Tamla Motown Gold: The Sound of Young America

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Walk Away Renee
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrazione cover di:
Walk Away Renée
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
Four Tops2:45
2Reflections
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Reflections
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Stone Agate Music (nel 1967)
Diana Ross & The Supremes2:49
3Gonna Give Her All the Love I’ve GotJimmy Ruffin2:36
4I Was Made to Love Her
produttore:
Henry Cosby
armonica (a bocca) e voce principale:
Stevie Wonder (il 1967-03-31)
basso :
James Jamerson (il 1967-03-31)
sitar elettrico :
Eddie Willis (il 1967-03-31)
strumenti:
The Funk Brothers (il 1967-03-31)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-31)
registrazione di:
I Was Made to Love Her (il 1967-03-31)
autore:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.72:31
5Jimmy Mack
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-03-02) e Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (dal 1964-03-02 al 1967-01-17)
registrazione di:
Jimmy Mack (dal 1964-03-02 al 1967-01-17)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete (now‐defunct US music publisher, affiliated with BMI) e Stone Agate Music Division
Martha & the Vandellas12:52
6If I Were a Carpenter
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione cover di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
registrazione di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Four Tops2:46
7Ain’t Nothing Like the Real Thing
produttore:
Nickolas Ashford e Valerie Simpson
strumenti:
The Funk Brothers (il 1967-10-06)
voce di accompagnamento:
Valerie Simpson (nel 1967) e Nickolas Ashford (il 1967-10-06)
voce principale:
Marvin Gaye (il 1967-10-06) e Tammi Terrell (il 1967-10-06)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-10-06)
registrazione di:
Ain’t Nothing Like the Real Thing (il 1967-10-06)
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (dal 1967 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye & Tammi Terrell3.752:17
8In and Out of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
In and Out of Love
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
Diana Ross & The Supremes2:38
9Cloud Nine
produttore:
Norman Whitfield
voce principale:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks e Paul Williams (member of The Temptations)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1968)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (il 1968-10-02)
registrazione di:
Cloud Nine (il 1968-10-02)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music e Stone Agate Music Division
The Temptations3.63:29
10For Once in My Life
produttore:
Henry Cosby
voce principale:
Stevie Wonder (nel 1967)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968)
registrazione cover di:
For Once in My Life (nel 1967)
paroliere:
Ronald Miller (Motown songwriter Ronald Norman Miller)
compositore:
Orlando Murden
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:45
11I Heard It Through the Grapevine (single version)
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:09
12I’m Gonna Make You Love Me
produttore:
Nickolas Ashford e Frank Wilson (Motown singer/songwriter)
voce parlata:
Otis Williams (US baritone singer, member of The Temptations & The Distants)
voce principale:
Eddie Kendricks e Diana Ross
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968), Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1968), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968) e PolyGram (nel 1968)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
registrazione cover di:
I’m Gonna Make You Love Me (fino al 1968-09-13)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) e Jerry Ross (Philadelphia soul composer/producer)
editore:
Act Three Music, Down Stairs Music, MRC Music Corp., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & The Supremes & The Temptations2.653:05
13I Don’t Know Why I Love You
registrazione di:
I Don’t Know Why
autore:
Don Powell Hunter, Lula Mae Hardaway (songwriter), Paul Leoidas Riser e Stevie Wonder
editore:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder52:46
14You’re All I Need to Get ByMarvin Gaye & Tammi Terrell42:48
15I Second That Emotion
produttore:
Al Cleveland (songwriter 1930-1996), Terry Johnson (producer) e Smokey Robinson
voce:
Eddie Kendricks
arrangiatore:
Paul Riser
registrazione cover di:
I Second That Emotion
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross & The Supremes & The Temptations2:28
16Twenty Five Miles
registrazione di:
25 Miles
autore:
Johnny Bristol, Harvey Fuqua e Edwin Starr
Edwin Starr3:20
17Love Child
produttore:
The Clan (Motown composers/producers group)
voce di accompagnamento:
The Andantes
arrangiatore:
Paul Riser
registrazione di:
Love Child (Diana Ross & the Supremes song)
autore:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music Co., Inc. e Stone Agate Music Division
Diana Ross & The Supremes3.53:01
18My Cherie Amour
produttore:
Henry Cosby
voce principale:
Stevie Wonder (dal 1967 al 1968)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967 al 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 399)
registrazione di:
My Cherie Amour (dal 1967 al 1968)
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:50
19The Onion Song
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione di:
The Onion Song
autore:
Nickolas Ashford e Valerie Simpson
Marvin Gaye & Tammi Terrell2.52:56
20What Does It Take (to Win Your Love)
produttore:
Johnny Bristol e Harvey Fuqua
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (fino al 1968-01-30)
registrazione di:
What Does It Take (to Win Your Love) (fino al 1968-01-30)
autore:
Johnny Bristol, Vernon Bullock (Soul and R&B singer-songwriter and producer) e Harvey Fuqua
editore:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Jr. Walker & the All Stars52:27
21Someday We’ll Be Together
produttore:
Johnny Bristol
chitarra :
Robert White (US funk/soul guitarist)
voce di accompagnamento:
Merry Clayton, Julia Waters e Maxine Waters
voce ospite:
Johnny Bristol
voce principale:
Diana Ross
arrangiatore:
Wade Marcus
registrazione cover di:
Someday We’ll Be Together
paroliere:
Harvey Fuqua
compositore:
Jackey Beavers (rhythm and blues and gospel singer and songwriter) e Johnny Bristol
editore:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music e Stone Agate Music
Diana Ross & The Supremes53:22
22My Whole World Ended (the Moment You Left Me)
produttore:
Johnny Bristol e Harvey Fuqua
registrazione di:
My Whole World Ended (the Moment You Left Me) (il 1968-11-20)
autore:
Johnny Bristol, Harvey Fuqua, Jimmy Roach e Pam Sawyer (British‐born American lyricist and songwriter)
editore:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
David Ruffin3:27
23Baby, I’m for Real
produttore:
Marvin Gaye e Richard Morris (Motown songwriter)
arrangiatore:
Paul Riser
registrazione di:
Baby I’m for Real
autore:
Anna Gordy Gaye e Marvin Gaye
editore:
FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
The Originals43:14
24Too Busy Thinking About My Baby
produttore:
Norman Whitfield
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione cover di:
Too Busy Thinking About My Baby
autore:
Janie Bradford, Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye2.52:55
25Yester‐me, Yester‐you, Yesterday
produttore:
Johnny Bristol e Harvey Fuqua
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione di:
Yester‐Me, Yester‐You, Yesterday
autore:
Ron Miller (Motown songwriter Ronald Norman Miller) e Bryan Wells
editore:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:02
26Get Ready (single version)
produttore:
Rare Earth (Detroit band)
registrazione cover di:
Get Ready
paroliere e compositore:
William “Smokey” Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Rare Earth52:48

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Wikidata:Q7681513 [info]