| # | Title | Rating | Length |
|---|
| 1 | BWV 248, Kantate 4, Am Neujahrstage. I. Coro: "Fallt mit Danken, fallt mit Loben"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 6:04 |
| 2 | BWV 248, Kantate 4, Am Neujahrstage. II. Recitativo: "Und da acht Tage um waren" | | 0:28 |
| 3 | BWV 248, Kantate 4, Am Neujahrstage. III. Recitativo: "Immanuel, o süsses Wort!"- bass vocals:
- Michael George
- soprano vocals:
- Lynda Russell
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 2:18 |
| 4 | BWV 248, Kantate 4, Am Neujahrstage. IV. Aria (Soprano): "Flösst, mein Heiland, flösst dein Namen"- soprano vocals:
- Lynda Russell
- soprano vocals [Echo]:
- Libby Crabtree
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:30 |
| 5 | BWV 248, Kantate 4, Am Neujahrstage. V. Recitativo: "Wohlan! dein Name soll allein"- bass vocals:
- Michael George
- soprano vocals:
- Lynda Russell
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:20 |
| 6 | BWV 248, Kantate 4, Am Neujahrstage. VI. Aria (Tenore): "Ich will nur dir zu Ehren leben" | | 4:59 |
| 7 | BWV 248, Kantate 4, Am Neujahrstage. VII. Choral: "Jesus richte mein Beginnen" | | 1:53 |
| 8 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. I. Coro: "Ehre sei dir, Gott!"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 6:20 |
| 9 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. II. Revitativo: "Da Jesus geboren war zu Bethlehem" | | 0:21 |
| 10 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. III. Coro: "Wo ist der neugeborne König" | | 2:02 |
| 11 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. IV. Choral: "Dein Glanz all' Finsternis verzehrt" | | 0:58 |
| 12 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. V. Aria (Basso): "Erleucht' auch meine finstre Sinnen"- bass vocals:
- Michael George
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
- part of:
- Weihnachts-Oratorium, BWV 248
| | 4:55 |
| 13 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. VI. Recitativo: "Da das der König Herodes hörte" | | 0:11 |
| 14 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. VII. Recitativo: "Warum wollt ihr erschrecken?" | | 0:32 |
| 15 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. VIII. Recitativo: "Und liess versammeln alle Hohenpriester" | | 1:26 |
| 16 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. IX. Terzetto: "Ach! wann wird die Zeit erscheinen?"- alto vocals:
- Catherine Wyn-Rogers
- soprano vocals:
- Lynda Russell
- tenor vocals:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:45 |
| 17 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. X. Recitativo: "Mein liebster herrschet schon" | | 0:31 |
| 18 | BWV 248, Kantate 5, Am Sonntag nach Neujahr. XI. Choral: "Zwar ist solche Herzensstube" | | 1:10 |
| 19 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. I. Coro: "Herr, wenn die stolzen Feinde schnauben"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:11 |
| 20 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. II. Recitativo: "Da berief Herodes die Weisen heimlich" | | 0:41 |
| 21 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. III. Rezitativo: "Du Falscher, suche nur denn Herrn zu fällen"- soprano vocals:
- Lynda Russell
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:55 |
| 22 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. IV. Aria (Soprano): "Nur ein Wink von seinen Händen" | | 3:56 |
| 23 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. V. Recitativo: "Als sie nun den König gehöret hatten" | | 1:07 |
| 24 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. VI. Choral: "Ich steh an deiner Krippen hier"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- lyricist:
- Paul Gerhardt
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 263)
- is based on:
- Nun freut euch, lieben Christen g’mein
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:14 |
| 25 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. VII. Recitativo: "Und Gott befahl ihnen im Traum" | | 0:21 |
| 26 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. VIII. Recitativo: "So geht! genug, mein Schatz geht nicht"- tenor vocals:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:48 |
| 27 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. IX. Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken" | | 4:20 |
| 28 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. X. Recitativo: "Was will der Hölle Schrecken nun"- alto vocals:
- Catherine Wyn-Rogers
- bass vocals:
- Michael George
- soprano vocals:
- Lynda Russell
- tenor vocals:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:47 |
| 29 | BWV 248, Kantate 6, Am Feste der Erscheinung Christi. XI. Choral: "Nun seid ihr wohl gerochen" | | 3:42 |
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