Classical Christmas Songs

~ Release by Luciano Pavarotti, Joan Sutherland, Jessye Norman (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1O Holy Night
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
engineer:
John Dunkerley (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
O Holy Night (catch-all for arrangements)
composer:
Adolphe Adam (French composer)
arrangement of:
O Holy Night
Adolphe Adam4:14
2The Holly and the Ivy
engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1965-05)
soprano vocals:
Joan Sutherland (soprano) (in 1965-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
The Holly and the Ivy (in 1965-06)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 514)
[traditional]1:18
3Unto Us a Child Is Born
producer:
Donald Fraser (composer and conductor)
choir vocals:
American Boychoir (in 1986) and The New York Choral Society (in 1986)
soprano vocals:
Jessye Norman (soprano) (in 1986)
orchestra:
Empire Chamber Ensemble (Empire Ensemble) (in 1986)
conductor:
Robert De Cormier (American composer and conductor) (in 1986)
arranger:
Donald Fraser (composer and conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986)
recording of:
Messiah, HWV 56: “For unto us a Child is born” (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
arrangement of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
[traditional]1:05
4Have Yourself a Merry Little Christmas
additional recording engineer:
Allen Sides
recording engineer:
Isaiah Abolin
producer:
David Frost (pianist and Grammy-winning producer of classical recordings)
mixer:
David Frost (pianist and Grammy-winning producer of classical recordings) and Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
double bass [acoustic bass]:
Pete Donovan
drums (drum set) [drums]:
Dave Ratajczak
guitar:
Saul Rubin
piano:
Shelly Berg
vocals:
Renée Fleming (soprano) and Gregory Porter
arranger:
Shelly Berg
cover recording of:
Have Yourself a Merry Little Christmas
lyricist:
Ralph Blane (in 1943)
composer:
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) and Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin, Ralph Blane3:35
5Stille Nacht, heilige Nacht
Franz Xaver Gruber3:19
6Joy to the World
engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
soprano vocals:
Joan Sutherland (soprano) (in 1965-05)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
Joy to the World (Christmas carol) (in 1965-05)
lyricist:
Isaac Watts (hymn writer) (in 1719)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Lowell Mason (in 1839)
George Frideric Handel1:54
7Agnus Dei (arr. Guiraud After Intermezzo from L'Arlésienne, WD 28)
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:45
8Ave Maria, "Ellens Gesang III", D. 839
Franz Schubert7:05
9Central Park Serenade
Diane Warren4:13
10What Child Is This (Greensleeves) (arr. John Williamson)
[traditional]2:50
11Silver Bells
Ray Livingston, Kelli O'Hara3:06
12Santa Lucia
[traditional]1:32
13Veni Veni Emmanuel
[traditional]4:01
14Marche des rois
recorded in:
Wien (Vienna), Austria (in 1982-09)
organ:
Ingomar Rainer (organist) (in 1982-09)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1982-09)
orchestra:
Wiener Volksopernorchester (in 1982-09)
conductor:
Uwe Christian Harrer (chorus master/conductor) (in 1982-09)
recording of:
La marche des rois (in 1982-09)
lyricist:
Joseph-François Domergue
composer:
[traditional] (special purpose artist) and Jean‐Baptiste Lully (composer)
[traditional]1:41
15Quanno nascette Ninno
recorded in:
Wien (Vienna), Austria (in 1982-09)
organ:
Ingomar Rainer (organist) (in 1982-09)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1982-09)
orchestra:
Wiener Volksopernorchester (in 1982-09)
conductor:
Uwe Christian Harrer (chorus master/conductor) (in 1982-09)
arranger:
Uwe Christian Harrer (chorus master/conductor)
recording of:
Quanno nascette Ninno (neapolitan original) (in 1982-09)
lyricist and composer:
Alfonso Maria de’ Liguori (Saint of Catholic Church)
[traditional]2:38
16Down in yon Forest
executive producer:
Craig Leon (musician, arranger, composer and producer)
producer:
Craig Leon (musician, arranger, composer and producer)
harp:
Stacey Shames (in 2001-05)
lute:
Edin Karamazov (in 2001-05)
countertenor vocals:
Andreas Scholl (countertenor) (in 2001-05)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 2001-05)
balance engineer:
Charles Harbutt (sound engineer and reissue producer)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2001-05) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 2001-05)
recording of:
Down in Yon Forest (in 2001-05)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]3:12
17Er is een kindeke geboren op aard'
recorded in:
Wien (Vienna), Austria (in 1982-09)
organ:
Ingomar Rainer (organist) (in 1982-09)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1982-09)
orchestra:
Wiener Volksopernorchester (in 1982-09)
conductor:
Uwe Christian Harrer (chorus master/conductor) (in 1982-09)
arranger:
Job Maarse
recording of:
Er is een kindeke geboren (in 1982-09)
writer:
[traditional] (special purpose artist)
[traditional]2:44
18Happy Christmas (War Is Over)
John Lennon3:45
19Le sette ultime parole di nostro Signore sulla croce: Qual giglio candido
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
Saverio Mercadante4:40
20The Christmas Waltz
Sammy Cahn, Jule Styne3:17
21Pietà, Signore
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Pietà, Signore (in 1976-01)
lyricist and previously attributed to:
Alessandro Stradella (composer)
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Alessandro Stradella8:25
22Have Yourself a Merry Little Christmas
Hugh Martin, Ralph Blane2:57
23It Came Upon a Midnight Clear
engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
soprano vocals:
Joan Sutherland (soprano) (in 1965-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
It Came Upon the Midnight Clear (carol version) (in 1965-05)
lyricist:
Edmund Sears (American church author)
composer:
Richard Storrs Willis
part of:
The New English Hymnal (hymn book) (number: 29)
is based on:
CAROL (hymn tune)
is based on:
It Came Upon the Midnight Clear (poem)
Richard Storrs Willis2:47
24Messiah, HWV 56: Pt. 1: 1. Accompagnato: Comfort ye, My people
recorded in:
London (Greater London), England, United Kingdom (in 1982-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1982-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1982-11)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:18
25Be Still My Soul
mezzo-soprano vocals:
Katherine Jenkins (mezzo-soprano)
recording of:
Be Still My Soul
lyricist:
Katheryn A. von Schlegel
composer:
Jean Sibelius (Finnish composer) (from 1899 until 1900)
is based on:
Finlandia, op. 26 (for orchestra)
Jean Sibelius3:42
26Still, Still, Still
[traditional]5:16
27A Child Is Born
Gareth Malone, Gareth Malone's Voices, Royal Philharmonic Orchestra, Catrin Finch & Eloise Irving3:20
28Adam: Cantique de Noël (O Holy Night)
Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna & Michele Mariotti4:34
29Kirkpatrick: Away In A Manger
choir vocals:
Choir of Royal Holloway
recording of:
Away in a Manger (aka “Cradle Song” composed by William J. Kirkpatrick)
additional lyricist:
Charles Hutchinson Gabriel (in 1892)
lyricist:
[anonymous] (special purpose artist)
composer:
William James Kirkpatrick (hymn-writer) (in 1895)
part of:
Roud Folk Song Index (number: 25304)
is based on:
Sweet Afton (set to music by Jonathan E. Spilman, 1837)
translated version of:
Y Preseb
The Royal Holloway Choir3:59
30Traditional: O Tannenbaum
Hilde Güden, Wiener Staatsopernchor, Orchester der Wiener Staatsoper & Richard Rossmayer2:48
31Yon: Gesù Bambino
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Gesù bambino (in 1976-01)
lyricist:
Frederick Martens (US lyricist, early 20th century)
composer:
Pietro Yon (organist & composer) (in 1917)
Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra & Kurt Herbert Adler0.54:28
32Who Knows Where The Time Goes
Renée Fleming & Brad Mehldau4:25
33Melichar: Mille cherubini in coro
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Mille cherubini in coro (in 1976-01)
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler4:01
34M. Haydn: Heiligste Nacht
recorded in:
Wien (Vienna), Austria (in 1982-09)
organ:
Ingomar Rainer (organist) (in 1982-09)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1982-09)
orchestra:
Wiener Volksopernorchester (in 1982-09)
conductor:
Uwe Christian Harrer (chorus master/conductor) (in 1982-09)
recording of:
Heiligste Nacht, MH 461 (in 1982-09)
composer:
Michael Haydn (Austrian composer)
part of:
Michael Haydn Werkverzeichnis (Sherman/Thomas 1993) (number: MH 461)
Wiener Sängerknaben, Wiener Volksopernorchester, Uwe Christian Harrer & Ingomar Rainer3:36
35Franck: Panis Angelicus
José Carreras, Michael G. Gormley, Wiener Symphoniker & Uwe Christian Harrer4:06
36Gounod: Ave Maria: arr. from Bach's Prelude No.1 BWV 846
Renata Tebaldi, Ambrosian Singers, New Philharmonia Orchestra & Anton Guadagno2:38
37Lauridsen: O Magnum Mysterium
recording engineer:
Andrew Mellor (engineer)
producer:
Nicholas Parker (Production music composer)
vocals:
VOCES8 (in 2013-04)
recorded at:
Église Notre-Dame d'Herment in Herment, Puy-de-Dôme, Auvergne-Rhône-Alpes, France (from 2013-04-05 until 2013-04-11)
recording of:
O magnum mysterium (in 2013-04)
composer:
Morten Lauridsen (composer) (in 1994)
Voces85:51
38Messiah / Part 1 : Handel: Messiah / Part 1: 7. Behold, a Virgin shall conceive 8. Aria:O thou that tellest good tidings to Zion 9. Coro
Huguette Tourangeau, Ambrosian Singers, English Chamber Orchestra & Richard Bonynge5:23
39Melichar: Mille cherubini in coro (arr. after Schubert)
recording engineer:
Stanley Goodall (engineer) (in 1971-04)
producer:
Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Mille cherubini in coro (in 1971-04)
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Renata Tebaldi, New Philharmonia Orchestra & Anton Guadagno4:08
40O Jesu mi dulcissime
engineer:
John Pellowe (audio engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (conductor, pianist) (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
recording of:
O Jesu mi dulcissime (in 1997-02)
composer:
Prospero Guida (19th century composer)
Luciano Pavarotti2:54
41Messiah / Part 1 : Handel: Messiah / Part 1: "There Were Shepherds...And Lo, The Angel Of The Lord... And The Angel Said Unto Them...And Suddenly"
recorded in:
London (Greater London), England, United Kingdom (in 1966-06)
soprano vocals:
Heather Harper (soprano) (in 1966-06)
orchestra:
London Symphony Orchestra (in 1966-06)
conductor:
Sir Colin Davis (English conductor) (in 1966-06)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1966-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Heather Harper, London Symphony Orchestra & Sir Colin Davis1:26
42Anonymous: Tu scendi dalle stelle
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Piccolo Coro dell’Antoniano (Italian children’s choir) (in 1977-02)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-02)
conductor:
Leone Magiera (conductor, pianist) (in 1977-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1977-02)
recording of:
Tu scendi dalle stelle (in 1977-02)
lyricist:
[traditional] (special purpose artist)
composer:
[traditional] (special purpose artist) and Alfonso Maria de’ Liguori (Saint of Catholic Church)
translator:
Pope Pius IX (Giovanni Maria Mastai-Ferretti)
version of:
Quanno nascette Ninno (neapolitan original)
Luciano Pavarotti, Piccolo Coro Dell'Antoniano, Orchestra del Teatro Comunale di Bologna & Leone Magiera2:56
43Anonymous: Es ist ein' Ros' entsprungen
Hilde Güden, Wiener Staatsopernchor, Orchester der Wiener Staatsoper & Richard Rossmayer2:33
44J.S. Bach: Jesu Joy of Man's Desiring
clarinet:
Emma Johnson (UK clarinettist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Julian Reynolds
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Emma Johnson, Royal Philharmonic Orchestra & Julian Reynolds3:09
45Sibelius: Giv mig ej glans, Op. 1, No. 4 (Give Me No Splendour)
producer:
Christopher Raeburn (producer)
piano:
Irwin Gage (pianist) (in 1981-11)
baritone vocals:
Tom Krause (bass-baritone) (in 1981-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Julvisa, op. 1 no. 4 (for voice and piano) (in 1981-11)
composed in:
Helsinki, Uusimaa, Finland (in 1909)
lyricist:
Zacharias Topelius
composer:
Jean Sibelius (Finnish composer) (in 1909)
part of:
5 Christmas Songs, op. 1 (for voice and piano)
Tom Krause & Irwin Gage3:46
46Traditional: Good King Wenceslas
engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
harpsichord:
Valda Aveling (pianist, harpsichordist and clavichordist) (in 1965-05)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1965-05)
soprano vocals:
Patricia Clarke (Soprano) (in 1965-05) and Joan Sutherland (soprano) (in 1965-05)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
Good King Wenceslas (in 1965-06)
lyricist:
John Mason Neale (in 1853)
composer:
[traditional] (special purpose artist) (from 1201 until 1301)
arranger:
Thomas Helmore (in 1853)
part of:
Roud Folk Song Index (number: 24754)
is based on:
Tempus adest floridum (13th-century carol)
Joan Sutherland, Valda Aveling, Patricia Clarke, Ambrosian Singers, New Philharmonia Orchestra & Richard Bonynge2:58
47Requiem, Op. 48 : Fauré: Requiem, Op. 48: IV. Pie Jesu
producer:
Andrew Cornall (engineer / producer) and Paul Myers (classical record producer) (task: session recording producer)
mixer:
Philip Siney (sound engineer) (from 1998-09-19 until 1998-09-25)
soprano vocals:
Angela Gheorghiu (Romanian soprano) (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (conductor) (from 1998-09-19 until 1998-09-25)
balance engineer:
James Lock (James Locke, engineer) (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Angela Gheorghiu, London Philharmonic Orchestra & Ion Marin3:39
48Anonymous: I Saw Three Ships
producer:
Donald Fraser (composer and conductor)
choir vocals:
American Boychoir (in 1986) and The New York Choral Society (in 1986)
soprano vocals:
Jessye Norman (soprano) (in 1986)
orchestra:
Empire Chamber Ensemble (Empire Ensemble) (in 1986)
conductor:
Robert De Cormier (American composer and conductor) (in 1986)
arranger:
Donald Fraser (composer and conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986)
recording of:
I Saw Three Ships (in 1986)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 700)
Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier2:14
49Wade: Adeste Fideles
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Terry Edwards (British choir director) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
Luciano Pavarotti, London Voices, National Philharmonic Orchestra & Kurt Herbert Adler3:32
50Gruber: Silent Night (Arr. Gjeilo)
arranger:
Ola Gjeilo (Norwegian composer)
instrumental recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
Ola Gjeilo3:48
51Praetorius, Sandström: Es ist ein Ros entsprungen
vocals:
VOCES8
recording of:
Es ist ein Ros entsprungen (Praetorius’ harmonisation)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Michael Praetorius (composer and organist) (in 1609)
arrangement of:
Es ist ein Ros entsprungen (original anonymous version)
Voces83:47
52Holst: In the Bleak Midwinter (Arr. Gjeilo)
Voces85:12
53Schubert: Ave Maria (Short Version)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Andreas Scholl & Tamar Halperin4:44
54Snowbound
Renée Fleming & Kurt Elling6:26
55Anonymous: Ding Dong! Merrily on High
The Bach Choir, John Scott & Sir David Willcocks1:58
56Mendelssohn: Hark! The Herald Angels Sing - Fanfare
recording of:
Hark! The Herald Angels Sing (Christmas carol)
additional lyricist:
George Whitefield (in 1753)
lyricist:
Charles Wesley (hymn writer) (in 1739)
composer:
Felix Mendelssohn (composer) (in 1840)
arranger:
William H. Cummings (in 1855)
part of:
The New English Hymnal (hymn book) (number: 26)
The Bach Choir, Philip Jones Brass Ensemble, David Corkhill, John Scott & Sir David Willcocks3:53
57L'honestà negli amori : A. Scarlatti: L'honestà negli amori: Già il sole dal Gange (Remastered 2013)
recording engineer and balance engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
L'honestà negli amori: "Già il sole dal Gange" (in 1973-07)
lyricist:
Felice Parnasso
composer:
Alessandro Scarlatti (composer)
publisher:
G. Schirmer Inc.
part of:
L'honestà negli amori
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Richard Bonynge2:03
58Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: He shall feed his Flock
Renée Fleming, Royal Philharmonic Orchestra & Andreas Delfs5:11
59Traditional: The Holly and the Ivy
producer:
Donald Fraser (composer and conductor)
choir vocals:
American Boychoir (in 1986) and The New York Choral Society (in 1986)
soprano vocals:
Jessye Norman (soprano) (in 1986)
orchestra:
Empire Chamber Ensemble (Empire Ensemble) (in 1986)
conductor:
Robert De Cormier (American composer and conductor) (in 1986)
arranger:
Donald Fraser (composer and conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986)
recording of:
The Holly and the Ivy (in 1986)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 514)
Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier2:50
60Messiah, HWV 56 /- Pt 1 : Handel: Messiah, HWV 56 /- Pt 1: But who may abide the day of his coming
Emma Kirkby, Academy of Ancient Music & Christopher Hogwood4:11
61Sweelinck: Hodie Christus Natus Est
The Bach Choir, Royal Philharmonic Orchestra & John Rutter2:58
62Traditional: Sussex Carol (On Christmas Night)
organ:
John Scott (organist, choirmaster)
choir vocals:
The Bach Choir
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Sussex Carol (On Christmas Night)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 597)
The Bach Choir, John Scott & Sir David Willcocks1:32
63Britten: A New Year Carol
The Bach Choir, Royal Philharmonic Orchestra & John Rutter2:05
64Davis: The most wonderful birthday of all
Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis4:43
65A Boy was Born, Op. 3 : Britten: A Boy was Born, Op. 3: Variation 4: The Three Kings
recording engineer:
Gordon Parry (engineer) (in 1957-11) and Kenneth Wilkinson (engineer) (in 1957-11)
choir vocals:
Choir of All Saints Church, Margaret Street and Purcell Singers (founded 1952, Imogen Holst) (in 1957-11)
vocals:
Boys' Voices of the English Opera Group
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1957-11)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1957-11)
recording of:
A Boy Was Born, op. 3: Variation IV. The three kings (in 1957-11)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
The Purcell Singers & Benjamin Britten3:35
66Mendelssohn: Hark! The Herald Angels Sing
Wiener Sängerknaben, Chorus Viennensis, Wiener Volksopernorchester, Ingomar Rainer & Uwe Christian Harrer3:17
67Anonymous: Angels we have heard on high
producer:
Donald Fraser (composer and conductor)
choir vocals:
American Boychoir (in 1986) and The New York Choral Society (in 1986)
soprano vocals:
Jessye Norman (soprano) (in 1986)
orchestra:
Empire Chamber Ensemble (Empire Ensemble) (in 1986)
conductor:
Robert De Cormier (American composer and conductor) (in 1986)
arranger:
Donald Fraser (composer and conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986)
recording of:
Angels We Have Heard on High (in 1986)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
[traditional] (special purpose artist)
translator:
James Chadwick (bishop) (in 1862)
version of:
Les Anges dans nos campagnes
Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier1:56
68Tavener: A Christmas Round
The Choir of Temple Church & Stephen Layton1:40
69Katherine K. Davis, Simeone: The Little Drummer Boy
Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis2:53
70Griselda : Bononcini: Griselda: Per la Gloria (Remastered 2013)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Richard Bonynge4:30
71J. Goss: See amid the winter's snow
producer:
Donald Fraser (composer and conductor)
choir vocals:
American Boychoir (in 1986) and The New York Choral Society (in 1986)
soprano vocals:
Jessye Norman (soprano) (in 1986)
orchestra:
Empire Chamber Ensemble (Empire Ensemble) (in 1986)
conductor:
Robert De Cormier (American composer and conductor) (in 1986)
arranger:
Donald Fraser (composer and conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986)
recording of:
See Amid the Winter’s Snow (carol) (in 1986)
lyricist:
Edward Caswall (Anglican clergyman and hymn writer)
composer:
Sir John Goss (English organist and composer)
Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier3:16
72Mussorgsky: Cradle Song
Galina Vishnevskaya, Russian State Symphony Orchestra & Igor Markevitch4:32
73슈베르트: : Schubert: Ave Maria, D. 839 (Live)
piano:
Leone Magiera (conductor, pianist)
vocals:
Bono (singer of U2) and Luciano Pavarotti (tenor)
live recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Luciano Pavarotti, Bono & Leone Magiera3:55
74Anonymous: Noël Nouvelet (Arr. Saylor)
Jessye Norman, St. Thomas Choir, The Riverside Choir, St. Barnabas Choir, Harry Huff & David Robertson2:32
75Wade: O come, all ye faithful (Remastered 2011)
Kathleen Ferrier, Boyd Neel Orchestra & Boyd Neel3:18
76Anonymous: Good Christian men rejoice
producer:
Donald Fraser (composer and conductor)
choir vocals:
American Boychoir (in 1986) and The New York Choral Society (in 1986)
soprano vocals:
Jessye Norman (soprano) (in 1986)
orchestra:
Empire Chamber Ensemble (Empire Ensemble) (in 1986)
conductor:
Robert De Cormier (American composer and conductor) (in 1986)
arranger:
Donald Fraser (composer and conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986)
recording of:
Good Christian Men Rejoice (in 1986)
lyricist and composer:
[traditional] (special purpose artist)
translator:
John Mason Neale
part of:
The New English Hymnal (hymn book) (number: 107)
translated version of:
In dulci jubilo (original traditional)
Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier1:39
77Messiah / Part 1 : Handel: Messiah / Part 1: "Thus Saith The Lord...But Who May Abide"
Emma Kirkby, Academy of Ancient Music & Christopher Hogwood5:31
78J.S. Bach: Ich steh an deiner Krippen hier, BWV 469
Peter Schreier, Ton Koopman & Jaap ter Linden1:18
79Anonymous: Wintertide
The Royal Holloway Choir3:12
80Hawes: Colours Of Christmas
Patrick Hawes3:21
81Winter Wonderland
choir vocals:
London Voices (in 1985-12)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1985-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-12)
conductor:
Carl Davis (conductor and composer) (in 1985-12)
chorus master:
Terry Edwards (British choir director) (in 1985-12)
arranger:
David Cullen (composer, arranger, orchestrator)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1986)
live recording of:
Winter Wonderland (in 1985-12)
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis3:51
82Cornelius: The Three Kings
baritone vocals:
Gerald Finley (bass-baritone)
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
The Three Kings
lyricist:
Peter Cornelius (German composer, lived from 1824 to 1874) and Philipp Nicolai
composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
arranger:
Sir Ivor Atkins (English organist and conductor)
translator:
Herbert Newell Bate
translated version of:
Weihnachtslieder, op. 8: III. Die Könige
Gerald Finley, Academy of St Martin in the Fields, Academy of St Martin in the Fields Chorus & Sir Neville Marriner2:33
83Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: "Comfort ye, My People...Ev'ry Valley Shall Be Exalted"
Kenneth McKellar, Orchestra of the Royal Opera House, Covent Garden & Sir Adrian Boult7:25
84Berlin: White Christmas
choir vocals:
London Voices (in 1985-12)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1985-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-12)
conductor:
Carl Davis (conductor and composer) (in 1985-12)
chorus master:
Terry Edwards (British choir director) (in 1985-12)
arranger:
David Cullen (composer, arranger, orchestrator)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1986)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (in 1985-12)
live cover recording of:
White Christmas (in 1985-12)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis3:53
85Messiah / Part 1 : Handel: Messiah / Part 1: 5. "But who may abide the day of his coming"
Huguette Tourangeau, English Chamber Orchestra & Richard Bonynge5:20
86Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: 14. Recitative: There were shepherds - Accompagnato: And lo, the angel of the Lord - Recitative:
Joan Sutherland, London Symphony Orchestra & Sir Adrian Boult2:04
87Kirkpatrick: Away in a Manger (Arr. Saylor)
Jessye Norman, American Boy Choir & David Robertson1:44
88Anonymous: Es ist ein' Ros' entsprungen (Arr. Saylor)
Jessye Norman, St. Thomas Choir, Riverside Choir, St. Barnabas Choir & David Robertson2:55
89Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: 2. "Ev'ry Valley shall be exalted"
Stuart Burrows, Symphonieorchester des Bayerischen Rundfunks & Sir Colin Davis3:35
90Anonymous: The Holly & The Ivy
The Royal Holloway Choir4:00
91Messiah / Part 1 : Handel: Messiah / Part 1: "But Who May Abide The Day Of His Coming"
recorded in:
London (Greater London), England, United Kingdom (in 1966-06)
contralto vocals:
Helen Watts (contralto) (in 1966-06)
orchestra:
London Symphony Orchestra (in 1966-06)
conductor:
Sir Colin Davis (English conductor) (in 1966-06)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1966-06)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Helen Watts, London Symphony Orchestra & Sir Colin Davis4:19
92Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: 1. "Comfort ye, my people"
Stuart Burrows, Symphonieorchester des Bayerischen Rundfunks & Sir Colin Davis3:01
93セイナルミヤコ : S. Adams: The Holy City
Jessye Norman & Christopher Bowers-Broadbent6:18
94Ceremony of Carols, Op. 28 : Britten: Ceremony of Carols, Op. 28: Balulalow
harp:
Lucy Wakeford (harpist)
choir vocals:
St. Paul’s Cathedral Choir (London)
treble vocals:
Anthony Way (UK chorister and classical singer)
chorus master:
John Scott (organist, choirmaster)
recording of:
A Ceremony of Carols, op. 28: IV. (b) Balulalow
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Anthony Way, Lucy Wakeford, St Paul’s Cathedral Choir & John Scott1:29
95Messiah / Part 1 : Handel: Messiah / Part 1: And suddenly there was...Glory to God in the highest
Kiri Te Kanawa, Chicago Symphony Chorus, Chicago Symphony Orchestra & Sir Georg Solti2:22
96Arbeau: A Christmas Garland
Jessye Norman, St. Thomas Choir & David Robertson4:01
97Anonymous: Andachtsjodler
recorded in:
Wien (Vienna), Austria (in 1982-09)
organ:
Ingomar Rainer (organist) (in 1982-09)
choir vocals:
Chorus Viennensis (in 1982-09) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1982-09)
orchestra:
Wiener Volksopernorchester (in 1982-09)
conductor:
Uwe Christian Harrer (chorus master/conductor) (in 1982-09)
recording of:
Andachtsjodler (in 1982-09)
composer:
[traditional] (special purpose artist)
Wiener Sängerknaben, Ingomar Rainer, Chorus Viennensis, Wiener Volksopernorchester & Uwe Christian Harrer2:44
98Anonymous: Als ich bei meinen Schafen wacht'
recorded in:
Wien (Vienna), Austria (in 1982-09)
organ:
Ingomar Rainer (organist) (in 1982-09)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1982-09)
orchestra:
Wiener Volksopernorchester (in 1982-09)
conductor:
Uwe Christian Harrer (chorus master/conductor) (in 1982-09)
recording of:
Als ich bei meinen Schafen wacht’ (German Christmas carol) (in 1982-09)
lyricist and composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Wiener Sängerknaben, Ingomar Rainer, Wiener Volksopernorchester & Uwe Christian Harrer2:08
99Schulz: Ihr Kinderlein, kommet
Jessye Norman, St. Thomas Choir, Sarah Cutler, Harry Huff & David Robertson1:23
100Herz und Mund und Tat und Leben Cantata, BWV 147 : J.S. Bach: Herz und Mund und Tat und Leben Cantata, BWV 147: Jesu joy of man's desiring
engineer:
Gordon Parry (engineer) (from 1956-12-04 until 1956-12-07)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (from 1956-12-04 until 1956-12-07)
orchestra:
London Philharmonic Choir (from 1956-12-04 until 1956-12-07)
conductor:
Sir Adrian Boult (conductor) (from 1956-12-04 until 1956-12-07)
arranger:
William Gillies Whittaker (English composer, 1876-1944)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-04 until 1956-12-07)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1956-12-04 until 1956-12-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Kirsten Flagstad, London Philharmonic Orchestra & Sir Adrian Boult6:07
This medium has too many tracks to load at once; currently showing 100 out of 192 total. Load all tracks...

Credits