Operamania

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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2▼CD
#TitleArtistRatingLength
1Gianni Schicchi: “O mio babbino caro”
soprano vocals [Lauretta]:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:08
2Nabucco: “Va, pensiero”
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1965-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1965-10)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:44
3Die Meistersinger von Nürnberg: „Morgenlich leuchtend”
tenor vocals [Walther]:
James King (tenor)
orchestra:
Vienna Opera Orchestra (Vienna State Opera Orchestra)
conductor:
Dietfried Bernet (Austrian Conductor)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Morgenlich leuchtend" (Preislied)
composer:
Richard Wagner (composer)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
Richard Wagner4:20
4Rusalka: “Mesícku na nebi hlubokém”
producer:
John Mordler (producer)
soprano vocals [Rusalka]:
Pilar Lorengar (soprano) (in 1966-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-07)
conductor:
Giuseppe Patanè (conductor) (in 1966-07)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-07)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1966-07)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák6:09
5Lohengrin: Prélude (Act III) and Chœur nuptial/Bridal Chorus
choir vocals:
Vienna State Opera Chorus (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner8:47
6Die Zauberflöte: „Ein Mädchen oder Weibchen”
producer:
Christopher Raeburn (producer)
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:03
7Le nozze di Figaro: “Porgi amor”
producer:
Christopher Raeburn (producer)
soprano vocals [La Contessa]:
Kiri Te Kanawa (soprano) (in 1981-06)
vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:30
8Tosca: “E lucevan le stelle”
tenor vocals [Cavaradossi]:
Franco Corelli (tenor) (on 1966-06-30)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1966-06-30)
conductor:
Lorin Maazel (conductor) (on 1966-06-30)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1966-06-30)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1966-06-30)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:07
9La Rondine: “Chi il bel sogno di Doretta”
soprano vocals [Magda]:
Renata Tebaldi (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Oliviero de Fabritiis (conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini2:41
10Il trovatore: “Squilli, echeggi”
recording engineer:
James Lock (James Locke, engineer) (in 1976-09) and Kenneth Wilkinson (engineer) (in 1976-09)
producer:
Richard Beswick and Ray Minshull (record producer)
bass vocals [Ferrando]:
Nicolaï Ghiaurov (operatic bass) (in 1976-09)
choir vocals:
London Opera Chorus (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:02
11Orfeo ed Euridice: “Che farò senza Euridice”
mezzo-soprano vocals [Orfeo]:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Alexander Gibson (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:53
12La traviata: “Di Provenza il mar”
baritone vocals [Germont]:
Dietrich Fischer‐Dieskau (baritone) (in 1968)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968)
conductor:
Lorin Maazel (conductor) (in 1968)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) (in 1968)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:36
13La bohème: “O soave fanciulla”
soprano vocals:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:03
14Le nozze di Figaro: “Dove sono”
soprano vocals [Contessa]:
Anna Tomowa‐Sintow (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:48
15Tosca: “Recondita armonia”
baritone vocals:
Alfredo Mariotti (baritone) (in 1966)
tenor vocals:
Franco Corelli (tenor) (in 1966)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Lorin Maazel (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1966)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:46
16Norma: “Mira, o Norma”
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano)
soprano vocals [Norma]:
Joan Sutherland (soprano)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini7:29
17Rigoletto: “Zitti, zitti”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Giuseppe Verdi1:22
18Rigoletto: “Bella figlia dell'amore”
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone)
mezzo-soprano vocals [Maddalena]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals [Gilda]:
Joan Sutherland (soprano)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:58
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