| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Oh, Pretty Woman (Pretty Woman)- recorded in:
- Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
- Produzent(in):
- Fred Foster
- Gitarre:
- Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (am 1964-08-01)
- Klavier:
- Floyd Cramer (am 1964-08-01)
- Kontrabass [upright bass]:
- Bob Moore (am 1964-08-01)
- Mundharmonika:
- Charlie McCoy (am 1964-08-01)
- Perkussion:
- Paul Garrison (am 1964-08-01)
- Saxophon:
- Boots Randolph (am 1964-08-01)
- Schlagzeug:
- Buddy Harman (am 1964-08-01)
- zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
- Roy Orbison (am 1964-08-01)
- vocals:
- Roy Orbison
- phonographisches Urheberrecht (℗) von:
- Orbison Records, Orbison Records, Inc. und Monument Record Corp. (in 1964)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (Nummer: 20), Billboard: The 500 Best Pop Songs (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 222)
- recording of:
- Oh, Pretty Woman (am 1964-08-01)
- Texter und Komponist(in):
- Bill Dees und Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (am 1964-08-26) und Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:57 |
| 2 | Green Onions (Quadrophenia) | Booker T. & the MG’s | 3.85 | 2:53 |
| 3 | Stuck in the Middle With You (Reservoir Dogs) | Stealers Wheel | 4.1 | 3:25 |
| 4 | Everybody’s Talkin’ (Midnight Cowboy) | Harry Nilsson | 3.9 | 2:50 |
| 5 | We Have All the Time in the World (On Her Majesty’s Secret Service) | Louis Armstrong | 3.5 | 3:15 |
| 6 | For the Love of a Princess (Braveheart) | James Horner & London Symphony Orchestra | 4.5 | 4:05 |
| 7 | Jaws (Jaws) | The City of Prague Philharmonic Orchestra | | 2:14 |
| 8 | Love Song for a Vampire (Bram Stoker’s Dracula) | Annie Lennox | 2 | 4:19 |
| 9 | Thank You (Sliding Doors) | Dido | 4.25 | 3:38 |
| 10 | Pure Shores (The Beach) | All Saints | | 4:09 |
| 11 | Elastic Heart (The Hunger Games: Catching Fire)- zusätzlich recording engineer:
- Rob Kleiner
- membranophone-Programmierung:
- Diplo und Andrew Swanson
- Techniker(in):
- Diplo , Greg Kurstin und Andrew Swanson
- zusätzliche(r) Techniker(in):
- Alex Pasco
- Koproduzent(in):
- Greg Kurstin
- leitende(r) Produzent(in):
- Sia
- Produzent(in):
- Diplo
- assistierende(r) Mix:
- Delbert Bowers und Chris Galland
- Mix:
- Manny Marroquin
- Bass, Gitarre, Klavier, mellotron und membranophone:
- Greg Kurstin
- phonographisches Urheberrecht (℗) von:
- Monkey Puzzle Records (in 2015)
- aufgenommen bei:
- Hot Closet Studios in Los Angeles, California , Vereinigte Staaten
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- engineered at:
- Echo Studio in Los Feliz, Los Angeles, California , Vereinigte Staaten und Mad Decent in Atwater, California , Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2015 (Nummer: 52)
- recording of:
- Elastic Heart
- Verfasser(in):
- Sia Furler , Andrew Swanson und Thomas Wesley Pentz
| Sia | 4.5 | 4:17 |
| 12 | The Living Daylights (The Living Daylights) | a‐ha | 3 | 4:47 |
| 13 | Fame (Fame) | Irene Cara | 5 | 3:49 |
| 14 | Soul Bossa Nova (Austin Powers) | Quincy Jones and His Orchestra | 4 | 2:46 |
| 15 | Harlem Shuffle (Baby Driver) | Bob & Earl | 2 | 2:46 |
| 16 | Loco in Acapulco (Buster) | The Four Tops | | 3:29 |
| 17 | La Bamba (La Bamba) | Los Lobos | 4.15 | 2:53 |
| 18 | Love Is in the Air (Ballroom mix) (Strictly Ballroom) | John Paul Young | | 4:14 |
| 19 | You Never Can Tell (Pulp Fiction) | Chuck Berry | 4.25 | 2:41 |
| 20 | Jailhouse Rock (Jailhouse Rock) | Elvis Presley | 3.4 | 2:28 |
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