Greatest Hits

~ Veröffentlichung von Seal (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1A Change Is Gonna Come
recording engineer:
David Reitzas (Chorgesang, Blechblasinstrumente [horns], Saiteninstrumente, Schlagzeug)
drum machine-Programmierung und Koproduzent(in):
Jochem van der Saag
Techniker(in) und Mix:
Jochem van der Saag
zusätzliche(r) Techniker(in):
Jorge Vivo (engineer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Editing:
Jorge Vivo (engineer)
Bass und Keyboard:
David Foster (Canadian music producer, arranger and composer)
Synthesizer:
Jochem van der Saag
Hintergrundgesang und Sologesang:
Seal (English‐born singer and songwriter)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
cover recording of:
A Change Is Gonna Come (in 2008)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
3.53:56
2Amazing (Thin White Duke edit)
recording engineer, Produzent(in) und Mix:
Stuart Price
Techniker(in):
Nate Hertweck und Ali Staton
Sologesang:
Seal (English‐born singer and songwriter)
remixer:
Thin White Duke (Stuart David Price)
aufgenommen bei:
Studio 99 in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Remix von:
Amazing von Seal (English‐born singer and songwriter)
recording of:
Amazing
Texter und Komponist(in):
Seal (English‐born singer and songwriter)
33:29
3Killer
Techniker(in):
Tony Phillips (engineer, mix, remix credits)
Produzent(in):
Trevor Horn
Mix:
Tony Philips
Bassgitarre:
Tony Spalding
Gitarre:
Gus Isidore
Keyboard:
Simon Hale
Schlagzeug:
Ian Thomas (drummer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1991), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Killer (in 1991)
Texter:
Seal (English‐born singer and songwriter)
Verfasser(in):
Seal (English‐born singer and songwriter) und Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (beendet), Virgin Music (Publishers) Ltd. (beendet), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing GmbH
46:24
4Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
3.854:49
5If You Don’t Know Me by Now
recording engineer:
David Reitzas (Chorgesang, Blechblasinstrumente [horns], Saiteninstrumente, Schlagzeug)
drum machine-Programmierung und Koproduzent(in):
Jochem van der Saag
Techniker(in) und Mix:
Jochem van der Saag
zusätzliche(r) Techniker(in):
Jorge Vivo (engineer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Editing:
Jorge Vivo (engineer)
Bass:
Nathan East und David Foster (Canadian music producer, arranger and composer)
Gitarre:
Michael Thompson (session guitarist)
Keyboard und Klavier:
David Foster (Canadian music producer, arranger and composer)
Orgel und Synthesizer:
Jochem van der Saag
Hintergrundgesang und Sologesang:
Seal (English‐born singer and songwriter)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
cover recording of:
If You Don’t Know Me by Now (in 2008)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
23:49
6Fly Like an Eagle
leitende(r) Produzent(in):
Ken Ross
Produzent(in):
Seal (English‐born singer and songwriter)
zusätzliche(r) Produzent(in):
Craig Kallman, Rashad Smith (US hip-hop & R&B record producer) und Dominique Trenier
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1996), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
Fly Like an Eagle von Steve Miller Band (American rock band)
cover recording of:
Fly Like an Eagle
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited und Sailor Music
34:16
7Crazy
Produzent(in):
Trevor Horn
Gitarre:
Chrissie Schefts
Gitarre [wah-wah pedal guitar]:
Kenji Suzuki (Simply Red)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1990, in 1991), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Crazy (Seal song)
Verfasser(in):
Seal (English‐born singer and songwriter) und Guy Sigsworth
publisher:
Beethoven Street Music Ltd und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
4.15:59
8Prayer for the Dying
assistierende(r) Techniker(in):
Richard Lowe (UK producer/engineer)
Techniker(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer), Steve MacMillan, Carmen Rizzo und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich
recording of:
Prayer for the Dying
Verfasser(in):
Gus Isidore und Seal (English‐born singer and songwriter)
45:31
9Get It Together
4:00
10Human Beings
Produzent(in):
Trevor Horn
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer) und Tim Weidner (engineer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1998), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recording of:
Human Beings
Texter und Komponist(in):
Seal (English‐born singer and songwriter)
44:37
11It’s a Man’s Man’s Man’s World
recording engineer:
David Reitzas (Chorgesang, Blechblasinstrumente [horns], Saiteninstrumente, Schlagzeug)
drum machine-Programmierung und Koproduzent(in):
Jochem van der Saag
Techniker(in) und Mix:
Jochem van der Saag
zusätzliche(r) Techniker(in):
Jorge Vivo (engineer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Editing:
Jorge Vivo (engineer)
Bass, Keyboard und Klavier:
David Foster (Canadian music producer, arranger and composer)
Synthesizer:
Jochem van der Saag
Hintergrundgesang und Sologesang:
Seal (English‐born singer and songwriter)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
cover recording of:
It’s a Man’s Man’s Man’s World (in 2008)
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
3.53:55
12Waiting for You
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (Chorgesang [choir], Blechblasinstrumente [horns], Saiteninstrumente)
drum machine [drum]-Programmierung und Koproduzent(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician)
assistierende(r) Techniker(in):
Tim Lambert und Phil Tyreman
Techniker(in) und Mix:
Robert Orton und Tim Weidner (engineer)
zusätzliche(r) Techniker(in):
Tim Lambert
leitende(r) Produzent(in):
Seal (English‐born singer and songwriter) und Jill Sinclair (British record company director, co-founded Sarm Studios and ZTT Records)
Produzent(in):
Trevor Horn
Bass, Keyboard, Orgel und Klavier:
Mark Batson (American producer, songwriter, composer, arranger, and musician)
Bassgitarre [bass] und Keyboard [keyboards]:
Mark Batson (American producer, songwriter, composer, arranger, and musician) und Jamie Muhoberac
Gitarre:
Chris Bruce, Gus Isidore und Tim Pierce (US session guitarist)
Perkussion:
Luís Jardim
Schlagzeug [drums]:
Earl Harvin
Sologesang:
Seal (English‐born singer and songwriter)
Blechblasinstrumente [horns] arranger, Saiteninstrumente arranger und Chorgesang [choir] arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavin Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2003), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich (Chorgesang [choir], Blechblasinstrumente [brass], Saiteninstrumente), Phoenix Studios (Wembley) in London (Greater London), England, Vereinigtes Königreich (Chorgesang [choir], Blechblasinstrumente [brass], Saiteninstrumente), Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Waiting for You
Verfasser(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician) und Seal (English‐born singer and songwriter)
43:40
13Don’t Cry
Techniker(in):
Tim Weidner (engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Richard Lowe (UK producer/engineer)
Mix:
Steve MacMillan
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t Cry
Texter und Komponist(in):
Seal (English‐born singer and songwriter)
46:19
14Love’s Divine
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
assistierende(r) Techniker(in):
Tim Lambert und Phil Tyreman
Techniker(in) und Mix:
Robert Orton und Tim Weidner (engineer)
Koproduzent(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician)
leitende(r) Produzent(in):
Seal (English‐born singer and songwriter) und Jill Sinclair (British record company director, co-founded Sarm Studios and ZTT Records)
Produzent(in):
Trevor Horn
Bassgitarre [bass] und Klavier:
Mark Batson (American producer, songwriter, composer, arranger, and musician)
Gitarre:
Chris Bruce, Tim Cansfield und Gus Isidore
Keyboard [keyboards]:
Jamie Muhoberac und Seal (English‐born singer and songwriter)
Klavier:
Pete Murray (pianist and keyboardist)
Perkussion:
Luís Jardim
Schlagzeug [drums]:
Ian Thomas (drummer)
Sologesang:
Seal (English‐born singer and songwriter)
conductor:
Gavin Wright (UK violinist, conductor)
Saiteninstrumente arranger und Chorgesang [choir] arranger:
Nick Ingman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2003), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003, in 2009) und Warner Music Argentina S.A. (in 2009)
aufgenommen bei:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich, Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Love’s Divine
Verfasser(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician) und Seal (English‐born singer and songwriter)
publisher:
Bat Future Music (BMI) und Perfect Songs (UK publisher, affiliated with BMI)
4.54:37
15The Beginning
5:43
16Wedding Day
3:59
17Lost My Faith
4:34
2▶CD

Nennungen