100 Essential Tracks: Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:16
2Bad Boys
Techniker(in):
Tony Taverner
Koproduzent(in):
George Michael
Produzent(in):
Steve Brown (engineer/music producer) und George Michael
Musikvideos:
Bad Boys von Wham! (British pop-duo)
recording of:
Bad Boys
Texter und Komponist(in):
George Michael
Wham!3:21
3Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.753:52
4Ant Rap
recording of:
Ant Rap
Texter und Komponist(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants3:41
5Kingston Town
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
Texter und Komponist(in):
Kenrick Patrick
UB404.53:50
6Girls Just Wanna Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:47
799 Red Balloons
Produzent(in):
Jay Faires, Tricia Holloway, Reinhold Heil (von 1982 bis 1983) und Manne Praeker (von 1982 bis 1983)
Sologesang:
Nena (the person, performing solo since 1987) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (von 1982 bis 1983)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 64)
recording of:
99 Red Balloons (von 1982 bis 1983)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Übersetzer:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Songs Ltd.
übersetzte Version von:
99 Luftballons
Nena3.83:51
8Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:40
9We Are Detective
recording of:
We Are Detective
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
Thompson Twins3:06
10I Could Be HappyAltered Images53:31
11Go Wild in the Country
Produzent(in):
Brian Tench
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
recording of:
Go Wild in the Country
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
publisher:
EMI Songs Ltd.
Bow Wow Wow2:44
12Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:26
13Maneater
assistierende(r) Techniker(in):
Bruce Buckhalter (Engineer), Barry Harris (engineer) und Michael Somer-Abbott
Techniker(in):
Neil Kernon
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Mix:
Hugh Padgham
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:32
14System Addict
recording of:
System Addict
Verfasser(in):
Gary Bell und Billy Livsey
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Five Star34:04
15Brother Louie
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd., Ariola Eurodisc GmbH (not for release label use!) (in 1986) und BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1986)
recording of:
Brother Louie (Deep love is a burnin' fire stay... 'cause then the flame grows higher babe)
Texter und Komponist(in):
Dieter Bohlen
publisher:
Hanseatic (publisher) und Intersong Music Ltd.
Modern Talking3.53:42
16The Land of Make Believe
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
sonstige Unterstützung:
Andy Hill (English producer & songwriter)
Verfasser(in):
Andy Hill (English producer & songwriter) und Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs und Universal Music–Z Tunes LLC
Bucks Fizz3.353:49
17Morning Train (Nine to Five)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:18
18This Will Be (an Everlasting Love)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 316)
recording of:
This Will Be (an Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:50
19Yummy, Yummy, Yummy
Produzent(in):
Jerry Kasenetz, Jeff Katz (music producer), Joey Levine und Arthur Resnick (songwriter, producer)
Bassgitarre und Hintergrundgesang:
Dean Kastran (in 1968)
Sologesang:
Joey Levine (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 465)
recording of:
Yummy Yummy Yummy (in 1968)
Verfasser(in):
Joey Levine und Arthur Resnick (songwriter, producer)
publisher:
T. M. Music (publisher) (, in 1968)
Ohio Express3.82:21
20Bye Bye Baby
Techniker(in):
Barry Hammond und Peter Tattersall
Produzent(in):
Phil Wainman
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974)
cover recording of:
Bye, Bye, Baby (Baby Goodbye) (in 1974)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. und Seasons’ Four Music Inc.
recording of:
Bye, Bye, Baby (Baby Goodbye)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. und Seasons’ Four Music Inc.
Bay City Rollers4.52:49

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