Ich mag keinen Jazz, aber das gefällt mir

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1What a Wonderful World
recorded in:
New York, New York, Vereinigte Staaten (am 1970-05-26)
Produzent(in):
Bob Thiele (producer & songwriter)
Bratsche / Viola:
Julien Barber (am 1970-05-26), Alfred Brown (viola) (am 1970-05-26), David Schwartz (violist) (am 1970-05-26) und Emanuel Vardi (am 1970-05-26)
Cello:
Charles McCracken (cellist) (am 1970-05-26), Kermit Moore (am 1970-05-26) und George Ricci (am 1970-05-26)
E-Bass:
John Williams Jr. (bass) (am 1970-05-26)
flute:
James Spaulding (jazz) (am 1970-05-26)
Geige / Violine:
Arnold Black (am 1970-05-26), Winston Collymore (am 1970-05-26), Paul Gershman (am 1970-05-26), Harry Lookofsky (am 1970-05-26), Joe Malin (am 1970-05-26), Manny Green (am 1970-05-26), Gene Orloff (am 1970-05-26), Max Pollikoff (am 1970-05-26) und Selwart Richard Clarke (am 1970-05-26)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-05-26) und Kenny Burrell (am 1970-05-26)
Instrumente:
Allan Schulman (cellist and composer) (am 1970-05-26)
Klavier:
Frank Owens (American pianist) (am 1970-05-26)
Kontrabass:
Richard Davis (American jazz bassist) (am 1970-05-26) und George Duvivier (am 1970-05-26)
Schlagzeug:
Bernard “Pretty” Purdie (am 1970-05-26)
vocals:
Louis Armstrong (am 1970-05-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1970-05-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
recording of:
What a Wonderful World (am 1970-05-26)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3:23
2Over the Rainbow
recorded in:
Roma (Rom), Roma, Lazio, Italien (am 1962-01-05)
Techniker(in):
Jean‐Pierre Chalbos (mastering engineer)
Produzent(in):
Daniel Baumgarten
Gitarre:
René Thomas (Belgian jazz guitarist) (am 1962-01-05)
Klavier:
Amedeo Tommasi (Italian jazz pianist) (am 1962-01-05)
Kontrabass:
Benoît Quersin (Belgian jazz bassist) (am 1962-01-05)
Rohrblattinstrumente:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (am 1962-01-05)
Schlagzeug:
Daniel Humair (am 1962-01-05)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1962-01-05)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (am 1962-01-05)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Chet Baker13:30
3The Pink Panther Theme
recording engineer:
Jim Malloy
Produzent(in):
Joe Reisman
Tenorsaxophon:
Plas Johnson (am 1963-09-16)
Orchester:
The Henry Mancini Orchestra (am 1963-09-16)
conductor:
Henry Mancini (US composer, conductor & arranger) (am 1963-09-16)
arranger:
Henry Mancini (US composer, conductor & arranger)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-09-16)
recording of:
The Pink Panther Theme (am 1963-09-16)
Orchestrator(in) und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Classic 100: Piano (2025) (Nummer: 61)
Henry Mancini4.12:40
4Time After Time
Techniker(in) und Mix:
Ron Lorman und Tom Swift (engineer)
Koproduzent(in):
Vince Wilburn, Jr. (drummer)
Produzent(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Robert Irving III (keyboardist)
Bass:
Darryl Jones (bassist for The Rolling Stones) (am 1984-01-26)
Gitarre:
John Scofield (US guitarist/composer) (am 1984-01-26)
Perkussion:
Steve Thornton (percussionist) (am 1984-01-26)
Schlagzeug:
Al Foster (am 1984-01-26)
Synthesizer:
Robert Irving III (keyboardist) (am 1984-01-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1984-01-26)
arranger:
Miles Davis (jazz trumpeter, bandleader, songwriter) und Robert Irving III (keyboardist)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1984-01-26)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
instrumental cover recording of:
Time After Time (am 1984-01-26)
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis4.653:38
5It's Oh So Quiet
recording of:
It’s Oh So Quiet
Texter:
Erich Meder
Komponist(in):
Hans Lang (Austrian composer) und Bert Reisfeld
Übersetzer:
Bert Reisfeld
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Peermusic (UK) Limited und Songs of PolyGram International, Inc.
übersetzte Version von:
Und jetzt ist es still
Lisa Ekdahl2:39
6Dont Let Me Be Misunderstood
Bass:
Robin Draganic
Flügel:
Marque Lowenthal
Schlagzeug:
Heinrich Köbberling
vocals:
Lyambiko (member of Lyambiko)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Lyambiko54:56
7Now's the Time
alto saxophone:
Charles McPherson und Charlie Parker (aka “Bird”, jazz alto saxophonist)
Klavier:
Walter Davis Jr. (American hard bop pianist)
Kontrabass:
Ron Carter (US jazz double-bassist)
Schlagzeug:
John Guerin
Trompete:
Red Rodney
recording of:
Now’s the Time
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker3:22
8Smooth Sailing
Bassgitarre:
Arnold Fishkind (am 1951-06-26)
Gitarre:
Everett Barksdale (am 1951-06-26)
Schlagzeug:
Johnny Blowers (am 1951-06-26)
Hintergrundgesang:
The Ray Charles Singers (am 1951-06-26)
vocals:
Ella Fitzgerald (American jazz singer) (am 1951-06-26)
instrumental cover recording of:
Smooth Sailing (Instrumental) (am 1951-06-26)
Komponist(in):
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
Ella Fitzgerald43:07
9You've Changed
Bass:
Milt Hinton (von 1958-02-19 bis 1958-02-21)
Bassposaune:
Tom Mitchell (US jazz trombonist) (von 1958-02-19 bis 1958-02-21)
Bratsche / Viola:
Sidney Brecher (von 1958-02-19 bis 1958-02-21) und Richard Dickler (von 1958-02-19 bis 1958-02-21)
Cello:
Maurice Brown (jazz cellist) (von 1958-02-19 bis 1958-02-21) und David Soyer (von 1958-02-19 bis 1958-02-21)
flute:
Danny Bank (reeds) (von 1958-02-19 bis 1958-02-21), Phil Bodner (Woodwind player) (von 1958-02-19 bis 1958-02-21), Thomas Parshley (von 1958-02-19 bis 1958-02-21) und Romeo Penque (von 1958-02-19 bis 1958-02-21)
Geige / Violine:
Emmanual Green (von 1958-02-19 bis 1958-02-21), Harry Hoffman (violinist) (von 1958-02-19 bis 1958-02-21), Harry Katzman (von 1958-02-19 bis 1958-02-21), Leo Kruczek (von 1958-02-19 bis 1958-02-21), Milton Lomask (von 1958-02-19 bis 1958-02-21), Harry Melnikoff (von 1958-02-19 bis 1958-02-21), George Ockner (von 1958-02-19 bis 1958-02-21) und Sam Rand (violinist) (von 1958-02-19 bis 1958-02-21)
Gitarre:
Barry Galbraith (von 1958-02-19 bis 1958-02-21)
Harfe:
Janet Putnam (harpist) (von 1958-02-19 bis 1958-02-21)
Klavier:
Mal Waldron (American jazz pianist) (von 1958-02-19 bis 1958-02-21)
Posaune:
Jack Green (von 1958-02-19 bis 1958-02-21), Urbie Green (von 1958-02-19 bis 1958-02-21) und J.J. Johnson (jazz/bop trombonist/session leader) (von 1958-02-19 bis 1958-02-21)
Schlagzeug:
Osie Johnson (von 1958-02-19 bis 1958-02-21)
Trompete:
Billy Butterfield (von 1958-02-19 bis 1958-02-21), Mel Davis (US jazz trumpeter) (von 1958-02-19 bis 1958-02-21) und Bernie Glow (von 1958-02-19 bis 1958-02-21)
Hintergrundgesang:
Elise Bretton (von 1958-02-19 bis 1958-02-21) und Miriam Workman (von 1958-02-19 bis 1958-02-21)
Sologesang:
Billie Holiday (von 1958-02-19 bis 1958-02-21)
Orchester:
Ray Ellis and His Orchestra (von 1958-02-19 bis 1958-02-21)
conductor:
Ray Ellis (US producer, arranger and conductor) (von 1958-02-19 bis 1958-02-21)
cover recording of:
You’ve Changed (von 1958-02-19 bis 1958-02-21)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) und Southern Music Publishing Company
Billie Holiday3:21
10It Ain't Necessarily So
Produzent(in):
John Hammond (producer)
Bass:
Bill Lee (bassist, composer, father of Spike Lee) (am 1960-12-19)
Gitarre:
Lord Westbrook (am 1960-12-19)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1960-12-19)
Schlagzeug:
Belton Evans (am 1960-12-19)
Tenorsaxophon:
Warren Luckey (am 1960-12-19)
vocals:
Aretha Franklin (am 1960-12-19)
arranger:
J. Leslie McFarland (composer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (am 1960-12-19)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Aretha Franklin42:56
11Waltz for Debby
recording of:
Waltz for Debby (instrumental)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Bill Evans5:14
12Milou
Stéphane Grappelli3:48
13Bluesette
recording of:
Bluesette (Original instrumental version)
Komponist(in):
Toots Thielemans
Toots Thielemans4:36
14Girl Talk
Neal Hefti42:54
15Beauty and the Beast
assistierende(r) Techniker(in):
Joe Tuzen
Techniker(in):
Rob Fraboni (US record producer & audio engineer)
Produzent(in):
Jim Price (horn session musician)
Bassgitarre:
Jay Graydon (am 1974-09-12)
Hybrid-Piano:
Wagner Tiso (am 1974-09-12)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1974-09-12)
Perkussion:
Airto Moreira (percussionist) (am 1974-09-12)
Schlagzeug:
Roberto Silva (Brazilian singer and composer) (am 1974-09-12)
Sopransaxophon:
Wayne Shorter (US jazz saxophonist and composer) (am 1974-09-12)
aufgenommen bei:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1974-09-12)
recording of:
Beauty and the Beast (am 1974-09-12)
Komponist(in):
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter5:07
16St. Thomas
Sonny Rollins3:59
17I Can't Explain
Triosence feat. Sara Gazarek3:35
18Fly Me to the Moon
Produzent(in):
David Lai (von 2004-04-06 bis 2004-04-07)
Mix:
Al Schmitt (von 2004-04-06 bis 2004-04-07)
E-Bass [electric bass] und Kontrabass [acoustic bass]:
John Patitucci (von 2004-04-06 bis 2004-04-07)
Klavier und Synthesizer:
Eldar (jazz pianist) (von 2004-04-06 bis 2004-04-07)
Perkussion und Schlagzeug:
Todd Strait (von 2004-04-06 bis 2004-04-07)
arranger:
Eldar Djangirov (jazz pianist) (von 2004-04-06 bis 2004-04-07)
aufgenommen bei:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2004-04-06 bis 2004-04-07)
instrumental recording of:
Fly Me to the Moon (von 2004-04-06 bis 2004-04-07)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Eldar3:24
19I Got It Bad (And That Ain't Good)
recorded in:
New York, New York, Vereinigte Staaten (am 1956-01-27)
alto saxophone:
Otto Hardwick (am 1941-06-26) und Johnny Hodges (am 1941-06-26, am 1956-01-27)
alto saxophone und Klarinette:
Russell Procope (am 1956-01-27)
baritone saxophone:
Harry Carney (am 1941-06-26, am 1956-01-27)
Gitarre:
Fred Guy (am 1941-06-26)
Klarinette:
Barney Bigard (am 1941-06-26)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1956-01-27)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1941-06-26, am 1956-01-27)
Kontrabass:
Jimmy Woode (am 1956-01-27)
Kontrabass [bass]:
Jimmy Blanton (am 1941-06-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1941-06-26), Joe "Tricky Sam" Nanton (am 1941-06-26), Juan Tizol (am 1941-06-26), Quentin Jackson (am 1956-01-27) und Britt Woodman (am 1956-01-27)
Schlagzeug:
Sonny Greer (am 1941-06-26) und Sam Woodyard (am 1956-01-27)
Tenorsaxophon:
Ben Webster (am 1941-06-26) und Paul Gonsalves (am 1956-01-27)
Trompete:
Wallace Jones (am 1941-06-26), Rex Stewart (am 1941-06-26), Cootie Williams (am 1941-06-26, am 1956-01-27), William “Cat” Anderson (am 1956-01-27), Willie Cook (US jazz trumpeter) (am 1956-01-27) und Ray Nance (am 1956-01-27)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-01-27)
Sologesang:
Rosemary Clooney (am 1956-01-27)
Orchester:
Duke Ellington and His Orchestra (am 1956-01-23)
recording of:
I Got It Bad (and That Ain’t Good) (am 1956-01-27)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney3:10
20In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller Orchestra43:30

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