
reeds:
Bill Skeat, Tommy Whittle and Roy Willox
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
John Dankworth (from 1964-04-08 until 1964-04-10)
orchestrator:
John Dankworth (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-10: drums (drum set))
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A2She Loves You
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vibraphone:
Tubby Hayes
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
orchestrator:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-09)
recording of:
She Loves You
writer:
John Lennon (The Beatles) (from 1963-06-26 until 1963-06-27) and Paul McCartney (The Beatles) (from 1963-06-26 until 1963-06-27)
publisher:
Gil Music Corporation, Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
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A3My Foolish Heart
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
flute:
Tommy Whittle
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Les Reed (from 1964-04-08 until 1964-04-10)
orchestrator:
Les Reed (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-08)
recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
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A4Iceberg
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vibraphone:
Tubby Hayes
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
orchestrator:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-09)
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A5Happy Days Are Here Again
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
flute:
Tommy Whittle and Roy Willox
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Les Reed (from 1964-04-08 until 1964-04-10)
orchestrator:
Les Reed (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-08)
recording of:
Happy Days Are Here Again (Barbra Streisand version)
lyricist:
Jack Yellen (in 1929)
additional writer:
Ken Welch and Mitzie Welch
composer:
Milton Ager (in 1929)
version of:
Happy Days Are Here Again
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A6(I Left My Heart) In San Francisco
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
alto saxophone:
John Dankworth
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
reeds:
Bill Skeat, Tommy Whittle and Roy Willox
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
John Dankworth (from 1964-04-08 until 1964-04-10)
orchestrator:
John Dankworth (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-10: drums (drum set))
recording of:
I Left My Heart in San Francisco
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
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B1Hard Hearted Hannah (The Vamp of Savanna)
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vibraphone:
Tubby Hayes
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
orchestrator:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-09)
recording of:
Hard Hearted Hannah
writer:
Milton Ager, Charles Bates, Bob Bigelow and Jack Yellen
composer:
Milton Ager, Charles Bates and Jack Yellen
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B2Stablemates
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
alto saxophone:
John Dankworth
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
reeds:
Bill Skeat, Tommy Whittle and Roy Willox
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
John Dankworth (from 1964-04-08 until 1964-04-10)
orchestrator:
John Dankworth (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-10: drums (drum set))
recording of:
Stablemates
composer:
Tony Day (songwriter & producer) and Alan Zeffertt
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B3I'll Be Around
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
flute:
Tommy Whittle and Roy Willox
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Les Reed (from 1964-04-08 until 1964-04-10)
orchestrator:
Les Reed (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-08)
recording of:
I’ll Be Around
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
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B4From Time to Time
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
alto saxophone:
John Dankworth
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
reeds:
Bill Skeat, Tommy Whittle and Roy Willox
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
John Dankworth (from 1964-04-08 until 1964-04-10)
orchestrator:
John Dankworth (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-10: drums (drum set))
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B5Come Rain or Come Shine
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
flute:
Tommy Whittle and Roy Willox
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Les Reed (from 1964-04-08 until 1964-04-10)
orchestrator:
Les Reed (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-08)
recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
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B6The Best is Yet to Come
producer:
Jack Baverstock (A&R and producer at Fontana) (from 1964-04-08 until 1964-04-10)
bass:
Frank Clark (Guitar/bassist)
drums (drum set):
Ronnie Verrell
guitar:
Vic Flick and Joe Moretti
piano:
Les Reed
trombone:
Jackie Armstrong and Don Lusher (trombone player)
trumpet:
Kenny Baker (UK trumpeter), Eddie Blair, Stan Foster (trumpet) and Stan Roderick (trumpet player)
vibraphone:
Tubby Hayes
vocals:
Mark Murphy (US jazz singer) (from 1964-04-08 until 1964-04-10)
conductor:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
orchestrator:
Tubby Hayes (from 1964-04-08 until 1964-04-10)
recorded at:
Philips Studio, Stanhope Place, London W1 in London (Greater London), England, United Kingdom (on 1964-04-09)
recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
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