Alleluia: Musiques sacrées

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata per il santissimo natale: Sinfonia
orchestra:
Schola Cantorum Basiliensis
conductor:
August Wenzinger (Swiss viola da gamba player and conductor)
partial recording of:
Cantata a 6 voci e strumenti per il Santissimo Natale
composer:
Alessandro Stradella (composer)
Alessandro Stradella2:48
2Die Ehre Gottes aus der Natur, op. 48 no. 4 (Die Himmel rühmen)
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
arranger:
Felix Mottl
recording of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" (in 1962)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
recording of:
Die Himmel rühmen (for choir and orchestra)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer)
arranger:
Uwe Johst
publisher:
Jessica Musikverlag
arrangement of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre"
Ludwig van Beethoven2:46
3Transeamus usque Bethlehem
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Radio‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Transeamus usque Bethlehem (in 1962)
composer:
Josef Ignaz Schnabel
Josef Ignaz Schnabel3:03
4Caro mio ben
tenor vocals:
Donald Grobe (tenor)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani3:16
5Heilig, heilig ist der Herr!
choir vocals:
Berliner Händel-Chor (in 1962)
vocals:
Berliner Händel-Chor
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig (in 1962)
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
Franz Schubert3:50
6Te Deum
alto vocals:
Sieglinde Wagner (contralto)
choir vocals:
Berliner Staatsopern Chor
soprano vocals:
Maria Stader (soprano)
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Te Deum in C major
composer:
Anton Bruckner (Austrian composer)
premiered at:
[concert] (1886-01-10)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 45)
Anton Bruckner6:01
7Agnus Dei
choir vocals:
Berliner Händel-Chor (in 1962)
tenor vocals:
Donald Grobe (tenor) (in 1962)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Agnus Dei (in 1962)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:26
8Messe allemande en fa majeur, D. 872: 2. Zum Gloria
organ:
Franz Lehrndorfer (organist)
choir vocals:
Mitglieder des Chors des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1961) and Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1961)
orchestra:
Mirglieder des Symphonieorchesters des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1961)
conductor:
Theobald Schrems (in 1961)
recording of:
Deutsche Messe, D. 872: II. Zum Gloria: Ehre, Ehre sei Gott (in 1961)
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
Franz Schubert3:31
9Le Messie: Alleluia
producer:
Karl Faust (producer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1964-06)
organ:
Elmar Schloter (organist) (in 1964-06)
solo trumpet:
Maurice André (French trumpeter) (in 1964-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-06)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1964-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:21
10Dank sei dir, Herr
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:44
11Le Messie: Denn die Herrlichkeit Gottes des Herrn
choir vocals:
Berliner Händel-Chor
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Günther Arndt (choral conductor)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:42
12Messe en si mineur, BWV 232: Gloria
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1961-02 until 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-02 until 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1962)
compilation of:
Mass in B minor: IV. Chor: Gloria in excelsis Deo by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist) and Mass in B minor: V. Chor: Et in terra pax by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1961-02 until 1961-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1961-02 until 1961-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:55
13Laudate Dominum
choir vocals:
Berliner Händel-Chor
soprano vocals:
Lisa Otto (German operatic soprano, 1919–2013)
orchestra:
Radio.Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Günther Arndt (choral conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:10
14Ave verum corpus, KV 618
choir vocals:
Berliner Händel-Chor
conductor:
Günther Arndt (choral conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:46
15La Création: 13. Choeur avec solistes
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:09
16Missa in tempore belli: Gloria
organ:
Bedřich Janáček
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1963)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1963)
conductor:
Rafael Kubelík (conductor) (in 1963)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (in 1963)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:53
17Un requiem allemand, op. 45: 2. Denn alles Fleisch, es ist wie Gras
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:34
18Requiem, op. 48: In Paradisum
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:51
2▶CD

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Release

part of:Double (Deutsche Grammophon) (order: 14)
Discogs:https://www.discogs.com/release/10827761 [info]