The Best of James Bond

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 35 vorhanden)

Titelliste

1▼Medium
Nr.TitelKünstlerBewertungLänge
1Die Another Day (Die Another Day)
Programmierung:
Mirwais Ahmadzaï
assistierende(r) Techniker(in):
David Treahearn
Techniker(in):
Mark “Spike” Stent (producer, engineer) und Paul ‘P Dub’ Walton
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Sologesang:
Madonna (“Queen of Pop”)
conductor:
Michel Colombier (French score composer)
Saiteninstrumente arranger:
Michel Colombier (French score composer)
recording of:
Die Another Day
Verfasser(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
EMI Music Publishing (do not use as a release label!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
James Bond themes
Madonna3.454:40
2James Bond Theme (Dr. No)
Interpret(in):
Monty Norman Orchestra
recording of:
James Bond Theme
Komponist(in):
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) und EMI United Partnership
Teil von:
James Bond themes
basiert auf:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
John Barry41:48
3Goldfinger (Goldfinger)
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:50
4Nobody Does It Better (The Spy Who Loved Me)
Techniker(in):
Howard Steel (US producer, sound engineer)
Produzent(in):
Richard Perry (producer)
vocals:
Carly Simon
conductor:
Richard Hewson (Horn, Saiteninstrumente)
Horn arranger und Saiteninstrumente arranger:
Richard Hewson
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 16)
recording of:
Nobody Does It Better (from “The Spy Who Loved Me”)
Texter:
Carole Bayer Sager
Komponist(in):
Marvin Hamlisch
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. und United Artists Music Ltd.
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 2) und James Bond themes
Teil von:
The Spy Who Loved Me
Carly Simon43:31
5A View to a Kill (A View to a Kill)
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) und Bernard Edwards (American bassist and record producer)
Sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
Orchestrator(in):
John Barry (English score composer)
Verfasser(in):
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Komponist(in):
John Barry (English score composer) und Duran Duran (English rock band)
publisher:
EMI Songs und Gloucester Place Music Ltd.
Teil von:
James Bond themes
Teil von:
A View to a Kill (from the James Bond film)
Duran Duran3.653:36
6For Your Eyes Only (For Your Eyes Only)
Produzent(in):
Christopher Neil
vocals:
Sheena Easton
conductor:
Bill Conti
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
recording of:
For Your Eyes Only (in 1981)
Texter:
Michael Leeson
Komponist(in):
Bill Conti
publisher:
EMI United Partnership Ltd.
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2), James Bond themes und Academy Award for Best Original Song (Nummer: 1981 nominee)
Sheena Easton3.53:05
7We Have All the Time in the World (On Her Majesty's Secret Service)
Produzent(in):
John Barry (English score composer) und Phil Ramone
Sologesang:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:16
8Live and Let Die (Live and Let Die)
recording engineer:
Bill Price (UK producer/engineer) (von 1972-10-19 bis 1972-10-20)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (von 1972-10-19 bis 1972-10-20) und Paul McCartney (The Beatles) (von 1972-10-19 bis 1972-10-20)
Mix:
Bill Price (UK producer/engineer) (am 1972-10-21)
Bassgitarre:
Denny Laine (von 1972-10-19 bis 1972-10-20)
Bassgitarre, E-Gitarre und Perkussion, Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1972-10-19 bis 1972-10-20)
E-Gitarre:
Denny Laine (von 1972-10-19 bis 1972-10-20) und Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (von 1972-10-19 bis 1972-10-20)
Entenlockpfeife und Pauke:
Ray Cooper (percussionist) (von 1972-10-19 bis 1972-10-20)
Perkussion:
Ray Cooper (percussionist) (von 1972-10-19 bis 1972-10-20) und Denny Seiwell (US drummer) (von 1972-10-19 bis 1972-10-20)
Schlagzeug:
Denny Seiwell (US drummer) (von 1972-10-19 bis 1972-10-20)
Hintergrundgesang:
Denny Laine (von 1972-10-19 bis 1972-10-20) und Linda McCartney (von 1972-10-19 bis 1972-10-20)
Orchestrator(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-10-19)
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-10-20)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-10-21)
recording of:
Live and Let Die (von 1972-10-19 bis 1972-10-20)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing (USA, ASCAP affiliated), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) und SBK Unart Catalog Inc.
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 2) und James Bond themes
Wings43:15
9All Time High (Octopussy)
vocals:
Rita Coolidge
recording of:
All Time High (Main Titles) (from the film "Octopussy")
Texter:
Tim Rice
Komponist(in):
John Barry (English score composer)
publisher:
BMG Music und EMI Songs
Teil von:
James Bond themes
Teil von:
Octopussy (soundtrack from the James Bond film)
Rita Coolidge43:04
10The Living Daylights (The Living Daylights)
Produzent(in):
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
vocals:
a‐ha (Norwegian synth‐pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
Verfasser(in):
Pal Waaktaar (guitarist, songwriter and singer)
zusätzliche(r) Komponist(in):
John Barry (English score composer)
publisher:
ATV Music und BMG Music
Teil von:
James Bond themes
a‐ha44:16
11License to Kill (License to Kill)
Produzent(in):
Walter Afanasieff und Narada Michael Walden
vocals:
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Walter Afanasieff und Narada Michael Walden
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight3.355:16
12From Russia With Love (From Russia With Love)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
Texter und Komponist(in):
Lionel Bart
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:36
13Thunderball (Thunderball)
vocals:
Tom Jones (Welsh pop singer)
conductor:
John Barry (English score composer)
recording of:
Main Title: Thunderball
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
Thunderball (film score)
Tom Jones4.33:04
14You Only Live Twice (You Only Live Twice)
Produzent(in):
John Barry (English score composer)
Sologesang:
Nancy Sinatra
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
You Only Live Twice
Texter:
Leslie Bricusse
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
You Only Live Twice (from the James Bond Film)
Nancy Sinatra3.752:47
15Moonraker (Moonraker)
Produzent(in):
John Barry (English score composer)
vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer) (in 1979-04)
arranger:
John Barry (English score composer)
recording of:
Main Title (Moonraker) (in 1979-04)
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
Moonraker (soundtrack of the 1979 James Bond film)
Shirley Bassey3.653:10
16On Her Majesty's Secret Service (On Her Majesty's Secrect Service)
Produzent(in):
Phil Ramone
Mix:
John Richards (engineer) (von 1969-09 bis 1969-10)
Orchester:
The John Barry Orchestra (von 1969-09 bis 1969-10)
conductor:
John Barry (English score composer) (von 1969-09 bis 1969-10)
aufgenommen bei:
CTS Studios Bayswater (original Bayswater location, 1956–1972) in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1969-09 bis 1969-10)
recording of:
On Her Majesty’s Secret Service (von 1969-09 bis 1969-10)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
John Barry42:36
17The Man With the Golden Gun (The Man With the Golden Gun)
Produzent(in):
John Barry (English score composer)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Man With the Golden Gun (The Man With the Golden Gun)
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
The Man With the Golden Gun (from the James Bond Film)
Lulu3.252:36
18Diamonds Are Forever (Diamonds Are Forever)
Produzent(in):
John Barry (English score composer)
Mix:
John Richards (engineer)
Sologesang:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1971)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Diamonds Are Forever (main title theme)
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:43
19Goldeneye (Goldeneye)
recorded in:
London (Greater London), England, Vereinigtes Königreich
recording engineer:
Mark “Spike” Stent (producer, engineer)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Paul ‘P Dub’ Walton
leitende(r) Produzent(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Produzent(in):
Nellee Hooper
Mix:
Nellee Hooper und Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
Saiteninstrumente [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner3.353:31
20Tomorrow Never Dies (Tomorrow Never Dies)
recording engineer:
Steve Rosenthal
Produzent(in):
Mitchell Froom
Mix:
Tchad Blake
Gitarre:
Steve Donnelly
Klavier:
Sheryl Crow (American singer-songwriter and musician)
Kontrabass:
Greg Cohen
Saiteninstrumente:
Mark Feldman (American violinist), Dylan Fitzgerald, Julianne Klopotic, Matthew Pierce (strings player), Lorenza Ponce und Jane Scarpantoni (cellist)
Schlagzeug:
Pete Thomas (drummer)
zusätzlich Keyboard:
Mitchell Froom
vocals:
Sheryl Crow (American singer-songwriter and musician)
recording of:
Tomorrow Never Dies
Verfasser(in):
Sheryl Crow (American singer-songwriter and musician) und Mitchell Froom
publisher:
BMG Music und Warner Chappell Ltd.
Teil von:
James Bond themes
Sheryl Crow44:53
21The World Is Not Enough (The World Is Not Enough)
assistierende(r) Techniker(in):
Paul Forgues und Matt Lawrence
Techniker(in):
Billy Bush (mixing engineer)
Produzent(in):
David Arnold (English score composer) und Garbage (US rock band)
Mix:
Garbage (US rock band)
Bass und zusätzlich Bassgitarre:
Daniel Shulman (bass guitarist)
mixed at:
Armoury Studios in Vancouver, British Columbia, Kanada und Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
The World Is Not Enough (The World Is Not Enough)
Texter:
Don Black (English lyricist)
Komponist(in):
David Arnold (English score composer)
publisher:
BMG Music und United Lion Music, Inc.
Teil von:
James Bond themes
Teil von:
The World Is Not Enough (film soundtrack)
Garbage3.853:58
22James Bond Theme (Tomorrow Never Dies)
recording engineer und Produzent(in):
Moby (electronic musician Richard Melville Hall)
Mix:
Daniel Miller (British music producer and founder of Mute Records) und Alan Moulder (producer and engineer)
Posaune:
Greg Robinson
Saxophon [sax]:
Rob Hardt (American saxophonist and clarinetist) und Alexander McCabe
Trompete:
Osho Endo
remixer:
Moby (electronic musician Richard Melville Hall)
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
recording of:
James Bond Theme (Moby version) (Moby arrangement)
Komponist(in):
Monty Norman
arranger:
Richard Melville Hall
Arrangement von:
James Bond Theme
Moby2.63:23