Electric 80’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Hold Me Now
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4:12
2Caribbean Queen (No More Love on the Run)
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean53:44
3Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:49
4Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:20
5Our House
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 13) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 29)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:21
6Shake You Down
produttore:
Gregory Abbott
basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
membranofono :
David Beal
voce di accompagnamento:
Gregory Abbott, Robert Deadmon e Aida Foreman
voce principale:
Gregory Abbott
arrangiatore:
Gregory Abbott
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
The Downloader’s Music Source Book (numero: 69)
registrazione di:
Shake You Down
paroliere e compositore:
Gregory Abbott
editore:
EMI Songs Ltd. e Grabbitt Music (publisher)
Gregory Abbott3.34:06
7St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
8Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.24:05
9More Than I Can Say
registrazione cover di:
More Than I Can Say
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer3:35
10Soul Provider
registrazione di:
Soul Provider
autore:
Michael Bolton e Andy Goldmark
Michael Bolton4:27
11Tender Is the Night
Night Ranger4:53
12Major Tom (Coming Home)
tecnico di registrazione:
Lars Hidde (dal 1982 al 1983), Manfred Lohse (dal 1982 al 1983), Geoff Peacey (dal 1982 al 1983), Frank Reinke (Germany based engineer) (dal 1982 al 1983), Peter Schilling (German synthpop musician) (dal 1982 al 1983) e Peter Schmidt (recording engineer) (dal 1982 al 1983)
assistente produttore:
Frank Hieber (nel 1982)
produttore:
Armin Sabol (dal 1982 al 1983) e Peter Schilling (German synthpop musician) (dal 1982 al 1983)
tecnico di missaggio:
Holger J. Magnussen (nel 1982)
basso elettrico :
Günther Gebauer (nel 1982)
batteria :
Curt Cress (nel 1982)
chitarra elettrica :
Armin Sabol (nel 1982)
tastiera [keyboard solo] :
Gonzo Bishop (nel 1982)
voce principale:
Peter Schilling (German synthpop musician) (nel 1983)
arrangiatore:
Peter Schilling (German synthpop musician) (nel 1982)
registrata presso:
Peer Studio in Hamburg, Germania (dal 1982 al 1983)
versioni a cappella:
Space Oddity / Major Tom (Coming Home) di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 68)
registrazione di:
Major Tom (Coming Home) (dal 1982 al 1983)
paroliere e compositore:
Peter Schilling (German synthpop musician)
traduttore:
David Lodge
dedicata a:
Peer Musikverlag
versione tradotta di:
Major Tom (Völlig losgelöst)
Peter Schilling4.354:59
13Ghostbusters
produttore:
Ray Parker Jr.
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
parte di:
Billboard Hot 100: 2025-11-15 (numero: 22)
registrazione di:
Ghostbusters
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (nel 1984) e Raydiola Music (nel 1984)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
si basa su:
I Want a New Drug
Ray Parker Jr.3.94:09
14Waiting for a Star to Fall
programmazione degli strumenti:
George Merrill
produttore:
Arif Mardin
assistente tecnico di missaggio:
Jim Dineen
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Denny Fongheiser e Michael Jochum
chitarra :
John Goux
chitarra basso , pianoforte e sintetizzatore :
George Merrill
sassofono contralto :
Andy Snitzer
sintetizzatore [Crowning touch] :
Joe Mardin
voce:
George Merrill e Shannon Rubicam
voce aggiuntiva:
Susan Boyd
diritti fonografici (℗) detenuti da:
BMG Music (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
The Grey Room in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl3.44:33
15Crazy Train
tecnico:
Max Norman
produttore:
Bob Daisley, Lee Kerslake, Ozzy Osbourne e Randy Rhoads (American guitarist, Quiet Riot, Ozzy Osbourne)
batteria :
Lee Kerslake (il 1980-03-22)
chitarra :
Randy Rhoads (American guitarist, Quiet Riot, Ozzy Osbourne) (il 1980-03-22)
chitarra basso e voce di accompagnamento:
Bob Daisley (il 1980-03-22)
voce principale:
Ozzy Osbourne (il 1980-03-22)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1980) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito (il 1980-03-22)
mixata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito (dal 1980-05-05 al 1980-05-20)
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 6), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 17), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard Hot 100: 2025-08-09 (numero: 39) e Billboard Hot 100: 2025-08-02 (numero: 46)
registrazione di:
Crazy Train (il 1980-03-22)
paroliere e compositore:
Bob Daisley, Ozzy Osbourne e Randy Rhoads (American guitarist, Quiet Riot, Ozzy Osbourne)
editore:
Essex Music International Ltd., 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), Blizzard Music Ltd. (nel 1980) e Kord Music (nel 1980)
Ozzy Osbourne44:53
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