Aida

~ Release by Giuseppe Verdi (see all versions of this release, 4 available)

Annotation

Oliviero de Fabritiis/Maria Callas/Oralia Dominguez/Mario del Monaco/Roberto Silva/Giuseppe Taddei

Annotation last modified on 2016-06-25 19:41 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Aida: Prelude
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
3:22
2Aida: Si, corre voce
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
1:40
3Aida: Se quel guerrier io fossi. . . Celeste Aida
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
16:08
4Aida: Ritorna vincitor!
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
6:51
5Aida: Immenso Fhta!
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
6:34
6Aida: Nume, custode e vindice
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
4:01
7Aida: Chi mai fra gl'inni e i plausi
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
live recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
5:54
8Aida: Fu la sorte dell'armi a'tuoi funesta
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
21:18
9Aida: Salvator della patria
bass vocals [Il re]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
8:09
2▶CD