| # | Title | Artist | Rating | Length |
|---|
| 1 | November Rain | Guns N’ Roses | | 8:52 |
| 2 | Have You Every Really Loved a Woman- recorded in:
- Jamaica (in 1995-02) and Wisconsin, United States (from 1995-02-23 until 1995-03-04)
- mixed in:
- France (in 1996-03)
- miscellaneous support:
- Bryan Adams (task: vocal harmony), Mickey Curry (task: brushes) and Olle "Sven" Romo (task: pads)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (on 1995-03-08)
- acoustic guitar and handclaps:
- BA (from 1995-02-23 until 1995-03-04)
- bass:
- Mutt Lange (from 1995-02-23 until 1995-03-04)
- brushes and drums (drum set):
- Mickey Curry (from 1995-02-23 until 1995-03-04)
- castanets:
- Olle Romo (from 1995-02-23 until 1995-03-04)
- classical guitar [Spanish guitar]:
- Paco de Lucía (from 1995-02-23 until 1995-03-04)
- guitar [spanish]:
- Paco de Lucía
- vocals:
- BA (from 1995-02-23 until 1995-03-04)
- phonographic copyright (℗) by:
- A&M Records (in 1995), A&M Records, Inc. (in 1995, in 1999) and Badman Ltd. (in 1995, in 1999)
- recorded at:
- The Warehouse Studio Mobile Unit (from 1995-02-23 until 1995-03-04)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1995-03-08)
- part of:
- The Downloader’s Music Source Book (number: 163)
- recording of:
- Have You Ever Really Loved a Woman? (from 1995-02-23 until 1995-03-04)
- writer:
- Bryan Adams , Michael Kamen and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Songs Inc., Zomba Enterprises Inc., Badams Music Limited (in 1995), K‐Man Corp. (in 1995), New Line Music Co. (in 1995), Sony/ATV Songs LLC (in 1995) and Zomba Music Publishing Ltd. (in 1995)
- part of:
- The 68th Academy Award for Best Original Song (number: 2)
| Bryan Adams | 3.55 | 4:51 |
| 3 | Listen to Your Heart | Roxette | 3 | 5:13 |
| 4 | No One Is to Blame | Howard Jones | 5 | 3:28 |
| 5 | Wicked Game | Chris Isaak | | 4:47 |
| 6 | Everybody Hurts- additional engineer:
- George Cowan , Mark Howard , John Keane , Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- guest cello:
- Kathleen Kee, Daniel Laufer and Elizabeth Proctor Murphy
- guest oboe:
- Deborah Workman
- guest viola:
- Reid Harris, Paul Murphy and Heidi Nitchie
- guest violin:
- Denise Berginson-Smith , Patti Gouvas, Lonnie Ottzen , Sandy Salzinger , Sou-Chun Su and Jody Taylor
- vocals:
- Michael Stipe
- conductor:
- George Hanson
- orchestrator:
- John Paul Jones
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 203)
- recording of:
- Everybody Hurts
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music and Warner–Tamerlane Publishing Corp.
| R.E.M. | 4.6 | 5:16 |
| 7 | Put Your Head on My Shoulder | Paul Anka | | 2:31 |
| 8 | We’ve Only Just Begun | Carpenters | 3.4 | 3:03 |
| 9 | Only the Lonely | The Motels | | 3:13 |
| 10 | So Young | The Corrs | | 4:12 |
| 11 | Heart and Soul | T’Pau | | 4:14 |
| 12 | Everyday I Write the Book | Elvis Costello | | 3:51 |
| 13 | Never Ending Story | Limahl | 3.35 | 3:29 |
| 14 | Sledgehammer | Peter Gabriel | | 4:53 |
| 15 | Tenderness | General Public | 2.25 | 3:36 |
| 16 | Tease Me | Chaka Demus & Pliers | 3.5 | 4:03 |
| 17 | Dollar Wine | Taxi | | 4:39 |
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