Now That’s What I Call Music! 102

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1Someone You Loved
programmazione:
Tom Barnes (UK songwriter and drummer)
produttore e tecnico di missaggio:
TMS (UK songwriting/production team)
archi :
Phil Cook (member of Megafaun, Justin Vernon collaborator)
chitarra basso :
Pete Kelleher (multi-instrumentalist)
pianoforte :
Benjamin Kohn (songwriter and producer)
voce:
Lewis Capaldi (singer-songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 10), Spotify: Top Hits of 2019 (numero: 11) e Billboard Year-End Hot 100 singles of 2019 (numero: 27)
registrazione di:
Someone You Loved
autore:
Benjamin Kohn (songwriter and producer), Lewis Capaldi (singer-songwriter), Pete Kelleher (multi-instrumentalist), Sam Roman (Sam Roman, singer / songwriter / producer) e Tom Barnes (UK songwriter and drummer)
Lewis Capaldi3.453:03
2Shallow
parte di:
BILLIONS CLUB
registrazione di:
Shallow
autore:
Mark Ronson (British DJ and producer), Anthony Rossomando, Stefani Germanotta e Andrew Wyatt (US musician, singer/songwriter, and producer)
editore:
Stephaniesays Music
parte di:
The 91st Academy Award for Best Original Song (numero: 1), Prix de l’œuvre internationale de l’année (numero: 2019) e Academy Award for Best Original Song (numero: 2018 winner)
Lady Gaga & Bradley Cooper3:36
3This Is Me
tecnico:
Derik Lee (engineer)
produttore:
Adam Gubman (US songwriter, arranger & composer) e Greg Wells
voce:
Keala Settle
arrangiatore:
Rob Mathes
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
registrazione di:
This Is Me
autore:
Benj Pasek e Justin Paul
parte di:
The 90th Academy Award for Best Original Song (numero: 2)
parte di:
The Greatest Showman (2017 musical film)
Keala Settle & The Greatest Showman Ensemble2.53:54
4Thursday
diritti fonografici (℗) detenuti da:
Atlantic Records UK (company credits only; do not use as release label!) (nel 2018)
registrazione di:
Thursday
autore:
Ed Sheeran (UK singer‐songwriter), Jess Glynne e Steve Mac (British pop producer/songwriter Steve McCutcheon)
Jess Glynne4.253:36
5Lost Without You
parte di:
Spotify: Top Hits of 2019 (numero: 51)
registrazione di:
Lost Without You
paroliere e compositore:
Freya Ridings (British singer)
editore:
Good Soldier Songs
Freya Ridings33:44
6Rewrite the Stars
registrazione cover di:
Rewrite the Stars
autore:
Benj Pasek e Justin Paul
parte di:
The Greatest Showman (2017 musical film)
registrazione di:
Rewrite the Stars
autore:
Benj Pasek e Justin Paul
parte di:
The Greatest Showman (2017 musical film)
James Arthur & Anne‐Marie3.353:39
7Candlelight
registrazione di:
Candlelight
autore:
Joel Pott e Jack Savoretti
Jack Savoretti3:36
8It’s Not Living (If It’s Not With You)
assistente tecnico di registrazione:
Luke Gibbs
tecnico di registrazione e tecnico:
Jonathan Gilmore
programmazione:
George Daniel (drummer for The 1975)
produttore:
George Daniel (drummer for The 1975), Matthew Healy (The 1975) e Robin Schmidt (mastering engineer)
assistente tecnico di missaggio:
Stephen Sesso
tecnico di missaggio:
Mike Crossey
batteria , sintetizzatore e tastiera :
George Daniel (drummer for The 1975)
chitarra :
Adam Hann e Matthew Healy (The 1975)
chitarra basso :
Ross MacDonald (member of The 1975)
pianoforte , voce di accompagnamento e voce principale:
Matthew Healy (The 1975)
cori:
London Community Gospel Choir
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), George Daniel (drummer for The 1975), Matthew Healy (The 1975) e Sam Swallow
diritti fonografici (℗) detenuti da:
Dirty Hit (nel 2018)
registrazione di:
It’s Not Living (If It’s Not With You)
autore:
George Daniel (drummer for The 1975), Adam Hann, Matthew Healy (The 1975) e Ross MacDonald (member of The 1975)
The 19754.54:09
9Hello My Love
registrazione di:
Hello My Love
autore:
Steve Mac (British pop producer/songwriter Steve McCutcheon) e Ed Sheeran (UK singer‐songwriter)
Westlife3:35
10Everlasting
registrazione di:
Everlasting
autore:
Gary Barlow, Howard Donald, Mark Owen (singer–songwriter), Rick Parkhouse e George Tizzard
Take That3:43
11Almost (Sweet Music)
tecnico di registrazione:
Iain Berryman (engineer) e Robbie Nelson (engineer)
assistente tecnico:
Nathaniel Graham e Ivan Wayman
produttore:
Andrew Hozier‐Byrne (Irish singer/songwriter) e Markus Dravs
tecnico di missaggio:
Shawn Everett
basso e tastiera :
Alex Ryan (multi-instrumentalist)
chitarra , pianoforte e shaker :
Andrew Hozier‐Byrne (Irish singer/songwriter)
nacchere e percussione :
Andrew Hozier‐Byrne (Irish singer/songwriter), Rory Doyle e Alex Ryan (multi-instrumentalist)
organo :
Booker T. Jones
tamburello :
Paul Clarvis (percussionist)
voce:
Andrew Hozier‐Byrne (Irish singer/songwriter)
diritti fonografici (℗) detenuti da:
Rubyworks Ltd. (nel 2019)
registrazione di:
Almost (Sweet Music)
paroliere e compositore:
Andrew Hozier‐Byrne (Irish singer/songwriter)
Hozier3.53:37
12Shine a Light
tecnico di registrazione:
Matt Harvey (engineer), Derik Lee (engineer) e Hayden Watson
produttore:
Bryan Adams (Canadian singer/songwriter)
assistente tecnico di missaggio:
Michael Freeman (UK engineer and recording professional)
tecnico di missaggio:
Mike “Spike” Stent (producer, engineer)
basso [sub bass] :
Johan Carlsson (Swedish‐American pop producer and songwriter)
batteria :
Mickey Curry
chitarra acustica , chitarra basso , chitarra elettrica , percussione e tastiera :
Bryan Adams (Canadian singer/songwriter)
diritti fonografici (℗) detenuti da:
Badams Music Limited (nel 2019)
registrazione di:
Shine a Light
editore:
Ed Sheeran (UK singer‐songwriter)
autore:
Bryan Adams (Canadian singer/songwriter) e Ed Sheeran (UK singer‐songwriter)
editore:
Badams Music Limited, Sony/ATV Songs LLC e UMPG
Bryan Adams43:26
13Love You Anymore
chitarra elettrica :
Johan Carlsson (Swedish‐American pop producer and songwriter)
chitarra slide :
Dean Parks (American session guitarist)
percussione :
Jochem van der Saag
tastiera [keyboards] :
Johan Carlsson (Swedish‐American pop producer and songwriter) e David Foster (Canadian music producer, arranger and composer)
voce di accompagnamento:
Charlie Puth
arrangiatore:
Johan Carlsson (Swedish‐American pop producer and songwriter), David Foster (Canadian music producer, arranger and composer) e Jochem van der Saag
registrazione di:
Love You Anymore
autore:
Johan Carlsson (Swedish‐American pop producer and songwriter), Scott Harris (Shawn Mendes collaborator), Ilsey (US | pop singer) e Charlie Puth
editore:
Artist 101 Publishing Group, Charlie Puth Music Publishing, MXM, Sony/ATV Songs (SOCAN), Sparko Phone Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Michael Bublé33:01
14Look in Her Eyes
assistente tecnico di registrazione:
Patrick Logue
tecnico di registrazione, programmazione e tecnico di missaggio:
Kevin Savigar
produttore:
Kevin Savigar e Rod Stewart
chitarra :
Emerson Swinford
tamburello :
Julia Thornton
tastiera :
Kevin Savigar
tromba :
Anne King (brass)
voce di accompagnamento:
Bridget Cady
voce principale:
Rod Stewart
registrata presso:
Satinwood Studio in Los Angeles, California, Stati Uniti e The Celtic House in Los Angeles, California, Stati Uniti
registrazione di:
Look in Her Eyes
autore:
Kevin Savigar e Rod Stewart
editore:
Big Deluge Music e EMI April Music Inc.
Rod Stewart4:13
15The Greatest Show
tecnico:
Derik Lee (engineer)
produttore:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Jake Sinclair e Greg Wells
tecnico di missaggio:
Greg Wells
arrangiatore:
Rob Mathes
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
registrazione di:
The Greatest Show
autore:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Benj Pasek e Justin Paul
parte di:
The Greatest Showman (2017 musical film)
Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble25:06
16Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
17Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:27
18Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:01
19Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:53
20It’s a Miracle
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
It’s a Miracle di Culture Club (English pop group)
registrazione di:
It’s a Miracle (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Culture Club3.63:25
21Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:46

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:NOW That’s What I Call Music LLP (British holding company) (nel 2019)
streaming gratuito:https://open.spotify.com/album/1ywwywgwPJETrJPdhGwAsq [info]

Gruppo di pubblicazioni

parte di:Now That’s What I Call Music! (UK) (numero: 102) (ordine: 102)
Allmusic:https://www.allmusic.com/album/mw0003253511 [info]
sito web a sé stante:https://www.nowmusic.com/albums/now-102/ [info]