O melhor de Amália

~ Release by Amália Rodrigues (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Ai Mouraria
recording of:
Ai, Mouraria
lyricist:
Amadeu do Vale
composer:
Frederico Valério
part of:
A Rosa Cantadeira (1945 Rio de Janeiro revival)
?:??
2Fado português
recording of:
Fado português
lyricist:
José Régio
composer:
Alain Oulman
is based on:
Fado português (José Régio poem)
?:??
3Ó careca
?:??
4Valentim
acoustic bass guitar:
Joel Pina
classical guitar:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar)
Portuguese guitar:
José Fontes Rocha (Fado musician, accompanist and composer) and Carlos Gonçalves (Fado musician and composer)
recording of:
Valentim
lyricist and composer:
[traditional] (special purpose artist)
?:??
5Maria Lisboa
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1970)
recorded at:
Estúdios Valentim de Carvalho in Lisboa (Lisbon District), Portugal (in 1970)
recording of:
Maria Lisboa (in 1970)
lyricist:
David Mourão-Ferreira
composer:
Alain Oulman
?:??
6Trova do vento que passa
recording of:
Trova do vento que passa
writer:
Manuel Alegre (Portuguese poet, writer and politician)
composer:
Alain Oulman
?:??
7Povo que lavas no rio
classical guitar:
Castro Mota
Portuguese guitar:
José Nunes (Portuguese guitarist)
lead vocals:
Amália Rodrigues (“Queen of Fado”)
recording of:
Povo que lavas no rio (from 1960 until 1962)
lyricist:
Pedro Homem de Mello
composer:
Joaquim Campos
is based on:
Fado Vitória (traditional fado)
?:??
8Gaivota
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Gaivota (from 1969-01-07 until 1969-01-08)
lyricist:
Alexandre O’Neill
composer:
Alain Oulman
?:??
9Com que voz
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1970)
recorded at:
Estúdios Valentim de Carvalho in Lisboa (Lisbon District), Portugal (in 1970)
recording of:
Com que voz
lyricist:
Luís Vaz de Camões
composer:
Alain Oulman
is based on:
[Com que voz chorarei meu triste fado] (Camões sonnet)
?:??
10Havemos de ir a Viana
recording of:
Havemos de ir a Viana
lyricist:
Pedro Homem de Mello
composer:
Alain Oulman
?:??
11Fadinho da ti Maria Benta
acoustic bass guitar:
Joel Pina
classical guitar:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar)
Portuguese guitar:
José Fontes Rocha (Fado musician, accompanist and composer) and Carlos Gonçalves (Fado musician and composer)
recording of:
Fadinho da ti Maria Benta
lyricist and composer:
[traditional] (special purpose artist)
?:??
12Meu amor, meu amor (Meu limão de amargura)
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
?:??
13Madrugada de Alfama
?:??
14Vou dar de beber à dor
vocals:
Amália Rodrigues (“Queen of Fado”) (in 1968)
recorded at:
Estúdios Valentim de Carvalho in Lisboa (Lisbon District), Portugal (in 1968)
recording of:
Vou dar de beber à dor
lyricist and composer:
Alberto Janes
?:??
3▶CD
4▶CD