Feelings 6

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Every Beat of My Heart
Chris Rea3:24
2Run Like the Wind
cover recording of:
Run Like the Wind
lyricist and composer:
Mike Batt
Barbara Dickson3:15
3If Leaving Me Is Easy
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
alto saxophone:
Don Myrick
bass:
Alphonso Johnson
flugelhorn:
Rahmlee Michael Davis and Michael Harris (trumpeter, member of The Phenix Horns)
guitar:
Eric Clapton and Daryl Stuermer
Rhodes piano, drums (drum set) and synthesizer and lead vocals:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
If Leaving Me Is Easy (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) and Pun Music, Inc. (in 1981)
Phil Collins4.54:58
4What Becomes of the Broken Hearted
cover recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Dave Stewart & Colin Blunstone3:57
5I Love You Much Too Much
assistant engineer:
Wayne Lewis (engineer)
engineer and mixer:
Fred Catero
associate producer:
Fred Catero and The Santana Band (US Latin, blues, & rock band)
producer:
Devadip Carlos Santana and Bill Graham (San Francisco Bay Area promoter)
bass guitar:
David Margen
bongos:
Armando Peraza (percussionist)
congas:
Raul Rekow
drums (drum set):
Graham Lear
electric guitar [lead guitar]:
Devadip Carlos Santana
keyboard:
Richard Baker (US keyboardist for Santana) and Alan Pasqua
organ and piano:
Richard Baker (US keyboardist for Santana)
percussion:
Devadip Carlos Santana, Armando Peraza (percussionist), Raul Rekow and Orestes Vilató (percussionist playing bongos and timbales)
timbales:
Orestes Vilató (percussionist playing bongos and timbales)
background vocals and lead vocals:
Alexander J. Ligertwood
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at and mixed at:
The Automatt in San Francisco, California, United States
instrumental cover recording of:
I Love You Much Too Much
lyricist:
Chaim Tauber
composer:
Alexander Olshanetsky
translator:
Don Raye
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Santana2.654:47
6Hard to Say I’m Sorry
Chicago5:09
7The Last Unicorn
phonographic copyright (℗) by:
ATV Music (in 1982)
recording of:
The Last Unicorn (from the film “The Last Unicorn”)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Last Unicorn (1982 animated film soundtrack)
America53:11
8Arthur’s Theme (The Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:53
9Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:48
10Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:53
11We Belong
assistant engineer:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
producer:
Pete Coleman and Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistant mixer:
Murray Dvorkin and Bino Espinoza
additional guest bass guitar:
Roger Capps
bass guitar:
Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) and Myron Grombacher
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
recording of:
We Belong
writer:
Eric Lowen and Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:41
12Living Inside Myself
assistant engineer:
Doug Parry and Ric Romano (engineer)
engineer:
Norm Kinney
producer:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) and Ross Vannelli
bass guitar:
Neil Stubenhaus
drums (drum set):
Vince Colaiuta (drummer)
lead vocals:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) and Ross Vannelli
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981) and Arista Records, LLC (holding company - file NO releases here!) (in 1981)
recorded at and mixed at:
Smoketree Ranch in Chatsworth, California, United States
recording of:
Living Inside Myself
lyricist and composer:
Gino Vannelli
publisher:
Black Keys Music (ended), En Forme Music and Whirling Rainbow Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gino Vannelli54:18
13Angel of Mine
recording of:
Angel of Mine
lyricist:
Kalina Maloyer
composer:
Frank Duval
publisher:
Ed. Janina (publisher) and Magazin (German publisher)
Frank Duval4:17
14’Til Tomorrow
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bass guitar, drums (drum set) and guitar:
Gordon Banks
solo tenor saxophone:
Bobby Stern (US saxophonist)
synthesizer:
Marvin Gaye
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
recording of:
’Til Tomorrow
lyricist and composer:
Marvin Gaye
publisher:
April Music Inc. (in 1982)
Marvin Gaye24:59
15I’ll Find My Way Home
producer:
Vangelis (Greek composer of electronic, new age and classical)
instruments and performer:
Vangelis (Greek composer of electronic, new age and classical)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981) and Spheric B.V. (in 1981)
recording of:
I’ll Find My Way Home
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell North America
Jon and Vangelis44:33
16Mister Sandman
acoustic guitar:
Brian Ahern
bass:
Emory Gordy
drums (drum set):
Dave Lewis (drummer)
electric piano:
Bill Payne
guitar [lead guitar]:
Albert Lee (guitarist)
background vocals [harmony vocals]:
Dolly Parton and Linda Ronstadt
cover recording of:
Mr. Sandman
lyricist and composer:
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
Emmylou Harris32:21