Christmas Cantatas: BWV 57, 110 & 122 (Remastered)

~ Release by J. S. Bach; Collegium Vocale Gent & Philippe Herreweghe (see all versions of this release, 4 available)

Annotation

Copyright: ℗ 2023 harmonia mundi

Annotation last modified on 2026-05-27 14:27 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Das neugeborne Kindelein, BWV 122 "Christmas Cantata": 1. Choral "Das neugeborne Kindelein"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:08
2Das neugeborne Kindelein, BWV 122 "Christmas Cantata": 2. Aria "O Menschen, die ihr täglich sündigt"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach5:12
3Das neugeborne Kindelein, BWV 122 "Christmas Cantata": 3. Recitativo "Die Engel, welche sich zuvor"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:22
4Das neugeborne Kindelein, BWV 122 "Christmas Cantata": 4. Aria "Ist Gott versöhnt und unser Freund"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
alto vocals:
Sarah Connolly (mezzo-soprano) (in 1995-12)
choir vocals:
Collegium Vocale Gent (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:12
5Das neugeborne Kindelein, BWV 122 "Christmas Cantata": 5. Recitativo "Dies ist ein Tag, den selbst der Herr gemacht"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:11
6Das neugeborne Kindelein, BWV 122 "Christmas Cantata": 6. Choral "Es bringt das rechte Jubeljahr"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (in 1995-12)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:48
7Unser Mund sei voll Lachens, BWV 110: 1. Chor "Unser Mund sei voll Lachens"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach6:39
8Unser Mund sei voll Lachens, BWV 110: 2. Aria "Ihr Gedanken und ihr Sinnen"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:24
9Unser Mund sei voll Lachens, BWV 110: 3. Recitativo "Dir, Herr, ist niemand gleich"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach0:31
10Unser Mund sei voll Lachens, BWV 110: 4. Aria "Ach Herr, was ist ein Menschenkind"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach4:32
11Unser Mund sei voll Lachens, BWV 110: 5. Duetto "Ehre sei Gott in der Höhe"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:46
12Unser Mund sei voll Lachens, BWV 110: 6. Aria "Wacht auf, ihr Adern und ihr Glieder"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach3:42
13Unser Mund sei voll Lachens, BWV 110: 7. Choral "Alleluja! Gelobt sei Gott"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kaspar Füger (16th century hymnwriter) (in 1592)
part of:
Breitkopf 389 Choralgesänge (number: 380)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
Johann Sebastian Bach1:06
14Selig ist der Mann, BWV 57: 1. Aria "Selig ist der Mann"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": I. Aria (Bass). "Selig ist der Mann" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach3:36
15Selig ist der Mann, BWV 57: 2. Recitativo "Ach! dieser süße Trost"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano) "Ach! dieser süße Trost" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:27
16Selig ist der Mann, BWV 57: 3. Aria "Ich wünschte mir den Tod"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": III. Aria (Soprano). "Ich wünschte mir den Tod, den Tod" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach5:35
17Selig ist der Mann, BWV 57: 4. Recitativo "Ich reiche dir die Hand"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:25
18Selig ist der Mann, BWV 57: 5. Aria "Ja, ja, ich kann die Feinde schlagen"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach5:33
19Selig ist der Mann, BWV 57: 6. Recitativo "In meiner Schoß liegt Ruh und Leben"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VI. Recitativo (Soprano, Bass). "In meinem Schoß liegt Ruh' und Leben" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:30
20Selig ist der Mann, BWV 57: 7. Aria "Ich ende behende"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach4:12
21Selig ist der Mann, BWV 57: 8. Choral "Richte dich, Liebste, nach meinem Gefallen"
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
choir vocals:
Collegium Vocale Gent (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ahasverus Fritsch (in 1668)
part of:
Breitkopf 389 Choralgesänge (number: 231)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:48