The Music of Bill Monroe from 1936 to 1994

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Contains 96 page booklet describing Bill Monroe, his life and recording career. Many color photos. Full discography on enclosed tunes.

Anmerkung zuletzt geändert am 2021-07-15 21:31 UTC.

Titelliste

1▶CD: The Music of Bill Monroe from 1936 to 1952
2▼CD: The Music of Bill Monroe from 1952 to 1959
Nr.TitelBewertungLänge
1Memories of Mother and Dad
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Memories of Mother and Dad (am 1952-07-18)
Texter und Komponist(in):
Albert Price (“The Father of Bluegrass”)
3:00
2The Little Girl and the Dreadful Snake
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
The Little Girl and the Dreadful Snake (am 1952-07-18)
Komponist(in):
Monroe (“The Father of Bluegrass”)
3:06
3Y’all Come
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-08)
Fiddle:
Charlie Cline (am 1954-01-08)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1954-01-08) und Jimmy Martin (US bluegrass musician) (am 1954-01-08)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-08)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-08)
recording of:
Y’all Come (am 1954-01-08)
Texter und Komponist(in):
Arlie Duff
2:19
4Sitting Alone in the Moonlight
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-08)
Fiddle:
Charlie Cline (am 1954-01-08)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1954-01-08) und Jimmy Martin (US bluegrass musician) (am 1954-01-08)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-08)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-08)
Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-08)
recording of:
Sitting Alone in the Moonlight (am 1954-01-08)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:29
5On and On
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle und Baritongesang:
Charlie Cline (am 1954-01-07)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
On and On (am 1954-01-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:49
6White House Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle:
Charlie Cline (am 1954-01-07)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
White House Blues (am 1954-01-07)
Texter:
[traditional] (special purpose artist)
Komponist(in):
[traditional] (special purpose artist) und Wilbur Jones (“The Father of Bluegrass”)
Teil von:
Roud Folk Song Index (Nummer: 787)
2:14
7Happy on My Way
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14)
Baritongesang:
Charlie Cline (am 1954-01-14)
Bass-Gesang:
Milton Estes (am 1954-01-14)
recording of:
Happy on My Way (am 1954-01-14)
Texter und Komponist(in):
Pete Pyle
publisher:
Ernest Tubb Music
2:12
8A Voice From on High
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14)
Baritongesang:
Charlie Cline (am 1954-01-14)
recording of:
A Voice From on High (am 1954-01-14)
Texter und Komponist(in):
Bessie Lee Mauldin und Bill Monroe (“The Father of Bluegrass”)
2:39
9Close By
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Jim Smoak (am 1954-06-26)
Fiddle:
Charlie Cline (am 1954-06-26), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-06-26) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-06-26)
Gitarre:
Edd Mayfield (am 1954-06-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-06-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-06-26)
recording of:
Close By (am 1954-06-26)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”) und Robert Van Winkle
publisher:
Universal Cedarwood Publishing
2:32
10Put My Little Shoes Away
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Jim Smoak (am 1954-06-26)
Fiddle:
Charlie Cline (am 1954-06-26), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-06-26) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-06-26)
Gitarre:
Edd Mayfield (am 1954-06-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-06-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-06-26)
recording of:
Put My Little Shoes Away (am 1954-06-26)
Verfasser(in):
[traditional] (special purpose artist)
überarbeitet von:
Wilbur Jones (“The Father of Bluegrass”)
2:35
11Wheel Hoss
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Wheel Hoss (am 1954-12-31)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:22
12Cheyenne
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Cheyenne (Instrumental by Bill Monroe & Bobby Hicks) (am 1954-12-31)
Komponist(in):
Bobby Hicks (American bluegrass fiddler) und Bill Monroe (“The Father of Bluegrass”)
2:52
13You’ll Find Her Name Written There
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
You'll Find Her Name Written There (am 1954-12-31)
Texter und Komponist(in):
Harold Hensley
2:53
14Roanoke
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Roanoke (am 1954-12-31)
Verfasser(in):
Bill Monroe (“The Father of Bluegrass”)
2:41
15Blue Moon of Kentucky
Banjo und Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1955-01-15)
Fiddle:
Unknown, possibly Bobby Hicks and Charlie Cline ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1955-01-15)
Gitarre:
Unknown, possibly Jackie Phelps ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1955-01-15)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-15)
vocals:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-15)
live recording of:
Blue Moon of Kentucky (am 1955-01-15)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:42
16The Girl in the Blue Velvet Band
Banjo und Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1955-05-08)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1955-05-08)
Kontrabass:
Bessie Lee Mauldin (am 1955-05-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1955-05-08)
vocals:
Bill Monroe (“The Father of Bluegrass”) (am 1955-05-08)
live recording of:
The Girl in the Blue Velvet Band (am 1955-05-08)
Verfasser(in):
Cliff Carlisle (country and blues) und Mel Foree
2:34
17Used to Be
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Joe Stuart (US bluegrass musician) (am 1955-09-16)
Fiddle:
Vassar Clements (am 1955-09-16), Bobby Hicks (American bluegrass fiddler) (am 1955-09-16) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1955-09-16)
Gitarre:
Charlie Cline (am 1955-09-16)
Kontrabass:
Bessie Lee Mauldin (am 1955-09-16)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-09-16)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1955-09-16)
recording of:
Used to Be (am 1955-09-16)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:09
18A Good Woman’s Love
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
recording of:
A Good Woman’s Love (am 1957-05-14)
Texter und Komponist(in):
Cy Coben (songwriter)
2:23
19Cry, Cry Darlin’
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
recording of:
Cry Cry Darling (am 1957-05-14)
Verfasser(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Komponist(in):
Jimmy C. Newman
cover recording of:
Cry Cry Darling
Verfasser(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Komponist(in):
Jimmy C. Newman
2:25
20I’m Sittin’ on Top of the World
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
cover recording of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
Verfasser(in):
Lonnie Carter und Walter Vinson (performance name for Walter Vinson)
publisher:
Chappell Music Ltd., E. H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Mayfair Music Corp.
2:21
21I’ll Meet You in the Morning
Produzent(in):
Owen Bradley
Gitarre:
Edd Mayfield (am 1958-03-19)
Kontrabass:
Bessie Lee Mauldin (am 1958-03-19)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1958-03-19)
Baritongesang:
Kenny Baker (US fiddler) (am 1958-03-19)
Bass-Gesang:
Culley Holt (am 1958-03-19)
Sologesang:
Edd Mayfield (am 1958-03-19) und Bill Monroe (“The Father of Bluegrass”) (am 1958-03-19)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-03-19)
cover recording of:
I'll Meet You in the Morning (am 1958-03-19)
Komponist(in):
Albert E. Brumley
2:14
22Scotland
Produzent(in):
Harold Bradley
Banjo:
Joe Drumright (am 1958-04-08)
Fiddle:
Kenny Baker (US fiddler) (am 1958-04-08) und Bobby Hicks (American bluegrass fiddler) (am 1958-04-08)
Gitarre:
Edd Mayfield (am 1958-04-08)
Kontrabass:
Bessie Lee Mauldin (am 1958-04-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-04-08)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1958-04-08)
recording of:
Scotland (am 1958-04-08)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell, BMI (publisher)
1:55
23Molly and Tenbrooks
Banjo:
Unknown, possibly Joe Drumright ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-04-26)
Fiddle:
Unknown, possibly Kenny Baker ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-04-26)
Gitarre:
Edd Mayfield (am 1958-04-26)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-04-26)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1958-04-26)
vocals:
Bill Monroe (“The Father of Bluegrass”) (am 1958-04-26)
live recording of:
Molly and Tenbrooks (am 1958-04-26)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
basiert auf:
Molly and Tenbrooks
2:30
24John Henry
Banjo:
Joe Stuart (US bluegrass musician) (am 1959-08-02)
Fiddle:
Kenny Baker (US fiddler) (am 1959-08-02)
Gitarre:
Jack Cooke (bluegrass musician, bass, guitar & voaclist) (am 1959-08-02)
Kontrabass:
Unknown, possibly Bessie Lee Mauldin ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-08-02)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1959-08-02)
vocals:
Bill Monroe (“The Father of Bluegrass”) (am 1959-08-02)
live recording of:
John Henry (am 1959-08-02)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Sonet Publishing Ltd.
Teil von:
Roud Folk Song Index (Nummer: 790)
1:35
3▶CD: The Music of Bill Monroe from 1958 to 1969
4▶CD: The Music of Bill Monroe from 1970 to 1994

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/983673 [Info]