The Ultimate Wedding Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Jesu, Joy of Man's Desiring
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet und Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1977-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:04
2Sheep May Safely Graze
Produzent(in):
James Mallinson (producer)
Orchester:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:31
3Air on the G String (from Suite No. 3 in D)
conductor:
Karl Münchinger (German conductor)
Interpret(in):
The Stuttgart Chamber Orchestra (Stuttgart Chamber Orchestra)
recording of:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach3:49
4Largo (from Xerxes)
Orgel:
Stephen Cleobury (organist, conductor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel3:08
5Air (from The Water Music)
Sound-Engineering:
Stanley Goodall (engineer)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
Orchester:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
Tonmeister(in):
Stanley Goodall (engineer) (in 1971-05)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1971-05)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:28
6Bridal Chorus (from Lohengrin)
Orgel:
Stephen Cleobury (organist, conductor)
recording of:
Bridal Chorus from “Lohengrin” (for organ, Cunningham Woods)
Komponist(in):
Richard Wagner (composer)
arranger:
Francis Cunningham Woods
Arrangement von:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor))
Richard Wagner1:59
7Trumpet Voluntary (The Prince Of Denmark's March)
Produzent(in):
Chris Hazell (in 1990-11)
Blechblasinstrumente:
Michael Laird Brass Ensemble
Orgel:
Peter Hurford (organist) (in 1990-11)
Orchester:
Michael Laird Brass Ensemble (in 1990-11)
arranger:
Peter Hurford (organist)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1990-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1991)
aufgenommen bei:
Ratzeburger Dom in Ratzeburg, Schleswig-Holstein, Deutschland (in 1990-11)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1990-11)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist)
Arrangement von:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:57
8Arrival of the Queen of Sheba (from Solomon)
Orchester:
The Stuttgart Chamber Orchestra (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel3:11
9Canon in D
Produzent(in):
James Mallinson (producer) (in 1977-10)
Orchester:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
Tonmeister(in):
John Dunkerley (engineer) (in 1977-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1977-10)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Johann Pachelbel4:34
10Ave Maria (Schubert)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Luciano Pavarotti4:50
11Panis Angelicus (Franck)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Panis Angelicus (catch-all for arrangements)
Komponist(in):
César Franck (Belgian‐born French composer)
Arrangement von:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Luciano Pavarotti4:04
12Ave Maria (Bach - Gounod)
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (Bach/Gounod) (in 1976)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Luciano Pavarotti0.52:58
13Because (Teschemacher/D'Hardelot - arr. Ebbinghouse)
vocals:
Plácido Domingo (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
recording of:
Because (arr. Ebbinghouse)
Texter:
Edward Teschemacher
Komponist(in):
Guy d’Hardelot
arranger:
Bernard Ebbinghouse
Arrangement von:
Because
Plácido Domingo2:20
14One Hand, One Heart (from West Side Story - S. Sondheim/L. Bernstein)
Soprangesang:
Kiri Te Kanawa (soprano)
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recording of:
West Side Story: One Hand, One Heart (Tony, Maria)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) und The Leonard Bernstein Music Publishing Co., LLC
Version von:
One (early version of "One Hand, One Heart" from West Side Story)
Teil von:
West Side Story
José Carreras & Kiri Te Kanawa4:08
15Be My Love (N. Brodszky/S. Cahn)
vocals:
José Carreras (Spanish tenor)
Orchester:
English Chamber Orchestra
conductor:
Roberto Benzi (conductor)
recording of:
Be My Love
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 2)
José Carreras3:25
16Hornpipe in D (from The Water Music)
Orgel:
Stephen Cleobury (organist, conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (Wassermusik Suite Nr. 2 D-Dur, HWV 349: II. Alla Hornpipe)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
George Frideric Handel3:40
17Toccata (from Symphony for Organ #5)
Orgel:
Stephen Cleobury (organist, conductor)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
Komponist(in):
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
Teil von:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:41
18Trumpet Tune and Air
Orgel:
Peter Hurford (organist)
Interpret(in):
Michael Laird Brass Ensemble
recording of:
Trumpet Tune and Air
Komponist(in):
Henry Purcell (Baroque composer)
Henry Purcell2:38
19Wedding March (from A Midsummer Night's Dream)
Orgel:
Peter Hurford (organist)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (Ein Sommernachtstraum, Op. 61: Nr. 9. Hochzeitsmarsch: Allegro vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
recording of:
Wedding March from “A Midsummer Night’s Dream” (for organ, Woods)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer)
arranger:
Francis Cunningham Woods
Arrangement von:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (Ein Sommernachtstraum, Op. 61: Nr. 9. Hochzeitsmarsch: Allegro vivace)
Felix Mendelssohn4:09