The Sampler

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Symphonie Nr. 5: "Allegro Con Brio"
Orchester:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven8:19
2Symphonie Nr. 40: "Molto Allegro"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Richard Edlinger (conductor and composer) und Alfred Scholz
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart6:36
3Die Vier Jahreszeiten = The Four Seasons: "Der Frühling" = "The Spring" – Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (Nummer: F. I/22) und Ryom-Verzeichnis (Nummer: RV 269)
Teil von:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
Teil von:
Le quattro stagioni (Die vier Jahreszeiten, “The Four Seasons”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:30
4Liebestraum
Klavier:
Hélène Gàl (pianist, an Alfred Scholz pseudonym)
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt4:25
5Ungarischer Tanz Nr. 5 G-Moll = Hungarian Dance No. 5 In G Minor: "Allegro"
Orchester:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prager Festivalorchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz und Pavel Urbanek (an Alfred Scholz pseudonym)
Interpret(in):
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
Komponist(in):
Johannes Brahms (German composer) (von 1858 bis 1868)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Teil von:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dance no. 5 (catch-all for arrangements)
Komponist(in):
Johannes Brahms (German composer) (von 1858 bis 1868)
Arrangement von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling)
Orchestrator(in):
Martin Schmeling
Komponist(in):
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Teil von:
Hungarian Dances for orchestra (Schmeling orchestration)
recording of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Komponist(in):
Johannes Brahms (German composer) (von 1858 bis 1868)
Teil von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1
Johannes Brahms2:20
6Walzer Nr. 6 Op. 64 "Minutenwalzer" = "Minute Waltz"
Klavier:
Hélène Gàl (pianist, an Alfred Scholz pseudonym) und Peter Schmalfuss (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 212)
Teil von:
Waltzes, op. 64
Fryderyk Chopin1:48
7Aida: "Triumphmarsch"
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi5:05
8Mondscheinsonate: "Adagio Sostenuto"
Audio-Engineering:
Südwest Tonstudio (engineering)
Flügel und Solo-Klavier:
Dubravka Tomšič (pianist)
Klavier:
Silvia Čápová (pianist), Debra Ruth Zobel und Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto) (in 1986-04)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
enthalten in:
end of starchild (video game soundtrack)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven6:01
9Symphony Nr. 41 (Jupiter-Symphonie): "Menuetto"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer) und Alfred Scholz
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:48
10Forellenquintett = The Trout: "Thema Con Variazioni"
Instrumente:
Wiener Klavierquintett
Klavier:
Hugo Steurer (classical pianist)
Saiteninstrumente:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (Klavierquintett A-Dur "Forellenquintett", op. 114, D. 667: IV. Thema mit Variationen: Andantino)
Komponist(in):
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
Teil von:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert7:33
11Ein Sommernachtstraum = A Midsummer Night's Dream: "Hochzeitsmarsch" = "Wedding March"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (Ein Sommernachtstraum, Op. 61: Nr. 9. Hochzeitsmarsch: Allegro vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:48
12Nußknacker-Suite = The Nutcracker: "Blumenwalzer" = "Flower Waltz"
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:04
13Brandenburgisches Konzert Nr. 3: "Allegro Moderato"
Geige / Violine:
J. Brezina (violinist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Collegium Aureum, Hamburger Symphoniker, Members of the Philharmonia Slavonia (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös und Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:37
14Carmen: "Les Toreadors"
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Ungarische Nationalphilharmonie), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
Georges Bizet2:14
15Nabucco: "Gefangenenchor" = "The Prisoners' Choir"
Chorgesang:
Rundfunkchor Ljublijana (RTV Slovenia Chamber Choir)
Orchester:
Radio Symphonie Orchester Ljublijana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (Alfred Scholz pseudonym)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:28

Nennungen

Veröffentlichung

Teil von:Vienna Master Series (PILZ) (Reihenfolge: 26)
Discogs:https://www.discogs.com/release/28870333 [Info]