Classic Pop

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: disc one
2▶CD: disc two
3▼CD: disc three
#TitoloArtistaValutazioneDurata
1Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
2Your Wildest Dreams
tecnico di registrazione e produttore:
Tony Visconti
registrata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Your Wildest Dreams
paroliere e compositore:
Justin Hayward (of the Moody Blues)
The Moody Blues4.54:51
3La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:54
4Bizarre Love Triangle
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 114), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 201), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 220) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 379)
registrazione di:
Bizarre Love Triangle
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
New Order4.54:22
5Fight For Your Right
tecnico:
Steve Ett
co-produttore:
Beastie Boys
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
chitarra elettrica :
Kerry King (co‐founder of Slayer)
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 1986)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 49) e Indie 88: Top 500 Indie Rock Songs (numero: 269)
registrazione di:
Fight for Your Right (to Party)
paroliere:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) e Adam Yauch
compositore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
editore:
Brooklyn Dust Music e Def Jam Music
Beastie Boys3.853:28
6More Than Words
assistente tecnico:
Craig Doubet (recording engineer)
tecnico:
Bob St. John
produttore e tecnico di missaggio:
Michael Wagener
batteria e percussione :
Paul Geary
chitarra basso :
Pat Badger
chitarra, tastiera, percussione e pianoforte e voce di accompagnamento:
Nuno Bettencourt
voce di accompagnamento e voce principale:
Gary Cherone
diritti fonografici (℗) detenuti da:
A&M Records (nel 1990)
registrazione di:
More Than Words
autore:
Nuno Bettencourt e Gary Cherone
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Funky Metal Publishing
Extreme3.755:35
7Do You Love Me
registrazione cover di:
Do You Love Me
paroliere e compositore:
Berry Gordy
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Brian Poole & The Tremeloes2:23
8Cocaine
produttore:
Audie Ashworth
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1976)
registrazione di:
Cocaine (nel 1976)
paroliere e compositore:
J.J. Cale
editore:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale3.352:50
9I Want You Back
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1988)
registrazione di:
I Want You Back
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:47
10Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker and Jennifer Warnes3.53:53
11Three Times A Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
The Commodores3.653:36
12I Shot The Sheriff
assistente tecnico:
Steve Klein (Engineer)
tecnico:
Karl Richardson
produttore:
Tom Dowd
basso elettrico [Bass] :
Carl Radle (dal 1974-04-18 al 1974-05-10)
batteria :
Jamie Oldaker (dal 1974-04-18 al 1974-05-10)
chitarra :
Eric Clapton (dal 1974-04-18 al 1974-05-10) e George Terry (guitar player with Clapton in 70's) (dal 1974-04-18 al 1974-05-10)
organo elettrico :
Dick Sims (dal 1974-04-18 al 1974-05-10)
pianoforte :
Albhy Galuten (dal 1974-04-18 al 1974-05-10)
voce di accompagnamento:
Yvonne Elliman (dal 1974-04-18 al 1974-05-10) e George Terry (guitar player with Clapton in 70's) (dal 1974-04-18 al 1974-05-10)
voce principale:
Eric Clapton (dal 1974-04-18 al 1974-05-10)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1974) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1974)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (dal 1974-04-18 al 1974-05-10)
registrazione cover di:
I Shot the Sheriff (dal 1974-04-18 al 1974-05-10)
paroliere e compositore:
Bob Marley (Jamaican reggae artist)
editore:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (nel 1974), Cayman Music Inc (nel 1974), Fifty Six Hope Road Music Limited (nel 1974) e Odnil Music Ltd. (nel 1974)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:24
13Drop The Pilot
assistente tecnico:
Niko Bolas
tecnico e produttore:
Val Garay
basso :
Bryan Garofalo
batteria :
Craig Krampf
chitarra :
Joan Armatrading, Craig Hull e Tim Pierce (US session guitarist)
percussione :
M. L. Benoit
tastiera :
Steve Goldstein
voce:
Joan Armatrading
diritti fonografici (℗) detenuti da:
A&M Records (nel 1983) e A&M Records, Ltd. (nel 1983)
registrazione di:
Drop the Pilot
compositore:
Joan Armatrading
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. e Polygram Music
Joan Armatrading43:37
14Pinball Wizard
registrata a:
England, Regno Unito
tecnico:
Damon Lyon-Shaw
produttore:
Kit Lambert
produttore esecutivo:
Chris Stamp
chitarra :
Pete Townshend (of The Who) (il 1969-02-07)
voce principale:
Roger Daltrey (il 1969-02-07) e Pete Townshend (of The Who) (il 1969-02-07)
esecutore:
The Who
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1969) e Track Records Production (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito e Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (il 1969-02-07)
registrazione di:
Pinball Wizard (il 1969-02-07)
paroliere:
Pete Townshend (of The Who)
compositore:
Pete Townshend (of The Who) (nel 1969)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Towser Tunes, Inc.
The Who4.353:03
15Boys Are Back In Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:29
16Walk The Dinosaur
produttore:
David Was e Don Was
produttore aggiunto:
Paul Staveley O’Duffy
tecnico di missaggio:
Paul Staveley O’Duffy (incarico: final mix)
arrangiatore archi :
Louis Fagenson
arrangiatore corno [horns] :
Luis Resto
registrazione di:
Walk the Dinosaur
autore:
Randy Jacobs (guitarist and songwriter), David Was e Don Was
editore:
MCA Gilbey, MCA Music Ltd., MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi e Universal Music Corp. (USA, affiliated with ASCAP)
Was Not Was54:24
17The Only Way Is Up
Yazz3:36

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