Absolute Hits of the 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:05
2Born to Be Alive
registrazione di:
Born to Be Alive
paroliere e compositore:
Patrick Hernandez
Patrick Hernandez3:10
3Hot Stuff
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer52:56
4You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:05
5I Love the NightlifeAlicia Bridges53:08
6Rock the Boat
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974)
registrazione di:
Rock the Boat
paroliere e compositore:
Wally Holmes (songwriter)
editore:
Origin Network Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hues Corporation4.43:07
7Yes Sir, I Can Boogie
produttore:
Rolf Soja
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1977) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1977)
registrazione di:
Yes Sir, I Can Boogie (original English version)
paroliere:
Frank Dostal
compositore:
Rolf Soja
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music e Peermusic (UK) Ltd.
Baccara4.754:35
8Rivers of Babylon
diritti fonografici (℗) detenuti da:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1978)
registrazione cover di:
Rivers of Babylon (Boney M. version)
paroliere:
Brent Dowe e Trevor McNaughton
compositore:
Brent Dowe, Frank Farian, Trevor McNaughton e George Reyam
editore:
Blue Mountain Music e FAR Music (publisher for Frank Farian)
si basa su:
Rivers of Babylon
Boney M.3.54:00
9I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:19
10Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:58
11We Are Family
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge4.258:23
12Good Times
registrazione di:
Good Times
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic3:58
13Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:18
14Moviestar
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1976)
registrazione di:
Movie Star
paroliere e compositore:
Harpo (Swedish pop singer) (nel 1975)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. e Warner/Chappell Music Scandinavia AB
Harpo4.53:24
15Kissin’ in the Back Row of the Movies
voce:
Bill Fredericks e Butch Mann
voce di baritono:
Grant Kitchings
voce di tenore:
Butch Leake
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters)
arrangiatore:
Tony King (songwriter, arranger)
registrazione di:
Kissin’ in the Back Row of the Movies
compositore:
Roger Greenaway e Tony Macaulay
The Drifters3.653:32
16Sugar Baby Love
tecnico:
John Mackswith (English sound engineer)
produttore:
Wayne Bickerton
registrazione di:
Sugar Baby Love (The Rubettes)
paroliere:
Wayne Bickerton
compositore:
Tony Waddington
eseguita per la prima volta da:
The Rubettes (nel 1974-01)
editore:
Arlovol Music, Budde Music Inc. (US publisher) e WB Music Corp. (1929–2019)
The Rubettes3:30
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parte di:Absolute Hits of the (EVA Records (Denmark)) (numero: 70) (ordine: 3)
Wikidata:Q18646861 [info]