The Very Best of Buddy Holly

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I’m Gonna Love You Too
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
I’m Gonna Love You Too (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty und Niki Sullivan
publisher:
MPL (Paul McCartney-related) (beendet), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:14
2Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
4.52:29
3Look at Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
Vi Petty (am 1957-12-19)
Perkussion [cardboard box]:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
recording of:
Look at Me (von 1957-05 bis 1957-07)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
52:05
4Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
3.52:22
5Valley of Tears
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter)
Klavier:
Vi Petty
Orgel:
Norman Petty
Schlagzeug:
Jerry Allison
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
cover recording of:
Valley of Tears
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter und Travis Music Co.
42:08
6Ready Teddy
cover recording of:
Ready Teddy
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
1:32
7Everyday
recording of:
Everyday
Verfasser(in):
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
1:53
8Mailman, Bring Me No More Blues
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-04-08)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
Klavier:
Vi Petty (am 1957-04-08)
Schlagzeug:
Jerry Allison (am 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (am 1957-04-08)
Verfasser(in):
Bill Katz, Ruth Roberts und Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:08
9Words of Love
recording of:
Words of Love (Buddy Holly song)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
2:12
10(You’re So Square) Baby I Don’t Care
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-12-19)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
51:37
11Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
4.21:50
12Little Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
C. W. Kendall (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
Little Baby (von 1957-05 bis 1957-07)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall und Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
51:56
13Well…All Right
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-12)
Becken:
Jerry Allison (am 1958-02-12)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
Schlagzeug:
Jerry Allison
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1958-02-12)
recording of:
Well… All Right (am 1958-02-12)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
42:15
14Heartbeat
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) und George Atwood (von 1958-05-25 bis 1958-05-26)
Gitarre:
Niki Sullivan, Tommy Allsup (von 1958-05-25 bis 1958-05-26) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
Schlagzeug:
Jerry Allison (von 1958-05-25 bis 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-05-25 bis 1958-05-26)
recording of:
Heartbeat (von 1958-05-25 bis 1958-05-26)
Verfasser(in):
Bob Montgomery (USA) und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
4.652:10
15Real Wild Child
cover recording of:
Wild One (Real Wild Child)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
2:21
16Take Your Time
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter)
Orgel:
Norman Petty
Schlagzeug:
Jerry Allison
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
recording of:
Take Your Time
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
51:56
17It’s So Easy
recording of:
It’s So Easy
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
2:10
18Fool’s Paradise
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-02-13, am 1958-02-19)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-13)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
Klavier:
Vi Petty (am 1958-02-19)
Orgel:
Norman Petty (am 1958-02-13)
Perkussion [cardboard box]:
Jerry Allison (am 1958-02-13)
Hintergrundgesang:
The Roses (American rock backing vocal trio) (am 1958-02-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
cover recording of:
Fool’s Paradise (von 1958-02-13 bis 1958-02-19)
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
2:29
19Now We’re One
recorded in:
New York, New York, Vereinigte Staaten (am 1958-06-19)
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bass:
Sanford Bloch (Bass player) (am 1958-06-19)
Gitarre:
George Barnes (am 1958-06-19)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-06-19)
Schlagzeug:
Philip Kraus (am 1958-06-19)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1958-06-19)
Hintergrundgesang:
The Helen Way Singers (am 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-19)
Interpret(in):
Al Chernet (am 1958-06-19) und Panama Francis (US swing jazz drummer) (am 1958-06-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Now We’re One (am 1958-06-19)
Texter und Komponist(in):
Bobby Darin
publisher:
Portrait
52:05
20Oh You Beautiful Doll
recording of:
Oh, You Beautiful Doll
Texter:
Seymour Brown (in 1911)
Komponist(in):
Nat D. Ayer (in 1911)
Teil von:
For Me and My Gal (1942 movie)
1:18
21Lonesome Tears
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-05-25)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-05-25)
Gitarre:
Tommy Allsup (am 1958-05-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-05-25)
Schlagzeug:
Jerry Allison (am 1958-05-25)
Hintergrundgesang:
The Roses (American rock backing vocal trio) (am 1958-05-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-05-25)
recording of:
Lonesome Tears (von 1958-05-25 bis 1958-05-27)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
1:47
22Oh Boy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
42:08
23Not Fade Away
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
2:17
24You’ve Got Love
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-09-27 bis 1957-09-28)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28) und Niki Sullivan (von 1957-09-27 bis 1957-09-28)
Schlagzeug:
Jerry Allison (von 1957-09-27 bis 1957-09-28)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-09-28 bis 1957-11-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1958-09-28)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (von 1957-09-27 bis 1957-09-28) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-09-28 bis 1957-11-27)
recording of:
You’ve Got Love (von 1957-09-27 bis 1957-11-27)
Verfasser(in):
Roy Orbison, Norman Petty und Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
42:05
25Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:01
26It’s Too Late
Produzent(in):
Norman Petty
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-05 bis 1957-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
It’s Too Late (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
52:23
27Tell Me How
recording of:
Tell Me How
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
BMG Platinum Songs US und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
1:59
28That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:14
29I’m Looking for Someone to Love
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
Bass:
Larry Welborn (am 1957-02-25)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
recording of:
I’m Lookin’ for Someone to Love (am 1957-02-25)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und Wren Music Co.
1:56
30An Empty Cup (and a Broken Date)
recording of:
An Empty Cup (and a Broken Date)
Verfasser(in):
Roy Orbison und Norman Petty
publisher:
Wren Music Co.
2:12
31Send Me Some Lovin’
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) und Niki Sullivan
Schlagzeug:
Jerry Allison
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
cover recording of:
Send Me Some Lovin’
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
2:34
32Last Night
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01) und Niki Sullivan (am 1957-03-01)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-03-01)
Schlagzeug:
Jerry Allison (am 1957-03-01)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14), John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14) und The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-10-12 bis 1957-10-14)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-03-01)
recording of:
Last Night (von 1957-03-01 bis 1957-10-14)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
Wren Music Co.
51:52
33Rock Me My Baby
recording of:
Rock Me My Baby
Verfasser(in):
Susan Heather und Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
1:49
34Love Me
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre [lead guitar]:
Sonny Curtis (am 1956-01-26)
Gitarre [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
Love Me (Buddy Holly Song) (am 1956-01-26)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
2:05
35Don’t Come Back Knockin’
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre [lead guitar]:
Sonny Curtis (am 1956-01-26)
Gitarre [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
recording of:
Don’t Come Back Knockin’ (am 1956-01-26)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:13
36Blue Days, Black Nights
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre [lead guitar]:
Sonny Curtis (am 1956-01-26)
Gitarre [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
recording of:
Blue Days, Black Nights (am 1956-01-26)
Texter und Komponist(in):
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
42:03
37Modern Don Juan
recording of:
Modern Don Juan
Verfasser(in):
Don Guess (best known for his association with Buddy Holly) und Jack Neal
publisher:
Cedarwood Music und Universal Cedarwood Publishing
2:37
38You Are My One Desire
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly)
Gitarre:
Grady Martin (country/rockabilly guitarist)
Klavier:
Floyd Cramer
Tenorsaxophon:
Dutch McMillin (saxophonist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
You Are My One Desire
Verfasser(in):
Don Guess (best known for his association with Buddy Holly) und Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. und Valley Music Ltd (publisher)
2:21
39Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-07-22)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-07-22)
Gitarre:
Sonny Curtis (am 1956-07-22) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
Schlagzeug:
Jerry Allison (am 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
recording of:
Rock Around With Ollie Vee (am 1956-07-22)
Verfasser(in):
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
52:16
40Girl on My Mind
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-07-22)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-07-22)
Gitarre:
Sonny Curtis (am 1956-07-22) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
Schlagzeug:
Jerry Allison (am 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Girl on My Mind (am 1956-07-22)
Verfasser(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
52:18
41Ting‐a‐Ling
cover recording of:
Ting-a-Ling
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
Verfasser(in):
Nugetre (US songwriter/producer)
publisher:
Carlin Music Corp., Cedarwood Music und Unichappell Music, Inc.
2:40
42Early in the Morning
cover recording of:
Early in the Morning
Verfasser(in):
Bobby Darin und Woody Harris
publisher:
Good Music Ltd., Royalty und United Artists Music Co., Inc.
2:07
43Think It Over
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:45

Nennungen

Veröffentlichung

hergestellt in:Europa
vertrieben von:Not Now Music Limited (company credits only; do NOT use as release label)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Not Now Music Limited (company credits only; do NOT use as release label) (in 2009)
Discogs:https://www.discogs.com/release/3463036 [Info]