Steve Wright’s Sunday Love Songs: Make Ups & Break Ups

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Sorry Seems to Be the Hardest Word
tecnico:
Gus Dudgeon e Mark Howlett
produttore:
Gus Dudgeon e John Stewart (UK music producer/recording engineer)
basso elettrico :
Kenny Passarelli (Bass, piano)
fisarmonica :
Carl Fortina
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
pianoforte elettrico :
James Newton Howard (American score composer)
vibrafono :
Ray Cooper (percussionist)
direttore d'orchestra:
James Newton Howard (American score composer)
arrangiatore fisarmonica e archi :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Happenstance Limited (record and publishing company) (nel 1976)
registrata presso:
Eastern Sound in Toronto, Ontario, Canada e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1976-03)
registrazione di:
Sorry Seems to Be the Hardest Word
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.353:48
2I Want to Know What Love Is
registrazione cover di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Mariah Carey3.253:26
3Bad Romance
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2009)
registrazione di:
Bad Romance
autore:
Nadir Khayat e Stefani Germanotta
editore:
GloJoe Music Inc., House of Gaga Publishing Inc. e Sony/ATV Songs LLC
Lady Gaga3.54:21
4Mandy
co-produttore:
Clive Davis (record producer, A&R executive and music industry chief executive)
produttore:
Ron Dante e Barry Manilow
voce principale:
Barry Manilow (nel 1978)
arrangiatore archi :
Joe Renzetti (US film composer, session musician)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1974) e Bell Records (50s-70s US/UK pop, later became Arista) (nel 1974)
registrazione cover di:
Brandy (more popularly known as Mandy) (nel 1978)
paroliere:
Scott English
autore:
Scott English
compositore:
Richard Kerr
editore:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Barry Manilow43:19
5Sweetest Thing
tecnico di registrazione:
Pat McCarthy e Joe O’Herlihy
tecnico di registrazione aggiunto:
Steve Harris (mixer/producer)
produttore:
Brian Eno, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) e Steve Lillywhite
tecnico di missaggio:
Steve Harris (mixer/producer)
archi :
Nicola Cleary, Nicholas Milne, Aengus O’Connor e Una O’Kane
batteria e percussione :
Larry Mullen, Jr.
chitarra :
The Edge (U2 guitarist David Evans)
chitarra basso :
Adam Clayton
voce principale:
Bono (singer of U2)
arrangiatore archi :
Daragh O’Toole (composer/arranger)
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1998)
video musicali:
Sweetest Thing di U2 (Irish rock band)
registrazione di:
Sweetest Thing
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) e Larry Mullen, Jr.
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. e Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U23.33:00
6Cry Me Out
registrazione di:
Cry Me Out
autore:
Colin Campsie, Mads Hauge (songwriter and producer), Pixie Lott e Phil Thornalley
Pixie Lott3:42
7You’re Still the One
registrazione di:
You’re Still the One
autore:
Eilleen Shania Lange e Robert John Lange
editore:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. e PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3:32
8I’m Still Waiting
produttore:
Hal Davis e Deke Richards (American songwriter and record producer)
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
I’m Still Waiting
paroliere e compositore:
Deke Richards (American songwriter and record producer)
editore:
Jobete Music Co., Inc.
Diana Ross33:44
9Love Story
assistente tecnico di registrazione:
Richard Edgeler
tecnico di registrazione:
Chad Carlson
tecnico di registrazione aggiunto e tecnico di missaggio aggiunto:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
produttore:
Nathan Chapman (American producer & songwriter) e Taylor Swift
assistente tecnico di missaggio:
Drew Bollman e Richard Edgeler
tecnico di missaggio:
Justin Niebank
chitarra aggiunto:
Tim Van der Kuil
diritti fonografici (℗) detenuti da:
Taylor Swift (nel 2008)
diritti fonografici (℗) detenuti da:
Apollo A‐1 LLC (nel 2008) e Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (nel 2008)
mixata presso:
Blackbird Studios in Nashville, Tennessee, Stati Uniti
video musicali:
Love Story (music video) di Taylor Swift
commento:
Love Story (commentary) di Taylor Swift
parte di:
Billboard Year-End Hot 100 singles of 2009 (numero: 5), Billboard Year-End Hot 100 singles of 2008 (numero: 81), Holler's Best 2000s Country Songs (numero: 86) e BILLIONS CLUB
registrazione di:
Love Story
paroliere e compositore:
Taylor Alison Swift (Taylor Swift)
editore:
Universal Music Publishing Limited (Hong Kong), Sony/ATV Tree Publishing (dal 2008 a oggi), Taylor Swift Music (publisher) (dal 2008 a oggi) e Sony Music Publishing (Hong Kong) Limited (2021–) (dal 2021 a oggi)
Taylor Swift4.43:54
10I’ll Be There
produttore:
Nickolas Ashford, Hal Davis e Valerie Simpson
arrangiatore:
Bob West (US session bassist, producer & songwriter)
registrazione di:
I’ll Be There (nel 1970-06)
autore:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy e Willie Hutch
editore:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. e Stone Diamond Music Corporation
parte di:
MJ: The Musical
The Jackson 54.353:57
11True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet5:44
12Hello
produttore:
James Anthony Carmichael e Lionel Richie
esecutore:
Ocobamba
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Hello
paroliere e compositore:
Lionel Richie
autore aggiunto:
James Anthony Carmichael
editore:
Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Lionel Richie3.854:08
13Break Up to Make Up
registrazione di:
Break Up to Make Up
autore:
Thom Bell (keyboards, songwriter, producer), Linda Creed e Kenneth Gamble (songwriter for Philadelphia International)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics4:02
14All Out of Love
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980) e Arista Records, LLC (holding company - file NO releases here!) (nel 1980)
registrazione di:
All Out of Love (nel 1980)
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply3:52
15Issues
registrazione di:
Issues (recorded by The Saturdays)
compositore:
Evan Rogers (musician/producer) e Carl Sturken
The Saturdays2.53:36
16What Becomes of the Broken Hearted
produttore:
William "Mickey" Stevenson (Motown songwriter)
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin4.652:59
17Kiss and Say Goodbye
strumenti:
MFSB (Mother Father Sister Brother)
voce di accompagnamento:
Carla Benson, Evette Benton, Barbara Ingram e The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
voce parlata [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
voce principale [singing voice on 1st lead]:
Gerald Alston
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3.54:25
18Kiss and Make Up
Dannii Minogue4:24
19You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:47
20Yester Me Yester You Yesterday
produttore:
Johnny Bristol e Harvey Fuqua
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione di:
Yester‐Me, Yester‐You, Yesterday
autore:
Ron Miller (Motown songwriter Ronald Norman Miller) e Bryan Wells
editore:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:02
21Donvt Leave Me This Way
produttore:
Hal Davis
voce:
Thelma Houston (nel 1976)
arrangiatore:
Art Wright (guitar)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1976)
edit di:
Don’t Leave Me This Way di Thelma Houston
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 355) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 432)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.43:39
2▶CD

Accreditamenti