Oratorios: Oster-Oratorium, Himmelfahrts-Oratorium

~ Release by Bach,Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Oster-Oratorium, BWV 249: I. Sinfonia orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: I. Sinfonia (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia part of: Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
2	II. Adagio orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: II. Adagio (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
3	III. Chorus "Kommt, eilet und laufet" choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
4	IV. Recitativo (Soprano, Alto, Tenor, Basso) "O kalter Männer Sinn" alto vocals: Kai Wessel (countertenor) bass vocals: Peter Kooij (Peter Kooy, baritone) soprano vocals: Barbara Schlick (soprano) tenor vocals: James Taylor (operatic tenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
5	V. Aria (Soprano) "Seele, deine" soprano vocals: Barbara Schlick (soprano) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
6	VI. Recitativo (Alto, Tenor, Basso) "Hier ist die Gruft" alto vocals: Kai Wessel (countertenor) bass vocals: Peter Kooij (Peter Kooy, baritone) tenor vocals: James Taylor (operatic tenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
7	VII. Aria (Tenor) "Sanfte soll mein" tenor vocals: James Taylor (operatic tenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
8	VIII. Recitativo (Alto) "Indessen seufzen wir" alto vocals: Kai Wessel (countertenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
9	IX. Aria (Soprano, Alto) "Saget, saget mir geschwinde" alto vocals: Kai Wessel (countertenor) soprano vocals: Barbara Schlick (soprano) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1994-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
10	X. Recitativo (Basso) "Wir sind erfreut" bass vocals: Peter Kooij (Peter Kooy, baritone) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
11	XI. Chorus "Preis und Dank" choir vocals: Collegium Vocale Gent soprano vocals: Barbara Schlick (soprano) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1994-04) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composed in: Leipzig, Sachsen (Saxony), Germany (on 1725-04-01) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)	Johann Sebastian Bach		?:??
12	Kantate, BWV 66 "Erfreut euch, ihr Herzen": I. Chorus "Erfreut euch, ihr Herzen" choir vocals: Collegium Vocale Gent soprano vocals: Barbara Schlick (soprano) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Kantate, BWV 66 "Erfreut euch, ihr Herzen": I. Coro "Erfreut euch, ihr Herzen" (in 1994-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"	Johann Sebastian Bach		?:??
13	II. Recitativo (Basso) "Es bricht das Grab" bass vocals: Peter Kooij (Peter Kooy, baritone) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Kantate, BWV 66 "Erfreut euch, ihr Herzen": II. Recitativo (Bass) "Es bricht das Grab und damit unsre Not" (in 1994-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"	Johann Sebastian Bach		?:??
14	III. Aria (Basso) "Lassen dem Höchstein ein Danklied erschallen" bass vocals: Peter Kooij (Peter Kooy, baritone) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Kantate, BWV 66 "Erfreut euch, ihr Herzen": III. Aria (Bass) "Lasset dem Höchsten ein Danklied erschallen" (in 1994-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"	Johann Sebastian Bach		?:??
15	IV. Recitativo (Alto, Tenor) "Bei Jesu Leben freudig sein" alto vocals: Kai Wessel (countertenor) tenor vocals: James Taylor (operatic tenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Kantate, BWV 66 "Erfreut euch, ihr Herzen": IV. Recitativo à 2 (Tenor, Alt) "Bei Jesu Leben freudig sein" (in 1994-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"	Johann Sebastian Bach		?:??
16	V. Aria (Alto, Tenor) "Ich fürchte zwar" alto vocals: Kai Wessel (countertenor) tenor vocals: James Taylor (operatic tenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Kantate, BWV 66 "Erfreut euch, ihr Herzen": V. Aria (Duetto Alt, Tenor) "Ich furchte zwar nicht des Grabes Finsternissen" (in 1994-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"	Johann Sebastian Bach		?:??
17	VI. Choral "Allejuja! Des solln wir alle froh sein" choir vocals: Collegium Vocale Gent soprano vocals: Barbara Schlick (soprano) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recording of: Kantate, BWV 66 "Erfreut euch, ihr Herzen": VI. Choral "Alleluja! Alleluja! Alleluja!" (in 1994-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Breitkopf 389 Choralgesänge (number: 37) part of: Kantate, BWV 66.2/66 "Erfreut euch, ihr Herzen"	Johann Sebastian Bach		?:??

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Release

Discogs:	https://www.discogs.com/release/12167282 [info]

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Release information

Barcode:: 794881943425
Format:: 3×CD

Additional details

Type:: Album + Compilation
Packaging:: Box
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

harmonia mundi
HML 5908354.56

Release events

France
2010

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Last updated on 2021-06-06 11:01 UTC