Time Life Presents: Forever ’60s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Box set mastering engineer: Ron Rice

Annotation last modified on 2023-07-30 03:41 UTC.

Tracklist

1CD: Cherish (disc 1)
2CD: Cherish (disc 2)
3CD: Only the Lonely (disc 1)
#TitleArtistRatingLength
1Be My Baby
miscellaneous support:
Phil Spector (task: under license of)
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
performer:
The Ronettes
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records (in 1963)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
recording of:
Be My Baby (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Ronettes4.152:40
2Only the Lonely (Know How I Feel)Roy Orbison2:27
3Breaking Up Is Hard to DoNeil Sedaka3.252:21
4See You in September
cover recording of:
See You in September
writer:
Sherman Edwards and Sid Wayne
publisher:
Vibar Music
The Happenings2:34
5Can’t Help Falling in Love
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-03-23)
celesta [celeste]:
Dudley Brooks (on 1961-03-23)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
guitar:
Hank Garland (on 1961-03-23), Scotty Moore (American guitarist and recording engineer) (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
harmonica:
George Fields (on 1961-03-23)
piano:
Dudley Brooks (on 1961-03-23) and Floyd Cramer (on 1961-03-23)
saxophone:
Boots Randolph (on 1961-03-23)
steel guitar:
Alvino Rey (on 1961-03-23)
ukulele:
Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (on 1961-03-23) and The Surfers (a.k.a. The Hawaiian Surfers) (on 1961-03-23)
additional performer:
The Jordanaires (southern gospel group) (on 1961-03-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 137)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
Elvis Presley4.13:01
6Can’t Get Used to Losing You
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-12-02)
arranger:
Robert Mersey
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) and Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (on 1962-12-02)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams12:22
7To Sir with Love
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
To Sir With Love (on 1967-03-20)
lyricist:
Don Black (English lyricist)
composer:
Mark London (musical theater)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music Ltd.
Lulu52:46
8Roses Are Red (My Love)
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
writer:
Al Byron and Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:39
9Cupid
recording of:
Cupid
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Sam Cooke2:37
10Oh, Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:59
11Young Girl
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
The Union Gap featuring Gary Puckett3:14
12Worst That Could Happen
cover recording of:
The Worst That Could Happen
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
Brooklyn Bridge3:03
13Carrie-Anne
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) and The Hollies Ltd. (in 1967)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-01)
recording of:
Carrie Anne (on 1967-05-01)
lyricist and composer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
PolyGram Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies3.652:56
14You’ve Made Me So Very Happy
engineer:
Fred Catero and Roy Halee
producer:
James William Guercio
alto saxophone and piano:
Fred Lipsius (from 1968-10-07 until 1968-10-22)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
drums (drum set) and percussion:
Bobby Colomby (from 1968-10-07 until 1968-10-22)
flugelhorn and trumpet:
Lew Soloff (from 1968-10-07 until 1968-10-22) and Chuck Winfield (from 1968-10-07 until 1968-10-22)
flute, organ, piano and trombone:
Dick Halligan (from 1968-10-07 until 1968-10-22)
guitar and harmonica:
Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
recorder and trombone:
Jerry Hyman (trombone player) (from 1968-10-07 until 1968-10-22)
lead vocals:
David Clayton‐Thomas (from 1968-10-07 until 1968-10-22)
vocals:
Bobby Colomby (from 1968-10-07 until 1968-10-22), Dick Halligan (from 1968-10-07 until 1968-10-22) and Steve Katz (guitarist for Blood, Sweat & Tears) (from 1968-10-07 until 1968-10-22)
arranger:
Blood, Sweat & Tears, Al Kooper and Fred Lipsius
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1968-10-07 until 1968-10-22)
cover recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears54:16
15These Eyes
audio engineer:
David Greene (engineer recording, mixing) and Elliot Scheiner
producer:
Jack Richardson
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
recorded at:
A & R Studios (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
recording of:
These Eyes
writer:
Burton Cummings and Randall Bachman (Canadian guitarist, singer & songwriter)
publisher:
Bug Music, Inc.
The Guess Who3.43:40
16The End of the World
recording of:
The End of the World
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis2:38
17We’ll Sing in the Sunshine
recording of:
We’ll Sing in the Sunshine
lyricist and composer:
Gale Garnett (New Zealand area-born singer, writer & actress)
publisher:
Lupercalia Music Inc.
Gale Garnett2:57
4CD: Only the Lonely (disc 2)
5CD: Come a Little Bit Closer (disc 1)
6CD: Come a Little Bit Closer (disc 2)
7CD: Put a Little Love in Your Heart (disc 1)
8CD: Put a Little Love in Your Heart (disc 2)
9CD: Motown’s ’60s Classics

Credits

Release

ASIN:US: B0BSP2CBVS [info]

Release group

part of:Time Life Music (order: 9)