Taking a Chance on Love

~ Veröffentlichung von Jane Monheit (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Anmerkung

Exclusive release for Target stores, with 2 bonus tracks.

Anmerkung zuletzt geändert am 2006-03-26 16:35 UTC.

Titelliste

1▼Medium
Nr.TitelBewertungLänge
1Honeysuckle Rose
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
Klavier:
Geoffrey Keezer
Kontrabass [bass]:
Christian McBride (American jazz bassist)
Schlagzeug:
Lewis Nash (American jazz drummer)
vocals:
Jane Monheit
cover recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
3:37
2In the Still of the Night
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
vocals:
Jane Monheit
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
cover recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
45:06
3Taking a Chance on Love
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
alto saxophone:
Donald Harrison
Gitarre [rhythm guitar]:
Miles Okazaki (American Guitarist and composer)
Klavier:
Michael Kanan
Kontrabass [bass]:
Orlando Le Fleming (British jazz bassist)
Schlagzeug:
Rick Montalbano
vocals:
Jane Monheit
arranger:
Michael Kanan
cover recording of:
Taking a Chance on Love
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
3:19
4Bill
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
Klavier:
Michael Kanan
vocals:
Jane Monheit
cover recording of:
Bill (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und P. G. Wodehouse
Komponist(in):
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act II
5:16
5I Won't Dance
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
Horn:
Michael Davis (US jazz trombonist), Lawrence Feldman (flutist and saxophonist), Jim Hynes (trumpet/flugelhorn session muscian), Bob Malach (US jazz saxophonist), Roger Rosenberg, Andy Snitzer, Lew Soloff und Dave Taylor (US jazz bass trombonist)
Klavier:
Rob Mounsey
Kontrabass [bass]:
Ron Carter (US jazz double-bassist)
Schlagzeug:
Lewis Nash (American jazz drummer)
vocals:
Michael Bublé und Jane Monheit
arranger:
Rob Mounsey
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:35
6Too Late Now
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
Klavier:
Michael Kanan
Kontrabass [bass]:
Orlando Le Fleming (British jazz bassist)
Schlagzeug:
Rick Montalbano
Sopransaxophon:
Joel Frahm (US jazz saxophonist)
vocals:
Jane Monheit
arranger:
Michael Kanan
cover recording of:
Too Late Now (Royal Wedding / On a Clear Day)
Texter:
Alan Jay Lerner
Komponist(in):
Burton Lane
publisher:
Chappell & Co.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
5:21
7Why Can't You Behave
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
Gitarre:
Miles Okazaki (American Guitarist and composer)
Klavier:
Michael Kanan
Kontrabass [bass]:
Orlando Le Fleming (British jazz bassist)
Schlagzeug:
Rick Montalbano
vocals:
Jane Monheit
arranger:
Michael Kanan
cover recording of:
Why Can’t You Behave? (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
4:08
8Do I Love You?
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
vocals:
Jane Monheit
conductor:
Alan Broadbent
arranger:
Alan Broadbent
cover recording of:
Do I Love You?
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
Teil von:
DuBarry Was a Lady (1939 stage musical)
4:52
9Love Me or Leave Me
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
alto saxophone:
Donald Harrison
Klavier:
Geoffrey Keezer
Kontrabass [bass]:
Christian McBride (American jazz bassist)
Schlagzeug:
Lewis Nash (American jazz drummer)
Tenorsaxophon:
Joel Frahm (US jazz saxophonist)
vocals:
Jane Monheit
arranger:
Christian McBride (American jazz bassist)
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
3:34
10Embraceable You
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
Gitarre:
Romero Lubambo
vocals:
Jane Monheit
cover recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:47
11Dancing in the Dark
cover recording of:
Dancing in the Dark
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
5:03
12Over the Rainbow
recording engineer und Mix:
Al Schmitt
Produzent(in):
Peter Asher und Al Schmitt
vocals und Interpret(in):
Jane Monheit
conductor:
Ed Shearmur (English score composer)
arranger:
Ed Shearmur (English score composer)
cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
3:53
13I Should Care
cover recording of:
I Should Care
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:43
14I Wish I Were in Love Again
2:54

Nennungen

Veröffentlichungsgruppe

A&R-Management:Mia Bongiovanni (supervising producer at The Metropolitan Opera) (Aufgabe: a&r manager)
Discogs:https://www.discogs.com/master/436473 [Info]
Wikidata:Q7678369 [Info]