| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Tainted Love- Techniker(in):
- Paul Hardiman
- Produzent(in):
- Mike Thorne
- Mix:
- Harvey Goldberg
- elektronische Instrumente und andere Instrumente:
- Dave Ball
- Saxophon:
- David Tofani
- Hintergrundgesang:
- Vicious Pink
- vocals:
- Marc Almond
- phonographisches Urheberrecht (℗) von:
- Mercury Records Ltd. (London) (in 1981)
- aufgenommen bei:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, Vereinigtes Königreich
- Musikvideos:
- Tainted Love von Soft Cell
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (Nummer: 33) und Billboard: The 500 Best Pop Songs (Nummer: 46)
- cover recording of:
- Tainted Love
- Texter und Komponist(in):
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. und Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:37 |
| 2 | Come On Eileen | Dexys Midnight Runners | 4.15 | 4:05 |
| 3 | The Look of Love- Techniker(in):
- Gary Langan
- Produzent(in):
- Trevor Horn
- Bassgitarre:
- Mark Lickley
- Keyboard:
- Mark White
- Sologesang:
- Martin Fry
- Saiteninstrumente arranger:
- Anne Dudley
- phonographisches Urheberrecht (℗) von:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) und Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich (in 1982)
- Teil von:
- TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (Nummer: 43)
- teilweise recording of:
- The Look of Love
- Verfasser(in):
- Martin Fry, David Palmer , Stephen Singleton und Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc.
- Teil von:
- Mantrap
| ABC | 3.9 | 3:28 |
| 4 | Lessons in Love | Level 42 | 3.6 | 4:02 |
| 5 | Lifeline | Spandau Ballet | | 3:18 |
| 6 | Hymn | Ultravox | | 4:26 |
| 7 | I Hear You Now | Jon and Vangelis | | 4:13 |
| 8 | Under Your Thumb | Godley & Creme | | 3:37 |
| 9 | I Second That Emotion | Japan | 3.65 | 3:44 |
| 10 | Living on the Ceiling | Blancmange | 5 | 4:00 |
| 11 | Hold Me Now- recording engineer, Techniker(in) und Mix:
- Phil Thornalley
- Schlagzeug-Programmierung:
- Tom Bailey
- Produzent(in):
- Tom Bailey und Alex Sadkin
- Conga und Synthesizer [Prophet V]:
- Joe Leeway
- Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
- Tom Bailey
- Marimba, Perkussion, Schlagzeug und xylophone:
- Alannah Currie
- Hintergrundgesang:
- Alannah Currie und Joe Leeway
- vocals:
- Tom Bailey
- phonographisches Urheberrecht (℗) von:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) und Arista Records, Inc. (in 1984)
- Musikvideos:
- Hold Me Now von Thompson Twins
- recording of:
- Hold Me Now
- Verfasser(in):
- Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie und Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music und Point Music Ltd.
| Thompson Twins | 4.5 | 4:43 |
| 12 | Our Lips Are Sealed | Fun Boy Three | 3.2 | 2:53 |
| 13 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistierende(r) Techniker(in):
- Roger Howorth
- Produzent(in):
- Peter Collins
- Mix:
- Julian Mendelsohn
- Sologesang:
- Nik Kershaw (in 1983)
- Horn arranger:
- Jerry Hey und Nik Kershaw
- arranger:
- Nik Kershaw
- phonographisches Urheberrecht (℗) von:
- MCA Records, Inc. (in 1983, in 1984) und MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- Texter und Komponist(in):
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
- Teil von:
- Gotcha!
| Nik Kershaw | 4 | 4:30 |
| 14 | Digging Your Scene | The Blow Monkeys | 3.75 | 4:02 |
| 15 | Hit That Perfect Beat | Bronski Beat | | 3:23 |
| 16 | Perfect | Fairground Attraction | 4.25 | 3:37 |
| 17 | I Dream to Sleep | H₂O | 2 | 3:53 |
| 18 | Could It Be I’m Falling in Love | David Grant & Jaki Graham | 4.35 | 4:16 |
| 19 | I Think We’re Alone Now | Tiffany | 3.8 | 3:45 |
| 20 | Because of You | Kevin Rowland | | 3:11 |
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