Études, op. 2 & op. 5

~ Release by Henselt; Piers Lane (see all versions of this release, 1 available)

Annotation

Sub-Optimal Credits
Piano: Steinway & Sons
Front Picture Research: Richard Howard

Annotation last modified on 2018-02-12 20:03 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Douze Études caractéristiques de concert, op. 2: No. 1 in D minor "Orage, tu ne saurais m'abattre"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 1 in D minor "Orage, tu ne saurais m'abattre" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:20
2Douze Études caractéristiques de concert, op. 2: No. 2 in D-flat major "Pensez un peu à moi, qui pense toujours à vous"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 2 in D-flat major "Pensez un peu à moi, qui pense toujours à vous" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:43
3Douze Études caractéristiques de concert, op. 2: No. 3 in B minor "Exauce mes vœux"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 3 in B minor "Exauce mes vœux" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:54
4Douze Études caractéristiques de concert, op. 2: No. 4 in B-flat major "Repos d'amour"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 4 in B-flat major "Repos d'amour" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:02
5Douze Études caractéristiques de concert, op. 2: No. 5 in C-sharp minor "Vie orageuse"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 5 in C-sharp minor "Vie orageuse" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:03
6Douze Études caractéristiques de concert, op. 2: No. 6 in F-sharp major "Si oiseau j'étais, à toi je volerais"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 6 in F-sharp major "Si oiseau j'étais, à toi je volerais" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:19
7Douze Études caractéristiques de concert, op. 2: No. 7 in D major "C'est la jeunesse qui a des ailes dorées"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 7 in D major "C'est la jeunesse qui a des ailes dorées" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:22
8Douze Études caractéristiques de concert, op. 2: No. 8 in E-flat minor "Tu m'attires, m'entraînes, m'engloutis"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 8 in E-flat minor "Tu m'attires, m'entraînes, m'engloutis" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt2:08
9Douze Études caractéristiques de concert, op. 2: No. 9 in F major "Jeunesse d'amour, plaisir céleste …"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 9 in F major "Jeunesse d'amour, plaisir céleste …" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt3:00
10Douze Études caractéristiques de concert, op. 2: No. 10 in E minor "Comme le ruisseau dans la mer …"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 10 in E minor "Comme le ruisseau dans la mer …" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt1:58
11Douze Études caractéristiques de concert, op. 2: No. 11 in E-flat major "Dors tu, ma vie ?"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 11 in E-flat major "Dors tu, ma vie ?" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt3:38
12Douze Études caractéristiques de concert, op. 2: No. 12 in B-flat minor: Plein de soupirs, de souvenirs …. Moderato ma con moto, con afflizione
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études caractéristiques de concert, op. 2: No. 12 in B-flat minor: Plein de soupirs, de souvenirs …. Moderato ma con moto, con afflizione (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études caractéristiques de concert, op. 2
Adolf von Henselt3:00
13Poème d'amour, op. 3
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Poème d'amour, op. 3 (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
Adolf von Henselt7:26
14Douze Études de salon, op. 5: Suite I: No. 1 in C minor "Eroica"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite I: No. 1 in C minor "Eroica" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt4:03
15Douze Études de salon, op. 5: Suite I: No. 2 in G major
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite I: No. 2 in G major (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt1:51
16Douze Études de salon, op. 5: Suite I: No. 3 in A minor "Hexentanz"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite I: No. 3 in A minor "Hexentanz" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt1:30
17Douze Études de salon, op. 5: Suite I: No. 4 in E major "Ave Maria"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite I: No. 4 in E major "Ave Maria" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt2:43
18Douze Études de salon, op. 5: Suite I: No. 5 in F-sharp minor "Verlorene Heimat"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite I: No. 5 in F-sharp minor "Verlorene Heimat" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt4:24
19Douze Études de salon, op. 5: Suite I: No. 6 in A-flat major "Danklied nach Sturm"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite I: No. 6 in A-flat major "Danklied nach Sturm" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt8:54
20Douze Études de salon, op. 5: Suite II: No. 7 in C major "Elfenreigen"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite II: No. 7 in C major "Elfenreigen" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt1:17
21Douze Études de salon, op. 5: Suite II: No. 8 in G minor "Romanze mit Chor-Refrain"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite II: No. 8 in G minor "Romanze mit Chor-Refrain" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt2:43
22Douze Études de salon, op. 5: Suite II: No. 9 in A major
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite II: No. 9 in A major (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt1:44
23Douze Études de salon, op. 5: Suite II: No. 10 in F minor "Entschwundenes Glück"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite II: No. 10 in F minor "Entschwundenes Glück" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt5:19
24Douze Études de salon, op. 5: Suite II: No. 11 in B major "Liebeslied"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite II: No. 11 in B major "Liebeslied" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt2:49
25Douze Études de salon, op. 5: Suite II: No. 12 in G-sharp minor "Nächtlicher Geisterzug"
recording engineer:
Ben Connellan
producer:
Ateş Orga
piano:
Piers Lane (Australian classical pianist) (from 2004-05-15 until 2004-05-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 2004-05-15 until 2004-05-17)
recording of:
Douze Études de salon, op. 5: Suite II: No. 12 in G-sharp minor "Nächtlicher Geisterzug" (from 2004-05-15 until 2004-05-17)
composer:
Adolf von Henselt (German pianist and composer)
part of:
Douze Études de salon, op. 5
Adolf von Henselt2:01

Credits

Release

photography:Simone de Peak
liner notes:Richard Beattie Davis
liner notes translator:Elke Hockings (german linernotes)
Marie Lucchetta
executive producer:Simon Perry (Hyperion classical music producer)
Michael Spring (producer)
illustration:Carl Blechen
design:Terry Shannon (designer)
booklet editor:Tim Parry (liner notes editor for classical music, mainly on the label Hyperion)
copyrighted (©) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2005)
ASIN:UK: B0006OR15W [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67495 [info]