Little Children: Original Motion Picture Score

~ Release by Thomas Newman (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Snack Time
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Snack Time
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:11
2Tissue
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Tissue
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:53
32 Hillcrest
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
2 Hillcrest
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:47
4Late Hit
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Late Hit
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:12
5Bandshell
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Bandshell
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:05
6Red Bathing Suit
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Red Bathing Suit
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:04
7Lucy
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Lucy
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:47
8It’s Wrong and It’s Weird
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
It’s Wrong and It’s Weird
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
2:35
9Pool Days
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Pool Days
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:51
10Weekends Were Difficult
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Weekends Were Difficult
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:49
11What’s the Hurry?
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
What’s the Hurry?
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
3:33
12Fly Me to the Moon
conductor:
Thomas Newman (American score composer)
arranger:
Sammy Nestico
orchestrator:
Thomas Pasatieri
instrumental cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:38
13May
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
May
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:09
14A Sniff or Two
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
A Sniff or Two
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:44
15Torso
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Torso
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:11
16Be a Good Boy
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Be a Good Boy
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:41
17Slutt Kay
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Slutt Kay
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
0:43
18Little Children
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Little Children
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
1:19
19End Title
recording engineer:
Armin Steiner and Tommy Vicari
assistant engineer:
Greg Hayes (engineer), Tim Lauber and Paul Wertheimer (engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tommy Vicari
assistant editor:
Mike Zainer
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
phonographic copyright (℗) by:
New Line Records
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
End Title
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
7:42