70’s Pop Generation - Dancing in the City

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Tonight
registrazione di:
Tonight
autore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
The Move3:19
2When I’m Dead and Gone
supporto a vario titolo:
Chris Kimsey
tecnico e produttore:
Glyn Johns
chitarra e chitarra basso :
Benny Gallagher, Graham Lyle e Tom McGuinness
mandolino :
Graham Lyle
percussione :
Hughie Flint
tastiera [keyboards] :
Dennis Coulson e Benny Gallagher
voce principale [vocals]:
Dennis Coulson, Benny Gallagher e Graham Lyle
diritti fonografici (℗) detenuti da:
Capitol Recording (imprint of Capitol Records, Inc.) (nel 1971)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
When I’m Dead and Gone
autore:
Benny Gallagher e Graham Lyle
editore:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint3:40
3Dancing in the City
registrazione di:
Dancing in the City
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:46
4Hanging On the Telephone
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione cover di:
Hanging On the Telephone (dal 1978-06 al 1978-07)
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) e Rare Blue Music Inc (nel 1978)
Blondie4.32:22
5Sugar Me
tecnico:
Pete Coleman
produttore:
Lynsey de Paul
diritti fonografici (℗) detenuti da:
MAM Records Ltd. (nel 1972)
registrazione di:
Sugar Me
autore:
Barry Ian Green (singer, producer, and songwriter) e Lynsey de Paul
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e ATV Kirshner (publisher) (nel 1972)
Lynsey de Paul3:53
6When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:08
7Conquistador
registrazione di:
Conquistador
paroliere:
Keith Reid
compositore:
Gary Brooker
editore:
Westminster Music Ltd.
Procol Harum2:40
8Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:51
9Norma Jean Wants to Be a Movie Star
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974)
registrazione di:
Norma Jean Wants to Be a Movie Star
paroliere e compositore:
J.C. Cunningham (American songwriter)
Cunningham23:37
10Bombay
supporto a vario titolo:
Steve James (Australian, formerly UK producer/engineer) (incarico: tape operator)
tecnico:
Robin Freeman (British recording engineer, producer and musician based in the Netherlands)
produttore:
Golden Earring e John Kriek
tecnico di missaggio:
John Kriek, Steve Lillywhite e Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra :
Eelco Gelling e George Kooymans
voce:
Barry Hay e George Kooymans
voce di accompagnamento ospite:
Patricia Paay
diritti fonografici (℗) detenuti da:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1976) e Red Bullet Productions B.V. (nel 1976)
è stato produttore per:
Red Bullet Productions
registrata presso:
Artisound Studios (Since 2000: Soundwise) in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands e Relight Studio in Hilvarenbeek, Noord-Brabant (North Brabant), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
Chappell Studios in London (Greater London), England, Regno Unito
registrazione di:
Bombay
autore:
Barry Hay e George Kooymans
editore:
Dayglow Music, Inc. e Snamyook Music (publisher associated with George Kooymans)
Golden Earring43:53
11Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
12Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:33
13When You’re in Love With a Beautiful Woman
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook5:12
14Cool Change
registrata a:
Australia e Melbourne, Victoria, Australia (nel 1979-06)
prodotta a:
Australia
produttore:
John Boylan e Little River Band
archi e pianoforte :
Peter Jones (Australian pianist/composer) (nel 1979-06)
basso :
Mike Clarke (Australian bassist/producer) (nel 1979-06)
batteria :
Derek Pellicci (nel 1979-06)
chitarra acustica :
David Briggs (producer, guitarist of Little River Band) (nel 1979-06)
sassofono solista :
Bill Harrower (nel 1979-06)
voce:
Beeb Birtles (nel 1979-06), Graham Goble (nel 1979-06) e Glenn Shorrock (nel 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
è stato produttore per:
Tumbleweed Productions
registrazione di:
Cool Change (nel 1979-06)
paroliere e compositore:
Glenn Shorrock (dal 1977 al 1978)
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
Little River Band45:09
15Piece of the Action
registrazione di:
A Piece of the Action
autore:
Mikel Japp e Chas Sandford
The Babys54:26
16Timothy
registrazione di:
Timothy
autore:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
The Buoys2:46
17Long Cool Woman in a Black Dress
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:16

Accreditamenti

Pubblicazione

fabbricata a:Francia
fotografia:ABC Press
RBP (photography)
Redferns (photography credits)
design:Studio van Dijken (ICT, media and graphic design studio)
distribuito da e commercializzata da:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (nel 2001)
licenziata da:Chrysalis Copyrights Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Nestshare Ltd.
Red Bullet (Dutch independent label)
The Hit Label
Discogs:https://www.discogs.com/release/15877153 [info]